Equestrian Portrait of Charles of Bourbon is a mid-18th century oil on canvas portrait of Charles of Bourbon, produced by Francesco Liani towards the end of Charles' rule in Naples before becoming Charles III of Spain. [1] Liani also produced a portrait of Charles' wife, Maria Amalia of Saxony. Both works are now in Room 34 of the National Museum of Capodimonte. [2]
Napoleon I as Emperor, also known as Napoleon I in his Coronation Robes, is an oil-on-canvas painting by the French artist François Gérard, produced in 1805 under the First French Empire and currently displayed at the Palace of Versailles. Gérard initially produced the painting as an official portrait of Napoleon I for his throne room at the Tuileries Palace. It was later moved to the Palace of Versailles. The painting spent time at the Louvre, at the Élysée Palace, then at the Château de Saint-Cloud before returning to Versailles in 1894.
Saint Jerome and the Angel of Judgement is an oil on canvas painting by Jusepe de Ribera, signed and dated by the artist in 1626. It was produced as a display for a side chapel next to the high altar of the church of Santissima Trinità delle Monache, which also housed Ribera's Earthly Trinity. After the religious order running the building was suppressed in 1813, the canvas entered the Bourbon Collection and the National Museum of Capodimonte in Naples, where it still hangs today.
Sacrificial Scene is a grisaille tempera on canvas painting by Pontormo, produced around 1520 and now in the National Museum of Capodimonte in Naples. It was probably originally produced as part of the decoration of an interior in honour of Cosimo de' Medici.
Massacre of the Innocents is a tempera on panel painting by Matteo di Giovanni, produced between 1450 and 1500 possibly in 1468, 1478, or 1488) probably in Siena. It was commissioned by Alfonso II of Naples, then living in Siena as part of the campaign against the Medici. It was probably produced to commemorate the inhabitants of Otranto killed by the Ottomans in 1480 whose relics were moved into the church of Santa Caterina at Formiello at Alfonso's request - the same church also originally housed the painting. It is now in the National Museum of Capodimonte.
Charles III's Departure for Spain, Seen from the Land is a 1759 oil on canvas painting by Antonio Joli, showing Charles leaving Naples to be crowned king of Spain after the death of his two elder brothers. It and its pair Charles III's Departure for Spain, Seen from the Sea are now in the Museo del Prado in Madrid.
Harvest Time at Carditello is a 1791 oil on canvas painting by Jakob Philipp Hackert, who had become a painter to the royal court at Naples. In 1791 he was commissioned to paint frescoes in the 'salottino' of the manorhouse at Carditello, but the cycle was partly destroyed by anti-Bourbon figures following the unification of Italy.
Assumption of the Virgin with Saint John the Baptist and Saint Catherine of Alexandria is an oil-on-panel painting by the Italian Renaissance painter Fra Bartolomeo, created c. 1516, commissioned by the church of Santa Maria in Castello in Prato. To the left of the Virgin's tomb is John the Baptist, whilst to the right is Catherine of Alexandria. It is now in the National Museum of Capodimonte in Naples.
Charles of Bourbon Visiting Pope Benedict XIV at the Coffee House del Quirinale is an oil-on-canvas painting by the Italian painter Giovanni Paolo Pannini, commissioned by Charles of Bourbon in 1746 and completed the same year. It depicts Charles' visit to Rome after the Bourbon victory over the Austrians at the Battle of Velletri in 1744 – he and pope Benedict XIV were already friends and had signed a Concordat in 1741.
Charles of Bourbon Visiting St Peter's Basilica is an oil-on-canvas painting by Italian artist Giovanni Paolo Pannini, commissioned by its subject Charles of Bourbon in 1746 and completed later that year. It was part of the commission as the same artist's Charles of Bourbon Visiting Pope Benedict XIV at the Coffee House del Quirinale and both works are now in the National Museum of Capodimonte in Naples.
Ferdinand I and His Family is a 1782 oil-on-canvas painting by the Swiss artist Angelica Kauffman, now in the National Museum of Capodimonte in Naples.
Portrait of Charles of Bourbon in Hunting Dress is an oil on canvas painting by Antonio Sebastiani, likely produced in the 1730s either whilst Charles was still in the Duchy of Parma and Piacenza or at the latest during the early years of his rule of Naples and Sicily - Sebastiani was the court painter. It is now in Room 32 of the National Museum of Capodimonte in Naples, part of the building's former royal apartments.
Portrait of Charles IV of Spain is a portrait of Charles IV of Spain in hunting dress with a hunting dog. Both it and a pendant of his wife were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Goya was a court artist to the royal family, though most of his paintings of them are still in the Prado Museum. The two works were commissioned by Charles's daughter Maria Isabella of Spain along with. It was sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.
Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, produced as a pendant painting to a portrait of her husband. Both works were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Goya was a court artist to the royal family, though most of his paintings of them are still in the Prado Museum. The two works were commissioned by the couple's daughter Maria Isabella of Spain. They were sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.
Portrait of Ferdinand IV is an 1759 painting by Anton Raphael Mengs, now in the National Museum of Capodimonte, in Naples.
Portrait of Philip II is an oil on canvas portrait by Titian of Philip II of Spain wearing the chain of the Order of the Golden Fleece. It is in the collection of the Museo di Capodimonte, in Naples.
Portrait of Joachim Murat is an oil-on-canvas painting created in 1808 by the French painter François Gérard. It depicts general Joachim Murat. It is held in Room 54 of the National Museum of Capodimonte, in Naples.
Equestrian Portrait of Amalia of Saxony is a mid-18th century portrait of Maria Amalia of Saxony, produced by Francesco Liani towards the end of her and her husband's rule in Naples before he became Charles III of Spain. It shows its subject in male hunting dress and is modelled on Louis Silvestre II's portrait of Maria's father Augustus III of Poland. Liani also produced a pair of her husband - both works are now in Room 34 of the National Museum of Capodimonte in Naples.
Francesco Liani was an Italian painter, mainly known for his portraits of the Neapolitan royal family.
Penitent Magdalene is a c. 1550 oil on canvas painting by Titian, now in the Museo di Capodimonte in Naples.
Portrait of Pope Paul III with Camauro is a 1545 – 1546 oil on canvas painting by Titian, now in the Museo nazionale di Capodimonte in Naples.
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