 | This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Erika Suderburg is a contemporary American filmmaker and writer.
| This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Erika Suderburg is a contemporary American filmmaker and writer.
Suderburg was born in 1959 in Minneapolis, Minnesota.
From 1975 to 1977, Suderburg attended the UNC North Carolina School of the Arts, in Theater Design and Production. Afterwards, she attended the University of North Carolina at Chapel Hill in Film and Television, then earned her B.F.A. at Minneapolis College of Art and Design in 1981 in media arts. In 1984, she received her M.F.A. degree from the University of California, San Diego. [1]
Towards the beginning of her career, Suderburg experimented with dance and performance art. She moved from the midwest to San Diego to study experimental film with Jean-Pierre Gorin and Michel de Certeau and later to Los Angeles. Rather than writing out a script, Suderburg collects footage and still images, then pieces them together. [2] Topography is also a recurring theme in her work. Suderburg does not consider film a strictly linear medium but a form of hypermedia, embracing both screen and viewer. [3]
In 2006, Suderburg created the short film Strip. Her feature-length work, Decline and Fall (2007), juxtaposes footage of bombings, aerial surveillance, and protests to draw meaning. [4] [5] It includes World War II archival footage, more recent peace protests in Rome and Los Angeles, and imagery drawn from everyday life.
Suderburg is the editor of Space, Site, Intervention: Situating Installation Art, (2000), a selection of essays on contemporary installation and related forms of site-specific art. She is also the co-editor of Resolutions: Contemporary Video Practices (1996) and Resolutions 3: Global Networks of Video (2012). Resolutions: Contemporary Video Practices brings together critical writings that address the role of independent video in a wide array of countries and cultures. It examines new complications in the medium's site-specificity, given the increase of video sharing and distribution outside the movie theater setting.
Suderburg has taught at Otis College of Art and Design, the California Institute of the Arts, and Pasadena's Art Center College of Design. As of 2013, she is a professor at the University of California, Riverside. [1]
Suderburg's work was chosen for the Fukai International Video Biennale in Japan and the 2009 La Biennale de Montréal in Canada. Her films have been screened in New York, California, Japan, Korea, and Europe. [6] Her work has been exhibitedat MOCA, MOMA, in International Film Festivals and at many institutions, including the School of the Visual Arts in New York, The American Academy in Rome, CalArts, FilmForum and USC School of Cinema and Television. [1] In 2012, two of her feature films, Somatography (2000) and Decline and Fall (2007), were screened as part of the Post Pacific Standard Time exhibition at the UCR Sweeney Art Gallery. [7]
(authored)
(edited)
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or art intervention; however, the boundaries between these terms overlap.
Stan Douglas is an artist based in Vancouver, British Columbia.
Doug Aitken is an American multidisciplinary artist. Aitken's body of work ranges from photography, print media, sculpture, and architectural interventions, to narrative films, sound, single and multi-channel video works, installations, and live performance. He currently lives in Venice, California, and New York City.
Péter Forgács is a Hungarian media artist and independent filmmaker. He is best known for his "Private Hungary" series of award winning films based on home movies from the 1930s and 1960s, which document ordinary lives that were soon to be ruptured by an extraordinary historical trauma that occurs off screen.
Andrea Bowers is a Los Angeles–based American artist working in a variety of media including video, drawing, and installation. Her work has been exhibited around the world, including museums and galleries in Germany, Greece, and Tokyo. Her work was included in the 2004 Whitney Biennial and 2008 California Biennial. She is on the graduate faculty at Otis College of Art and Design.
Perry Bard lives and works in New York City. She is an interdisciplinary artist who works with film, site-specific public art installation projects around the world, and on the Internet.
Tracey Snelling is an American contemporary artist. Working with sculpture, video, photography and installation, and deriving from sociology, voyeurism and geographical and architectural location, her work gives her impression of a place, its people, and their experience.
Hilja Keading is an American artist primarily working in the field of video art.
Erika Vogt is a sculptor, printmaker and video artist. She received her BFA from New York University and her MFA from California Institute of the Arts. She is represented at both Overduin & Co. in Los Angeles and Simone Subal Gallery in New York City.
Nguyễn Trinh Thi is a Hanoi-based independent filmmaker, documentarian, and video artist. She is known for her layered, personal, and poetic approach to contentious histories and current events through experiments with the moving image. Regarded as one of the pioneers of her home country Vietnam's independent cinema, Thi is seen as the most notable video artist in Vietnam's contemporary art scene. She plays an important role in the country's cinema, with works shown in international festivals and exhibitions.
Judith Barry is an American artist, writer, and educator best known for her installation and performance art and critical essays, but also known for her works in drawing and photography. She is a professor and the director of the MIT Program in Art, Culture and Technology at the Massachusetts Institute of Technology, Cambridge, MA. She has exhibited internationally and received a number of awards.
Sherry Millner is an American artist working primarily in video. She has also worked in photography and installation art.
Lorna Boschman (1955) is a Canadian Queer media artist, film maker, curator, educator, editor, and camera operator working with themes such as sexual identity, body image, social justice, (dis)ability, cancer, abuse, health, and self-advocacy.
Susan Norrie is an Australian artist working primarily with found film and original video installations to explore political and environmental issues. In 2007 she represented Australia at the 52nd Venice Biennale.
Liisa Roberts is a Finnish-American artist. She was born in Paris, France, to a Finnish mother and an American father of Russian-Jewish descent.
Angela Olga Anderson is a German artist, filmmaker, and exhibition designer. She has done exhibition design for the Forum Expanded program at the Berlinale Film Festival. Anderson's work as an artist and filmmaker explores themes of ecology, economics, migration, and feminist and queer theory. She lives and works in Berlin.
Erika Tan is a London-based Singaporean contemporary artist and curator whose research-led practice emerges from her interests in anthropology and the moving image. Her recent research examines the postcolonial and transnational, working with archival artefacts, exhibition histories, received narratives, contested heritage, subjugated voices, and the movement of ideas, people and objects. She is a lecturer at the Central Saint Martins, University of the Arts London.
Na Mira, also known as Dylan Mira, is an American artist and educator, known for her installation art. She is based out of Los Angeles, California, "on Tongva, Gabrielino, Kizh, and Chumash lands."
Beneath the Skin is a 1981 short film created by Cecelia Condit. It follows a woman's thoughts and musings towards a recent incident in which she discovered that her boyfriend was hiding the body of his ex-girlfriend in his closet.
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
