Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
Renaissance art is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.
DieBrücke, also known as Künstlergruppe Brücke or KG Brücke, was a group of German expressionist artists formed in Dresden in 1905. The founding members were Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner, and Karl Schmidt-Rottluff. Later members were Emil Nolde, Max Pechstein, and Otto Mueller. The seminal group had a major impact on the evolution of modern art in the 20th century and the creation of expressionism. The group came to an end around 1913. The Brücke Museum in Berlin was named after the group.
Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. It flourished especially in the cities of Bruges, Ghent, Mechelen, Leuven, Tournai and Brussels, all in present-day Belgium. The period begins approximately with Robert Campin and Jan van Eyck in the 1420s and lasts at least until the death of Gerard David in 1523, although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568–Max J. Friedländer's acclaimed surveys run through Pieter Bruegel the Elder. Early Netherlandish painting coincides with the Early and High Italian Renaissance, but the early period is seen as an independent artistic evolution, separate from the Renaissance humanism that characterised developments in Italy. Beginning in the 1490s, as increasing numbers of Netherlandish and other Northern painters traveled to Italy, Renaissance ideals and painting styles were incorporated into northern painting. As a result, Early Netherlandish painters are often categorised as belonging to both the Northern Renaissance and the Late or International Gothic.
The New Objectivity was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. As these artists—who included Max Beckmann, Otto Dix, George Grosz, Christian Schad, Rudolf Schlichter and Jeanne Mammen—rejected the self-involvement and romantic longings of the expressionists, Weimar intellectuals in general made a call to arms for public collaboration, engagement, and rejection of romantic idealism.
Neo Rauch is a German artist whose paintings mine the intersection of his personal history with the politics of industrial alienation. His work reflects the influence of socialist realism, and owes a debt to Surrealists Giorgio de Chirico and René Magritte, although Rauch hesitates to align himself with surrealism. He studied at the Hochschule für Grafik und Buchkunst Leipzig, and he lives in Markkleeberg near Leipzig, Germany and works as the principal artist of the New Leipzig School. The artist is represented by Galerie EIGEN + ART Leipzig/Berlin and David Zwirner, New York.
Friedrich Müller, German poet, dramatist and painter from the Electoral Palatinate, is best known for his slightly sentimental prose idylls on country life. Usually known as Maler Müller.
Hans Hartung was a German-French painter, known for his gestural abstract style. He was also a decorated World War II veteran of the Legion d'honneur.
Elias Gottlob Haussmann was a German painter in the late Baroque era. Haussmann served as court painter at Dresden, and from 1720 as the official portraitist at Leipzig. He is mostly known for his portrait of Johann Sebastian Bach which was painted in 1746.
Willi Baumeister was a German painter, scenic designer, art professor, and typographer. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Rudolf Bredow, German post-expressionist painter, draughtsman and art teacher.
Werner Tübke was a German painter, best known for his monumental Peasants' War Panorama located in Bad Frankenhausen. Associated with the Leipzig School, he is "one of the few East German artists who gained recognition in West Germany."
Erich Julius Adolf Bethe was a German classical philologist who was a native of Stettin.
Hans Baluschek was a German painter, graphic artist and writer.
Otto Müller was a German painter and graphic designer.
Johann August Wilhelm Sohn was a German genre painter and art professor.
Heinrich Ernst Gottfried Rudolf Wiegmann was a German painter, archaeologist, art historian, graphic artist and architect. He worked in the Classical style and, as a painter, is best known for his vedute. His wife, Marie Wiegmann, whom he married in 1841, was also a painter of some note.
Heinz Zander is a German painter, graphic artist, illustrator and writer. Zander belongs to the Leipzig School. His fields of work are painting (oil), drawing, graphics and illustration. He is also active as a writer and publishes novels, stories and essays. Zander worked with painting techniques oriented towards the Old Masters, from which he developed a completely independent pictorial language. He was inspired by Bosch, Grünewald, Altdorfer, Cranach and Italian Mannerists. He works mainly with colourful resin-oil glazes.
Karl Krug was a German painter.
Carl Gehrts, also Karl Gehrts, complete name Karl Heinrich Julius Gehrts was a German painter, illustrator and academic scholar. As a professor, he taught at the Kunstakademie Düsseldorf.
