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|
 Paperback cover | |
| Author | Wendy Fonarow |
|---|---|
| Country | United States |
| Language | English |
| Genre | non-fiction |
| Publisher | Wesleyan University Press |
Publication date | 2006 |
| Media type | Print (hardback and paperback) |
| Pages | 336 |
| ISBN | 978-0-8195-6810-6 |
Empire of Dirt: The Aesthetics and Rituals of British Indie Music is a 2006 book by Wendy Fonarow. [1]
The title of the book comes from one verse from the song "Hurt" by Nine Inch Nails ("and you could have it all, my empire of dirt"). Fonarow was given a vinyl edition of the Cash album American IV by Alan McGee, founder of Creation Records while writing the manuscript.
The cover, designed by Matthew Cooper, depicts a typical indie band (2 guitarists, a bass player and a drummer all thin) in silhouette (see sleeperbloke).
In chapter 1 the author discuss 'What Is "Indie"?'. A problem with defining indie is that any precise definition will exclude music and performers which indie fans and insiders feel should be included or include ones that should be excluded. [2] These are some possible definitions: [3]
Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the U.S. and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.
Indie rock is a subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels, by the 1990s it became more widely associated with the music such bands produced.
SST Records is an American independent record label formed in 1978 in Long Beach, California by musician Greg Ginn. The company was first founded in 1966 by Ginn at age 12 as Solid State Transmitters, a small business through which he sold electronics equipment. Ginn repurposed the company as a record label to release material by his band Black Flag.
Indie is a short form of "independence" or "independent"; it may refer to:
Alternative rock is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethos of late-1970s punk rock.
College rock is alternative rock music that played on student-run university and college campus radio stations located in the United States and Canada in the 1980s and 1990s. The stations' playlists were often created by students who avoided the mainstream rock played on commercial radio stations.
Indie pop is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of indie pop has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop.
Priority Records is an American distribution company and record label known for artists including N.W.A, Ice-T, Jay-Z, Snoop Dogg, Big L, Silkk the Shocker and Westside Connection. It also distributed hip hop record labels including Death Row Records, Hoo-Bangin' Records, No Limit Records, Posthuman Records, Rap-A-Lot Records, Rawkus Records, Roc-A-Fella Records, Ruthless Records Duck Down Records, and Wu-Tang Records. According to Billboard, "few record labels were as important to the rise of West Coast hip hop as Priority Records."
Independent music is music produced independently from commercial record labels or their subsidiaries; this may include an autonomous, do-it-yourself approach to recording and publishing.
Mojave 3 were a British rock band consisting of former Slowdive members Neil Halstead, Rachel Goswell and Ian McCutcheon (drums) alongside keyboardist Alan Forrester and former Chapterhouse guitarist Simon Rowe.
Post-punk revival is a genre or movement of indie rock that emerged in the early 2000s as musicians started to play a stripped down and back-to-basics version of guitar rock inspired by the original sounds and aesthetics of garage rock, new wave, and post-punk.
Lo-fi is a music or production quality in which elements usually regarded as imperfections in the context of a recording or performance are present, sometimes as a deliberate choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music.
New rave is a genre of music described by The Guardian as "an in-yer-face, DIY disco riposte to the sensitive indie rock touted by bands like Bloc Party." It is most commonly applied to a British-based music scene between 2005 and late 2008 of fast-paced electronica-influenced indie music that celebrated the late 1980s Madchester and rave scenes through the use of neon colours and using the term 'raving' to refer to going nightclubbing.
The UK Independent Singles Chart and UK Independent Albums Chart are charts of the best-selling independent singles and albums, respectively, in the United Kingdom. Originally published in January 1980, and widely known as the indie chart, the relevance of the chart dwindled in the 1990s as major-label ownership blurred the boundary between independent and major labels.
How Does It Feel to Be Loved? is a London-based nightclub which predominantly plays indie pop, Northern Soul and Motown music. On the club's website, founder Ian Watson explains: "We love pop, we love guitars that jangle, we love foot stomping melodies and huge choruses." The club's name is taken from the lyrics to The Velvet Underground song "Beginning to See the Light".
Photo Finish Records is an American independent record label founded by Matt Galle in 2006. Based in New York City, the label specializes in alternative rock, pop, and electronic artists. It was first distributed through Atlantic Records, then Universal Music Group. Virgin Music Label & Artist Services is its current distributor.
Wendy Fonarow is a Los Angeles based anthropologist, writer, music industry professional and Professor of Anthropology at Glendale Community College. She is best known for her book Empire of Dirt, one of the first academic monographs on indie music in the context of live concerts. and for her column Ask the Indie Professor in The Guardian. Her areas of expertise include ritual, performance and the music industry.
Electronicore is a fusion genre of metalcore with elements of various electronic music genres, often including trance, electronica, and dubstep.
An independent record label is a record label that operates without the funding or distribution of major record labels; they are a type of small- to medium-sized enterprise, or SME. The labels and artists are often represented by trade associations in their country or region, which in turn are represented by the international trade body, the Worldwide Independent Network (WIN).
