Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by second-wave feminism and brought about around the 1970s in the United States. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings.
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a very strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill established character archetypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers further cues to the audience of the dramatic beats being presented.
"The Monkey's Paw" is a horror short story by English author W. W. Jacobs. It first appeared in Harper's Monthly in 1902, and was reprinted in his third collection of short stories, The Lady of the Barge, later that year. In the story, three wishes are granted to the owner of The Monkey's Paw, but the wishes come with an enormous price for interfering with fate.
Remember the Day is a 1941 American drama film directed by Henry King and starring Claudette Colbert, John Payne and John Shepperd. The film was produced and released by 20th Century Fox. It was based on a play of the same title by Philo Higley and Philip Dunning.
Travers Vale, born Solomon Flohm, was an English-born silent film director. Raised primarily in Victoria, Australia, he worked as a photographer, playwright and theatre manager there and in New Zealand prior to his career in film. Early in his career, he was known by the name S. F. Travers Vale under which name he authored his first known play, The Mystery of a Hansom Cab (1888) which is an adaptation of the 1886 novel of the same name by Fergus Hume. He established his own theatre troupe, The Travers Vale Dramatic Company, which was in residence at the Theatre Royal, Adelaide in 1889 and the Auckland Opera House in New Zealand in 1890. In 1892 and 1893 he was the business manager of the American husband wife magician team of Charles N. Steen and Mrs. Steen.
The Kingdom of the Fairies, initially released in the United States as Fairyland, or the Kingdom of the Fairies and in Great Britain as The Wonders of the Deep, or Kingdom of the Fairies, is a 1903 French silent trick film directed by Georges Méliès.
Ernest Maltravers is a 1920 British silent drama film directed by Jack Denton and starring Cowley Wright, Lillian Hall-Davis and Gordon Hopkirk. It is an adaptation of the 1837 novel Ernest Maltravers by Edward Bulwer-Lytton which had previously been made into an American film Ernest Maltravers in 1914.
Robert Macaire and Bertrand is a 1906 French silent film directed by Georges Méliès.
Louisa Medina (c.1813–1838), also known as Louisa Honore de Medina, Louisa Medina Hamblin, and the nickname Louisine, was a playwright and literary figure in New York City between the years 1833 and her death. She wrote poems, short stories, and approximately 34 melodramas of which only 11 remain extant. She is mostly known for adapting dramatic versions of Edward Bulwer-Lytton'sLast Days of Pompeii (1835) and Ernest Maltravers (1838), and Robert Montgomery Bird'sNick of the Woods (1838), among others. In an era when successful plays typically ran 3-4 nights, Last Days of Pompeii set a record by running for twenty-nine days. This was the earliest known example of a "long run" for a play, a technique which became regularly used by Thomas Hamblin. Medina is also accredited as the first women in American Theatre to earn her living exclusively as a dramatist. Louisa Medina's progressive inclinations concerning her education and self-reliance marks her as an indicator of the rise of First-Wave Feminism in America.
The Woman with the Fan' is a 1904 novel by the British writer Robert Hichens.
The Slave is an 1899 novel by the British writer Robert Hichens.
The Knave of Diamonds is a 1913 romance novel by the British writer Ethel M. Dell.
The Top of the World is a 1920 novel by the British writer Ethel M. Dell.
The Voice from the Minaret is a play by the British writer Robert Hichens. It premiered at the Globe Theatre in London's West End in 1919, with a cast including Marie Lohr, Arthur Wontner, Henry Vibart, Norman McKinnel, George Hayes and Vane Featherston. In 1922 it was staged on Broadway at the Hudson Theatre with Lohr and Herbert Marshall heading the cast, and Edmund Gwenn receiving the best reviews.
The Berg is a 1929 play by the British writer Ernest Raymond. It is based on the sinking of the RMS Titanic in 1912.
The Hundredth Chance is a 1917 novel by the British writer Ethel M. Dell. It was one of four of Dell's novels to make the Publishers Weekly list of top ten bestselling books during the 1910s in America. In 1927 Dell adapted the novel as a play.
The Bars of Iron is a 1916 novel by the British writer Ethel M. Dell. It was one of four of Dell's novels to make the Publishers Weekly list of top ten bestselling books during the 1910s in America.
Big Timber is a 1924 American silent drama film directed by George Melford and starring William Desmond, Olive Hasbrouck and Betty Francisco. It is adapted from a 1913 novel The Heart of the Night Wind by Vingie E. Roe. It is not a remake of the 1917 film of the same title, itself based on a novel by Bertrand William Sinclair.
Nothing But the Truth is a 1914 comedy novel by the American writer Frederic S. Isham. It was adapted into a hit 1916 Broadway play of the same title.
The Mistress of Shenstone is a 1910 romance novel by the British writer Florence L. Barclay. It was published in London and New York City by Putnam's. Barclay had enjoyed great success with her previous novel The Rosary which topped the annual Publishers Weekly bestsellers list.
