Emmanuel Santos (born 1957 in the Philippines) is a Melbourne, Australia-based documentary and art photographer. While still living in the Philippines, he was a photographer for the United Nations High Commissioner for Refugees . After moving to Australia in 1982, he worked briefly as a folk singer. [1] [2]
His creative work since the late 1980s has focused on the Jewish Diaspora, which he has photographed throughout the world. [1] Santos' photographs are included in a number of museum collections, including the Bibliothèque nationale de France, Jewish Museum of Australia, State Library of Victoria, National Gallery of Victoria, Victorian Arts Centre, Immigration Museum (Melbourne), Jewish Holocaust Centre, and the National Library of Australia. [2] Santos has held solo exhibitions throughout the world. He is also curator at Obscura Gallery in St Kilda, Melbourne, which specialises in fine art and documentary photography. [2]
Jan Saudek is an art photographer and painter.
David Goldblatt HonFRPS was a South African photographer noted for his portrayal of South Africa during the apartheid period. After apartheid's end, he concentrated more on the country's landscapes. Goldblatt's body of work was distinct from that of other anti-apartheid artists in that he photographed issues that went beyond the violent events of apartheid and reflected the conditions that led up to them. His forms of protest have a subtlety that traditional documentary photographs may lack; Goldblatt said, "[M]y dispassion was an attitude in which I tried to avoid easy judgments.... This resulted in a photography that appeared to be disengaged and apolitical, but which was in fact the opposite." Goldblatt also wrote journal articles and books on aesthetics, architecture, and structural analysis.
Wolfgang Georg Sievers, AO was an Australian photographer who specialised in architectural and industrial photography.
Walter Bentley Woodbury was an inventor and pioneering English photographer. He was an early photographer in Australia and the Dutch East Indies. He also patented numerous inventions relating to various aspects of photography, his best-known innovation being the woodburytype photomechanical process.
Jeff Carter was an Australian photographer, filmmaker and author. His work was widely published and contributed iconic representation of the working population of the Australian bush as self-sufficient rugged and laconic.
Carol Jerrems was an Australian photographer/filmmaker whose work emerged just as her medium was beginning to regain the acceptance as an art form that it had in the Pictorial era, and in which she newly synthesizes complicity performed, documentary and autobiographical image-making of the human subject, as exemplified in her Vale Street.
Joyce Olga Evans, B.A., Dip. Soc. Stud. was an Australian photographer active as an amateur from the 1950s and professional photographic artist from the 1980s, director of the Church Street Photography Centre in Melbourne (1976–1982), art curator and collector, and tertiary photography lecturer.
Reynolds Mark Ellis was an Australian social and social documentary photographer. He also worked, at various stages of his life, as an advertising copywriter, seaman, lecturer, television presenter and founder of Brummels Gallery of Photography, Australia's first dedicated photography gallery, where he established both a photographic studio and an agency dedicated to his work, published 17 photographic books, and held numerous exhibitions in Australia and overseas.
Mark Strizic was a 20th-century German-born Australian photographer, teacher of photography, and artist. Best known for his architectural and industrial photography, he was also a portraitist of significant Australians, and fine art photographer and painter known for his multimedia mural work.
Maggie Diaz was an American-born Australian photographer who lived and worked in Melbourne from 1961. The Diaz Collection dates back to 1950s Chicago and the archive has been acquired by the State Library of Victoria, with work in the collections of the National Library of Australia and the National Gallery of Australia.
Polixeni Papapetrou was an Australian photographer noted for her themed photo series about people's identities. Photo series she has made include Elvis Presley fans, Marilyn Monroe impersonators, drag queens, wrestlers and bodybuilders and the recreation of photographs by Lewis Carroll, using her daughter as a model.
John Cyril "Jack" Cato, F.R.P.S. was an Australian portrait photographer in the pictorialist style, operating in the first half of the twentieth century. He was the author of the first history of Australian photography; The Story of the Camera in Australia (1955)
Ruth Maddison is an Australian photographer. She started photography in the 1970s and continues to make contributions to the Australian visual arts community.
John Chester Cato was an Australian photographer and teacher. Cato started his career as a commercial photographer and later moved towards fine-art photography and education. Cato spent most of his life in Melbourne, Australia.
Jennifer "Jennie" Boddington was an Australian film director and producer, who was first curator of photography at the National Gallery of Victoria in Melbourne (1972–1994), and researcher.
Ponch Hawkes is an Australian photographer whose work explores intergenerational relationships, queer identity and LGBTQI+ rights, the female body, masculinity, and women at work, capturing key moments in Australia's cultural and social histories.
Jesse Marlow (1978) is an Australian street photographer, editorial and commercial photographer who lives and works in Melbourne.
Andrew Chapman OAM, is an Australian photojournalist.
Stephen Wickham is an Australian photographer, painter and printmaker.
Jacqueline Mitelman is an Australian portrait photographer.