Ercole Calvi (1824 in Verona – 1900) was an Italian painter.
Calvi attended the Cignaroli Academy in Verona before moving to Milan in 1844 and completing his studies at the Brera. Carrying on the Romantic tradition of landscape painting, he made a name for himself at Milanese exhibitions with views of lakes and the area of Brianza based on the then fashionable models of Giuseppe Canella. Calvi’s return to Verona in 1856 was followed by increased commercial success and official recognition. He was appointed professor at the Academy of Fine Arts in 1859 and director of the Società di Belle Arti in 1866.
Urban views, landscapes and subjects drawn from the struggle for national liberation came to predominate in his output in the 1860s. While the adoption of a repetitive and somewhat facile pictorial vocabulary ensured lasting success in terms of sales, the first negative reviews by critics also began to appear in the next decade. The second half of the 1870s saw a determined effort to catch up with the contemporary developments in pictorial realism and the introduction of new subjects drawn from life studies of the Venetian lagoon.
Nicolas Poussin was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.
Sir John Everett Millais, 1st Baronet, was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street. Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–52.
John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes".
Eugène Fromentin was a French painter and writer, now better remembered for his writings.
The Starry Night is an oil on canvas painting by Dutch Post-Impressionist painter Vincent van Gogh. Painted in June 1889, it depicts the view from the east-facing window of his asylum room at Saint-Rémy-de-Provence, just before sunrise, with the addition of an imaginary village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. Widely regarded as Van Gogh's magnum opus, The Starry Night is one of the most recognized paintings in Western art.
A bird's-eye view is an elevated view of an object from above, with a perspective as though the observer were a bird, often used in the making of blueprints, floor plans, and maps. It can be an aerial photograph, but also a drawing.
Cosmê Tura, also known as Il Cosmè or Cosimo Tura, was an Italian early-Renaissance painter and considered one of the founders of the School of Ferrara.
Hans Fredrik Gude was a Norwegian romanticist painter and is considered along with Johan Christian Dahl to be one of Norway's foremost landscape painters. He has been called a mainstay of Norwegian National Romanticism. He is associated with the Düsseldorf school of painting.
Pictorial maps depict a given territory with a more artistic rather than technical style. It is a type of map in contrast to road map, atlas, or topographic map. The cartography can be a sophisticated 3-D perspective landscape or a simple map graphic enlivened with illustrations of buildings, people and animals. They can feature all sorts of varied topics like historical events, legendary figures or local agricultural products and cover anything from an entire continent to a college campus. Drawn by specialized artists and illustrators, pictorial maps are a rich, centuries-old tradition and a diverse art form that ranges from cartoon maps on restaurant placemats to treasured art prints in museums.
Giuseppe Canella, also referred to as Giuseppe Canella the Elder, was an Italian painter.
Anthony Devis was an English landscape painter, working especially in watercolor and oils and active in London.
Jacob Thompson was an English landscape painter.
James Fittler was a British engraver of portraits and landscapes and an illustrator of books. He was appointed by King George III to be his marine engraver.
Giorgio Belloni was an Italian painter.
Pompeo Calvi was an Italian painter.
Angelo Dall'Oca Bianca was an Italian painter.
Carlo Mancini was an Italian painter noted for his rural scenes and Oriental subjects.
Odoardo Perini was an Italian painter of the late-Baroque period, active in Verona.
Umberto Bazzoli was an Italian painter, mainly of landscapes and portraits.
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