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Ada Louise Powell, née Lessore, was a British designer. Her illustrious family included her grandfather Émile Lessore, a free hand designer for Wedgwood, and her sister Thérèse Lessore. Her father, Jules Lessore, also decorated pottery but was primarily a marine painter, he had exhibitions at the Royal Academy and Paris Salon. Powell studied calligraphy at the Central School of Arts and Crafts. "She became highly skilled and well known, illuminating some of William Morris’ incomplete work, and extending her interests to decorative designs and the painting of furniture for Ernest Grimson". Ada thus had historical family connections to the arts and to Wedgwood, however after her father died in 1892 her progression in the arts was perhaps more indebted to the encouragement and aligned interests of her mother and siblings. Her sister, Thérèse Lessore, was a painter and founder member of the London Group and who decorated Wedgwood blanks in the 1920s and her brother Frederick was a portrait sculptor who opened the Beaux Arts Gallery. Ada Louise married Alfred Hoare Powell on Thursday, 6 September 1906 and, in their ceramic works, they developed an artistic partnership.
Thérèse Lessore was a British artist who worked in oil and watercolour. She was a founder member of the London Group, and the third wife of Walter Sickert.
Millicent (Millie) Jane Taplin (1902–1980) was a British designer and painter of ceramics who spent most of her career at Josiah Wedgwood and Sons (1917–1962). She was trained in painting by Alfred and Louise Powell, and supervised Wedgwood's ceramics painters. She became a designer of decorative patterns in 1929 and by the mid-to-late 1930s was one of the company's main designers, although she did not design pottery shapes. She was one of only two working-class women to become a successful ceramics designer before the Second World War. Her tableware designs were exhibited by Wedgwood at Grafton Galleries in London in 1936, and several of her designs are now on display at the V&A Museum. Her design "Strawberry Hill", with Victor Skellern, was awarded the Council of Industrial Design's Design of the Year Award in 1957.
Beata Mårtensson-Brummer was a Swedish painter, ceramist, art teacher and philanthropist. After studying in Stockholm, France and Italy, from 1908 she worked at the Gustavsberg Porcelain Factory where she designed glazed vases and pottery. She taught painting at the Högre konstindustriella skolan where she was appointed head teacher in 1915. In 1911, she married the Hungarian-born sculptor Joseph Brummer. After first helping him to run his gallery in Paris, in 1920 she joined him in New York where he ran the Brummer Gallery in Manhattan until his death in 1947. Mårtensson-Brummer returned to Sweden in 1953. On her death in 1956, she bequeathed considerable amounts of funding to Sweden's cultural institutions.
References
- 1 2 "Emma Bossons". LindaClifford.com. Archived from the original on 18 November 2008. Retrieved 5 December 2007.
- ↑ Walker, Melanie (9 March 2023). "Potter is 'honoured' to be Throw Down judge". Congleton Chronicle . p. 14.
- 1 2 "Firm insures designer for £1.5m". BBC.co.uk. 11 September 2005. Retrieved 5 December 2007.
- ↑ "Emma Bossons". abitofbritain.com. Retrieved 7 January 2008.
- ↑ Wainwright, Martin (12 September 2005). "Ceramics firm insures star designer for £1.5m". The Guardian. London. Retrieved 7 January 2008.
- ↑ "Designer praised for pottery success". BBC.co.uk. 6 December 2002. Retrieved 7 January 2008.
- ↑ "Queen's Choice Vase". W Moorcroft Ltd. 25 April 2018. Archived from the original on 25 April 2018. Retrieved 25 April 2018.