Eric Wesley (born 1973) [1] is an American artist who works with a variety of media including sculpture and painting. [2] [3] He is based in Los Angeles. [4]
Wesley was born and raised in Los Angeles, California, [5] [1] [3] the son of two social workers. [6] As a child, he planned to become an aeronaturical engineer. [6] He earned a fine arts degree from University of California, Los Angeles in 1996. [7] [8] [3] While Wesley primarily works from Los Angeles, he previously had a studio in Berlin. [2] [6]
Wesley's work encompasses sculpture and painting, among other media, [2] [3] and have been displayed around the world. He has held solo exhibitions at galleries including the Museum of Contemporary Art, Los Angeles and Foundation Morra Greco, Naples, Italy. [9] He has participated in group shows at the Hammer Museum in Los Angeles; [10] CAPC musée d'art contemporain, Bordeaux; [11] Fundación/Colección, Mexico City; [12] ARCOS Museo d’Arte, Benevento, Italy;[ citation needed ] the Prague Biennial in 2007; [13] Institute of Contemporary Arts, London; [14] P.S. 1, New York; [15] the Whitney, New York; [16] and the Studio Museum in Harlem. [17] His work was part of the collection TV executive Dean Valentine donated to the Hammer Museum in 2007. [18] He has worked extensively with China Art Objects Galleries, Bortolami Gallery, and Maureen Paley. [13] [19] He was included on ArtReview 's Future Greats list in 2005 [20] and 2008. [21]
He is also the co-founder of Mountain School of Art (MSA) in Los Angeles, [22] an artist-run nomadic school that he opened in January 2006 with Piero Golia. [3] [23] [24] They accept 15 fellows annually to a three-month program. The classes are free and all staff are volunteers. [23] [24] In 2008, Wesley told ArtReview that it was less of an art school and more of "an institution patterned on the university model and devoted to general education, with a curriculum grounded in science, philosophy and law." [23]
Year | City | Gallery | Title | Notes | Refs |
---|---|---|---|---|---|
1999 | Los Angeles | China Art Objects Galleries | Camper | [25] | |
2000 | Kicking Ass | [26] [27] | |||
2001 | Pasadena | Caltech | Two Story Clock Tower | Erected on the Caltech campus | [28] [1] [29] |
2002 | New York City | Metro Pictures Gallery | New Amsterdam | [27] [30] [2] [31] | |
Karlsruhe | Meyer-Reigger Galerie | Enchilada “The Endless Burrito” | [32] [27] [2] | ||
Turin | Galeria Franco Noero | Ouchi | [27] | ||
2003 | Basel | Art Basel | Jeans Theory, Statements | [33] | |
2004 | Los Angeles | China Art Objects Galleries | Pico Youth Center | [34] | |
Miami | Locust Projects | Eric Wesley I love WW2 | [35] | ||
2005 | Amsterdam | Bowie-Van Valen Gallery | [36] [2] | ||
2006 | Karlsruhe | Meyer-Riegger Gallery | Audi | [37] [1] [2] | |
Naples | Galleria Fonti | You say Tomato, I say Tomato | [38] [3] [2] [39] | ||
Los Angeles | China Art Objects Galleries | Erik Wesley | [40] [1] | ||
Museum of Contemporary Art | MOCA FOCUS: Eric Wesley | [16] [2] [5] [1] [3] [41] | |||
Pacific Design Center | Thirty Three Point Three Three Three | [42] [2] [29] | |||
2007 | New York City | Bortolami Gallery | Spaference Room | [43] [1] | |
Naples | Foundation Morra Greco | Spa fice | [44] [13] [1] [45] [46] [2] | ||
Münchenstein | Kunsthaus Baselland | [2] | |||
Turin | Galeria Franco Noero | [2] | |||
