Esmeralda Ribeiro | |
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Born | 1958 Brazil |
Esmeralda Ribeiro (born 1958) is a Brazilian journalist and writer of African descent. [1]
She was born in São Paulo and studied journalism at the University of São Paulo. Ribeiro became a member of Quilombhoje, an Afro-Brazilian literary group, in 1982. [1] Her first poems appeared in the 1982 anthology Cadernos negros (Black notebooks); her first short story "Ogun" appeared in the 1985 anthology. She later worked with Marcio Barbosa as editor for Cadernos negros. [2] Her work was translated into English for the collections Moving Beyond Boundaries, International Dimension of Black Women's Writing and Enfim...Nos/Finally...Us: Escritoras Negras Brasileiras Contemporaneas/Contemporary Black Brazilian Women Writers, both published in 1995. [1] Since then, she has appeared in practically every issue of the series, and is the writer with the greatest participation among women. She is currently (2023) the editorial coordinator of the series. [3] [4]
In 1988, she published a short novel Malungos e milongas. [2]
Ribeiro has also worked for the São Paulo state Secretary of Culture. [1]
Hilda de Almeida Prado Hilst was a Brazilian poet, novelist, and playwright. Her work touches on the themes of mysticism, insanity, the body, eroticism, and female sexual liberation. Hilst greatly revered the work of James Joyce and Samuel Beckett, and the influence of their styles—like stream of consciousness and fractured reality—is evident in her own work.
Afro-Brazilians are an ethno-racial group consisting of Brazilians with predominantly or total Sub-Saharan African ancestry, these stand out for having dark skin. Most multiracial Brazilians also have a range of degree of African ancestry. Brazilians whose African features are more evident are generally seen by others as Blacks and may identify themselves as such, while the ones with less noticeable African features may not be seen as such. However, Brazilians rarely use the term "Afro-Brazilian" as a term of ethnic identity and never in informal discourse.
Lygia Fagundes da Silva Telles, also known as "the lady of Brazilian literature" and "the greatest Brazilian writer" while alive, was a Brazilian novelist and writer, considered by academics, critics and readers to be one of the most important and notable Brazilian writers in the 20th century and the history of Brazilian literature. In addition to being a lawyer, Lygia was widely represented in postmodernism, and her works portrayed classic and universal themes such as death, love, fear and madness, as well as fantasy.
Adonias Aguiar Filho was a novelist, essayist, journalist, and literary critic from Bahia, Brazil, and a member of the Academia Brasileira de Letras.
Nélida Piñon was a Brazilian author and professor. At the time of her death, Piñon was "considered among the foremost writers in Brazil today".
Paulo Leminski Filho was a Brazilian writer, poet, translator, journalist, advertising professional, songwriter, literary critic, biographer, teacher and judoka. He was noted for his avant-garde work, an experimental novel and poetry inspired in concrete poetry, as well as abundant short lyrics derived from haiku and related forms. He had a remarkable poetry, as he invented his own way of writing, with puns, jokes with popular sayings and the influence of haiku, in addition to abusing slangs and profanity.
Joyce Cavalccante is a Brazilian author of seven novels, plus several short stories and articles that today appear in eight anthologies. Cavalccante's writings focus on the plight of women in Brazil who live to pray, marry and die. She is the president of REBRA, the Brazilian Women Writers' Network.
Afro-Brazilian literature has existed in Brazil since the mid-19th century with the publication of Maria Firmina dos Reis's novel Ursula in 1859. Other writers from the late 19th century and early 20th century include Machado de Assis, Cruz e Sousa and Lima Barreto. Yet, Afro-Brazilian literature as a genre that recognized the ethnic and cultural origins of the writer did not gain national prominence in Brazil until the 1970s with the revival of Black Consciousness politics known as the Movimento Negro.
The Brazilian Black Front, part of the Black Movement of Brazil, was Brazil's first political party representing the Black community. Formed in 1931 and active until the November 10, 1937 suspension of political parties by the then president, Getúlio Vargas, the Frente mobilized Brazil's Afro-Descendant community for a project of racial equality. Desegregation campaigns and popular education focusing on literacy were just two of the ways the Frente engaged in activism.
Joel Zito Araújo is a Brazilian film director, writer and producer of films and TV programs. Since 1984, Araújo has produced one feature film, two short films and 25 documentaries. Some of these works have won prizes or been selected for screenings at film festivals throughout the world. From 2006 to 2007, Araújo was president of the Brazilian Filmmakers Association. He received his Ph.D. in Communication Sciences from the Escola de Comunicações e Artes at the University of São Paulo in 1999. He was postdoctoral fellow and visiting professor in the Departments of Radio, TV, and Film and Anthropology as well as the Center for African & African-American Studies at the University of Texas at Austin from August 2001 to May 2002.
Maria Firmina dos Reis was a Brazilian author. She is considered Brazil's first black female novelist. In 1859, she published her first book Úrsula, which is considered the first Brazilian abolitionist novel. The book tells the story of a love triangle, in which the system of slavery is put into question.
Miriam Aparecida Alves is a Brazilian writer, activist and poet.
Quilombhoje is a literary group of Afro-Brazilian writers formed in the early 1980s. The word "Quilombhoje" is a portmanteau of the Portuguese words quilombo and hoje (today). It was part of a greater black identity movement internationally ubiquitous in the 20th century. Since its founding, Quilombhoje has hosted many literary and cultural activities which promote awareness of, and pride in, Afro-Brazilian heritage.
Maria Filipa de Oliveira was an Afro-Brazilian independence fighter, and is consisted a controversial figure. She is believed to be from island of Itaparica, Bahia, and was active during the Brazilian War of Independence. The independence struggle against the Portuguese lasted a little over a year, with many battles centered on Itaparica. Maria Filipa is noted as one of three women who participated in the struggle for Bahia's independence in 1823, the others being the military figure Maria Quitéria (1792-1853) and Sister Joana Angélica (1761-1822).
Maria da Conceição Evaristo de Brito is a Brazilian writer. Her work is marked by her life experiences as an Afro-Brazilian woman, which she calls escrevivência—a portmanteau of escrita (writing) and vivência. She was born into a humble family and is the second oldest of nine siblings, being the first in her household to earn a university degree. She helped her mother and aunt with washing clothes and deliveries, while studying.
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Renata Pallottini or Renata Monachesi Pallottini was a Brazilian playwright, essayist, poet, theater professor and translator. She was an award-winning author of poetry, plays, essays, fiction, children's literature, theater theory, and television programs who was notable in the Brazilian literary and theater scenes. In a considerable part of her production, it is possible to identify the questioning and the combat against the social values that delimitated the woman's role in society.
Jarid Arraes is a Brazilian poet and writer. She is the writer of such books as As Lendas de Dandara, Heroínas Negras Brasileiras em 15 cordéis, Um buraco com meu nome, and Redemoinho em dia quente. Arraes lives in São Paulo, where she created the Women's Writing Club. To date, she has more than 70 publications in the cordel literature style, including the biographical collection Heroínas Negras na História do Brasil.
Afro-Brazilian culture is the combination of cultural manifestations in Brazil that have suffered some influence from African culture since colonial times until the present day. Most of Africa's culture reached Brazil through the transatlantic slave trade, where it was also influenced by European and indigenous cultures, which means that characteristics of African origin in Brazilian culture are generally mixed with other cultural references.
Tom Farias is a journalist, writer, and researcher of Afro-Brazilian culture, literature, and history.