The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet and Heckel systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, rock, and jazz settings as well. One who plays a bassoon is called a bassoonist.
The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions. A harmonica is played by using the mouth to direct air into or out of one holes along a mouthpiece. Behind each hole is a chamber containing at least one reed. The most common is the diatonic Richter-tuned with ten air passages and twenty reeds, often called the blues harp. A harmonica reed is a flat, elongated spring typically made of brass, stainless steel, or bronze, which is secured at one end over a slot that serves as an airway. When the free end is made to vibrate by the player's air, it alternately blocks and unblocks the airway to produce sound.
In music, a quartet is an ensemble of four singers.
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century ars nova, the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the contenance angloise style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period.
A sackbut is an early form of the trombone used during the Renaissance and Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore, and its less-flared bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one.
Stephen Michael Reich is an American composer who is known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." For example, his early works experiment with phase shifting, in which one or more repeated phrases plays slower or faster than the others, causing it to go "out of phase." This creates new musical patterns in a perceptible flow.
A choir is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures.
The cornett, cornetto, or zink is an early wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650.
Helmut Friedrich Lachenmann is a German composer of contemporary classical music. His work has been associated with "instrumental musique concrète".
The theorbo is a plucked string instrument of the lute family, with an extended neck that houses the second pegbox. Like a lute, a theorbo has a curved-back sound box with a flat top, typically with one or three sound holes decorated with rosettes. As with the lute, the player plucks or strums the strings with the right hand while "fretting" the strings with the left hand.
The National Music Museum: America's Shrine to Music & Center for Study of the History of Musical Instruments (NMM) is a musical instrument museum in Vermillion, South Dakota, United States. It was founded in 1973 on the campus of the University of South Dakota. The NMM is recognized as "A Landmark of American Music" by the National Music Council.
Trossingen is a town in Baden-Württemberg, Germany. It is situated in a region called Baar, between the Swabian Alb and the Black Forest. Stuttgart is about an hour away, Lake Constance about half an hour, and the source of the river Danube can be reached in about twenty minutes by car. Trossingen is renowned as a "music town". Although it has only nearly 17,000 inhabitants as of December 31, 2018, the town is home to the renowned 'University of Music Trossingen', which is one of Baden-Württemberg's five state conservatories, and there are several other institutions specializing in musical education, like the 'Bundesakademie für musikalische Jugendbildung' and the 'Hohner Konservatorium'.
Christopher Page is an English expert on medieval music, instruments and performance practice, together with the social and musical history of the guitar in England from the sixteenth century to the nineteenth. He has written numerous books regarding medieval music. He is currently a Fellow of Sidney Sussex College, Cambridge and Emeritus Professor of Medieval Music and Literature in the Faculty of English, University of Cambridge.
In the years centering on 1600 in Europe, several distinct shifts emerged in ways of thinking about the purposes, writing and performance of music. Partly these changes were revolutionary, deliberately instigated by a group of intellectuals in Florence known as the Florentine Camerata, and partly they were evolutionary, in that precursors of the new Baroque style can be found far back in the Renaissance, and the changes merely built on extant forms and practices. The transitions emanated from the cultural centers of Northern Italy, then spread to Rome, France, Germany, and Spain, and lastly reached England . In terms of instrumental music, shifts in four discrete areas can be observed: idiomatic writing, texture, instrument use, and orchestration.
Beat Furrer is a Swiss-born Austrian composer and conductor. He has served as professor of composition at the University of Music and Performing Arts Graz since 1991. He was awarded the Ernst von Siemens Music Prize in 2018.
Susanne Regel is a German oboist working as solo artist and with international ensembles. She specializes in baroque oboe, the classical oboe, and the romantic oboe. Regel also teaches at several universities in Germany.
The Trossingen Railway is a DC-electrified branch line in the German state of Baden-Württemberg. The branch line has connected the town of Trossingen with Trossingen station, which is located on its periphery, since 1897. Trossingen station is on the Rottweil–Villingen railway. The railway is not part of the Deutsche Bahn network; instead it is owned by Stadtwerke Trossingen GmbH. This company formerly operated the railway, but since 2003, operations have been carried out by the Hohenzollerische Landesbahn (HzL). Freight operations were abandoned in 1996.
Yasuo Watani is a Japanese chromatic harmonica player. He was born in Kyoto, Japan and had his first harmonica lessons with Tadao Kobayashi in 1966. After graduating from Doshisha University in 1984 with a degree in Economics, he studied the chromatic harmonica with Helmuth Herold at the Hohner-Konservatorium Trossingen in Germany from 1984 to 1988. He also learned the harmonica from the Canadian harmonica soloist Tommy Reilly. Watani was invited to stay on as a Lecturer at the Hohner-Konservatorium and taught from 1988 to 2002. Since 2005, he is a Music Professor for harmonica at Senzoku-Gakuen College of Music, Japan. He has been invited to judge at many harmonica competitions and festivals, including World Harmonica Festival and Asia Pacific Harmonica Festival.
Les Escapades from Karlsruhe is a German ensemble for early music established in 2000. The four viola da gamba players, Sabine Kreutzberger, Franziska Finckh, Adina Scheyhing and Barbara Pfeifer, studied in The Hague, Basel and Trossingen. They play in the instrumentation as pure Gambenconsort or in cooperation with other artists or choirs. The name of the ensemble promises unexpected access to the musical world of Renaissance and Baroque music.
Stefan Hussong is a German classical accordionist.