2008 | Berlin | Feurig59 | Ship Shape Shit Shelf and the Empfang Box | [13] | |
2009 | London | Maureen Paley | New Realistic Figures | [13] | |
2010 | New York City | Bortolami Gallery | D’Carts Blanche and New Paintings | [47] | |
2011 | Los Angeles | China Art Objects Gallery | The Same ‘Ol New Frontier | [48] | |
2012 | New York City | Bortolami Gallery | 2 new works | [49] | |
2015 | Los Angeles | 356 Mission | Some Work | [50] | |
2016 | Minneapolis | Midway Contemporary Art | ISOSCELES TRAPEZOID ARCH | [51] | |
2019 | Los Angeles | TIMESHARE | Turning Tables | [52] | |
Pico Pico | Timbuctoo | Alternate title: Sticks and stones may break my bones but words fucking kill me | [53] | ||
London | Sprovieri Gallery | Reputation | [54] | ||
2022 | New York City | Bortolami Gallery | Eric Wesley/St Louis | [55] | |
2024 | Martos Gallery | Three Sleeping Philosophers | [56] |
Year | City | Gallery | Exhibition title | Notes | Refs |
---|---|---|---|---|---|
1998 | Santa Monica | Rosamund Felsen Gallery | I-Candy | [ citation needed ] | |
Los Angeles | Brent Petersen Gallery | Drawings for Works in Progress | [57] | ||
1999 | L.A. Edge Festival | Organized by Simon Watson | [ citation needed ] | ||
2000 | ACME Gallery | Young and Dumb | Curated by Pentti Monkkonen | [58] | |
2001 | New York City | Studio Museum in Harlem | Freestyle | Sculpture: Kicking Ass | [17] [59] [60] [61] [62] [63] |
Santa Monica | Santa Monica Museum of Art | [17] | |||
San Diego | Museum of Contemporary Art, San Diego | Ultrabaroque: Aspects of Post-Latin American Art | [64] | ||
Los Angeles | UCLA Hammer Museum | Snapshot: New Art From Los Angeles | [13] [27] [65] [2] [66] [67] | ||
Miami | Museum of Contemporary Art | [ citation needed ] | |||
New York City | Artists Space | Purloined | Ran September 6 - October 13 | [68] | |
Karlsruhe | ZKM Center for Art and Media | Circles 3: Silver Lake Crossings | Curated by Christoph Keller | [ citation needed ] | |
New Plymouth | Govett-Brewster Art Gallery | Drive: Power, Progress, Desire | Curated by Gregory Burke | [69] | |
New York City | Metro Pictures Gallery | [ citation needed ] | |||
2002 | Richmond | Reynolds Gallery | Drive By: Nine Artists from Los Angeles | [ citation needed ] | |
2003 | Los Angeles | Craft and Folk Art Museum | Fade (1990–2003) | Curated by Malik Gaines | [70] |
China Art Objects Galleries | Works for Giovanni | [ citation needed ] | |||
Glasgow | Transmission Gallery | More Boots = Many Routes | With Lee O’Connor and Ryan Doolan | [ citation needed ] | |
Turin | Galeria Franco Noero | New Space! New Show! | [ citation needed ] | ||
Guadalajara | OPA: Oficina Para Proyectos de Arte | Adios Pendejos | [ citation needed ] | ||
London | Campoli Presti | Eduardo Sarabia and Eric Wesley | [71] | ||
2004 | New York City | Whitney Museum of American Art | Whitney Biennial | [13] [16] [2] | |
Vienna | Museum für Angewandte Kunst | 3 Fireplaces and 2 Bathtubs | [72] | ||
San Francisco | Contemporary Jewish Museum | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | [14] | |
2005 | New York City | Bortolami Dayan | Gallery opening event | [73] | |
Closing Down: Thanks | [ citation needed ] | ||||
Los Angeles | Los Angeles Contemporary Exhibitions | A Walk to Remember | Organized by Jens Hoffmann | [74] | |
London | Institute of Contemporary Arts | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | [14] [13] [2] | |
