The University of Salford is a public research university in Salford, Greater Manchester, England, 1 mile west of Manchester city centre. The Royal Technical Institute, Salford, which opened in 1896, became a College of Advanced Technology in 1956 and gained university status in 1967, following the Robbins Report into higher education.
The Whitworth is an art gallery in Manchester, England, containing over 60,000 items in its collection. The gallery is located in Whitworth Park and is part of the University of Manchester.
esea contemporary, formerly the Centre for Chinese Contemporary Art, is a contemporary art gallery based in Manchester, England. It is located on Thomas Street in Manchester's Northern Quarter in the renovated part of the Smithfield Market Hall.
The Tavistock Institute of Human Relations is a British not-for-profit social science organisation, working with challenging issues for the public good: providing practical help for people and organisations to learn, lead, change and innovate, especially in difficult times.
Dame Sonia Dawn Boyce is a British Afro-Caribbean artist and educator, living and working in London. She is a Professor of Black Art and Design at University of the Arts London. Boyce's research interests explore art as a social practice and the critical and contextual debates that arise from this area of study. Boyce has been closely collaborating with other artists since 1990 with a focus on collaborative work, frequently involving improvisation and unplanned performative actions on the part of her collaborators. Boyce's work involves a variety of media, such as drawing, print, photography, video, and sound. Her art explores "the relationship between sound and memory, the dynamics of space, and incorporating the spectator". To date, Boyce has taught Fine Art studio practice for more than 30 years in several art colleges across the UK.
Herbert Art Gallery & Museum is a museum, art gallery, records archive, learning centre, media studio and creative arts facility on Jordan Well, Coventry, England.
Outset Contemporary Art Fund is an arts charity established in 2003, and based in London, England.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Ann Sumner is an art historian, exhibition curator, author and former museum director. She is currently Visiting Professor at Manchester Metropolitan University and Chair of the Methodist Modern Art Collection.
Aikaterini Gegisian, born in Thessaloniki, Greece, is a visual artist, filmmaker, educator, and researcher. Her collage practice spans various mediums, including film, photography, installation, and textile design. She often utilises the photobook format; in 2015, she published her debut photobook, "A Small Guide to the Invisible Seas," contributing to the award-winning Armenian Pavilion at the 56th Venice Biennale. Her second book, "Handbook of the Spontaneous Other," was published by MACK in 2020 and received international acclaim.
Dorit Cypis is a Canadian-American artist, mediator and educator based in Los Angeles. Her work has collectively explored themes of identity, history and social relations through installation art, photography, performance and social practice. After graduating from California Institute for the Arts (CalArts), she attracted attention in the 1980s and 1990s for her investigations of the female body, presented in immersive installation-performances at the Whitney Museum, International Center of Photography, San Francisco Museum of Modern Art (SFMOMA), and Musée d'art contemporain de Montréal. Counter to much feminist work of the time, Cypis focused on interiority and personal mythologies rather than exterior political realms, and according to art historian Elizabeth Armstrong, made a significant contribution to discourse about the representation of women and female sexuality.
Martine Syms is an American artist residing in Los Angeles, specializing in various mediums including publishing, video, installation, and performance. Her artistic endeavors revolve around themes of identity, particularly the representation of the self, with a focus on subjects like feminism and black culture. Syms frequently employs humor and social commentary as vehicles for exploration within her work. In 2007, she introduced the term "Conceptual Entrepreneur" to describe her artistic approach.
Nicholas John Merriman is the chief executive of English Heritage. He was the director of the Horniman Museum and Gardens in south London from May 2018 to February 2024. Before that, he was the director of the Manchester Museum in Manchester, England.
Maria Jane Balshaw CBE is director of the Tate art museums and galleries. The appointment was confirmed by Theresa May, the UK Prime Minister at the time, on 16 January 2017, making Balshaw the first female director of the Tate.
Althea McNishCM FSCD was an artist from Trinidad who became the first Black British textile designer to earn an international reputation.
Lissant Mary Bolton is an Australian anthropologist and the Keeper of the Department of Africa, Oceania and the Americas at the British Museum. She is particularly known for her work on Vanuatu, textiles, and museums and indigenous communities.
Yu-Chen Wang is a British-Taiwanese artist and curator. She is based in London, UK, working internationally.
The Clore Duffield Foundation is a registered charity in the United Kingdom. It was founded in 2000 by the merger of two charitable foundations, the Clore Foundation of Charles Clore and his daughter's Vivien Duffield Foundation.
Mike Tooby is an independent curator and researcher based in Cardiff, Wales. His interests lie in integrating the practices often separated in curating in the arts and heritage settings: research, display, promotion, participation and learning. His own practice centres on curating in collaborative or site-specific contexts, where negotiating and celebrating relationships with audiences are at the core of projects.
Sara Wajid MBE is the co-CEO of Birmingham Museums Trust and the founder of Museum Detox.