Virginia Beach | Virginia Museum of Contemporary Art | [14] | |||
Reading | Freedman Art Center | [14] | |||
New York City | I-20 Gallery | Installations | [ citation needed ] | ||
Having Differences | [ citation needed ] | ||||
2006 | Minneapolis | Midway Contemporary Art | Axis of Praxis | Curated by Nate Lowman | [75] [1] |
Los Angeles | Black Dragon Society | Designomite | Curated by Parker Jones | [76] | |
London | Institute of Contemporary Arts | Alien Nation | Curated by John Gill, Jens Hoffmann and Gilane Tawadros | [13] [77] [1] [2] | |
Long Island City | P.S. 1 Contemporary Art Center | The Gold Standard | [13] [15] [1] | ||
New York City | Bortolami Dayan | Survivor | Curated by David Rimanelli | [78] | |
Nashville | Cheekwood Museum of Art | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | [14] | |
2007 | Prague | Prague Biennale | [13] [2] | ||
Los Angeles | Lizabeth Oliveria | Milieu | [79] | ||
Angles Gallery | [ citation needed ] | ||||
Venice, CA | Balmoral Gallery | One Foot High and Rising | [ citation needed ] | ||
Athens | Kalfayan Gallery | Darling, Take Fountain | [80] [1] | ||
New York City | Bortolami | Substance & Surface | [81] | ||
2008 | Los Angeles | China Art Objects Gallery | The Light of the Virgo | [ citation needed ] | |
Pougues-les-Eaux | Centre d'Art du Parc Saint Léger | Los Angeles Confidential | [13] [1] | ||
San Francisco | Wattis Institute for Contemporary Arts | Amateurs | [13] [82] [1] | ||
Benevento | ARCOS Museo d’Arte | ITALIA ITALIE ITALIEN ITALY WLOCHY | [ citation needed ] | ||
Los Angeles | Kathryn Brennan Gallery | Globetrotters | Curated by Katie Brennan | [83] | |
New York City | Parrish Art Museum | Sand- Meaning and Metaphor | [ citation needed ] | ||
2009 | Los Angeles | Hammer Museum | Second Nature: Dean Valentine Collection | [ citation needed ] | |
China Art Objects Gallery | 1999 | [ citation needed ] | |||
2010 | Museum of Contemporary Art | The Artist's Museum | [ citation needed ] | ||
New York City | Bortolami Gallery | RE-DRESSING | [84] | ||
Los Angeles | China Art Objects Gallery | The Inauguration of China Art Objects in Culver City, Los Angeles | [85] | ||
Mexico City | Fundación Colección Jumex | Les enfants terribles | [12] | ||
Los Angeles | Cottage Home | Video Journeys | [86] | ||
2011 | Amsterdam | Temporary Stedelijk Museum 3 | Making Histories – Changing Views of the Collection | [ citation needed ] | |
New York City | 483 Broadway, SoHo | Greater LA | [87] | ||
Bordeaux | CAPC musée d'art contemporain | BigMinis: Fetishes of Crisis | [11] | ||
2014 | Los Angeles | Hammer Museum | A Public Fiction | Part of Made in L. A. 2014 | [10] [5] |
Paradise Garage | LIQUOR STORE | [88] | |||
2015 | Chicago | Museum of Contemporary Art | Out of Office | Organized by Grace Deveney | [89] |
2016 | Cahokia | Abandoned Taco Bell at 1296 Camp Jackson Road | The Bell | [7] [6] | |
2019 | Long Island City | SculptureCenter | Searching the Sky for Rain | Curated by Sohrab Mohebbi | [5] |
Los Angeles | Hammer Museum | Dirty Protest: Selections from the Hammer Contemporary Collection | [5] | ||
2021 | New York City | Bortolami Gallery | Springweather and people | [5] | |
2022 | Whitney Museum of American Art | Whitney Biennial 2022: Quiet As It's Kept | [4] | ||
2023 | Bortolami | SWIZZLE TWIDDLE FIDDLE STICKS | Ran 8 Sep - 4 Nov | [90] |