The Esposizione universale was a planned World's Fair that was intended to be held in Rome in 1942. The fair was intended to celebrate twenty years of Italian fascism under Benito Mussolini. [1]
Although extensive preparations were made under Italy's Fascist government, the exhibition was cancelled in June 1941, following the entry of Italy into World War II in 1940. [2] [3] [4]
A "Universal Science" exhibition, to be held at the Palazzo della Scienza Universale, was to be one of the main attractions of the fair. [5]
A substantial area of Rome named the Esposizione Universale Roma , also known as E42 or EUR, was developed in preparation for the fair. The design was inspired, according to the fascist ideology, by Roman Imperial town planning, [6] Numerous buildings were commissioned as part of the project, including the Palazzo della Civiltà Italiana. A massive 240-metre-tall "Arch of Empire" was intended to mark the entrance to the fair. [1]
EUR is a residential area and the major business district in Rome, Italy, part of the Municipio IX.
The Museum of Roman Civilization is a museum in the Esposizione Universale Roma district of Rome devoted to aspects of Ancient Roman Civilization.
Fascist architecture encompasses various stylistic trends in architecture developed by architects of fascist states, primarily in the early 20th century. Fascist architectural styles gained popularity in the late 1920s with the rise of modernism along with the ultranationalism associated with fascist governments in western Europe. Fascist styles often resemble that of ancient Rome, but can extend to modern aesthetics as well. Fascist-era buildings are frequently constructed with particular concern given to symmetry; simplicity; and monumental size, especially for public buildings.
The Palazzo della Civiltà Italiana, also known as the Palazzo della Civiltà del Lavoro, or in everyday speech as the Colosseo Quadrato, is a building in the EUR district in Rome. It was designed in 1938 by three Italian architects: Giovanni Guerrini, Ernesto La Padula, and Mario Romano. The building is an example of Italian Rationalism and fascist architecture with neoclassical design, representing romanità, a philosophy which encompasses the past, present, and future all in one. The enormity of the structure is meant to reflect the fascist regime's new course in Italian history. The design of the building draws inspiration from the Colosseum with rows of arches. According to legend, the structure's six vertical and nine horizontal arches are correlated to the number of letters in the Italian dictator Benito Mussolini's name.
Giacomo Boni was an Italian archaeologist specializing in Roman architecture. He is most famous for his work in the Roman Forum.
In architecture, Rationalism is an architectural current which mostly developed from Italy in the 1920s and 1930s. Vitruvius had claimed in his work De architectura that architecture is a science that can be comprehended rationally. The formulation was taken up and further developed in the architectural treatises of the Renaissance. Eighteenth-century progressive art theory opposed the Baroque use of illusionism with the classic beauty of truth and reason.
Novecento Italiano was an Italian artistic movement founded in Milan in 1922 to create an art based on the rhetoric of the fascism of Mussolini.
The Palazzo delle Esposizioni is a neoclassical exhibition hall, cultural center and museum on Via Nazionale in Rome, Italy.
The Exhibition of the Fascist Revolution was an art exhibition held in Rome at the Palazzo delle Esposizioni from 1932 to 1934. It was opened by Benito Mussolini on 28 October 1932 and was the longest-lasting exhibition ever mounted by the Fascist regime. Nearly four million people attended the exhibition in its two years. Intended to commemorate the revolutionaries who had taken part in the rise to power of Italian fascism, the Exhibition was supposed to be, in Mussolini's own words, "an offering of faith which the old comrades hand down to the new ones so that, enlightened by our martyrs and heroes, they may continue the heavy task."
EUR Magliana is a railway station in Rome served by the Metro line B and the Ferrovia Roma-Lido in the EUR or Europa district of Rome. It was opened in 1924 as a Roma-Lido station for the Esposizione Universale Roma as Magliana. It was later renamed Magliana Ostiense, then Magliana again and finally its present name.
The Stadio dei Marmi is one of four stadiums in the colossal sports complex the Foro Italico, initially named Foro Mussolini. The other stadiums are the Stadio Olimpico, the Stadio del tennis Romano, and the Stadio Olimpico del Nuoto. It was designed in the 1920s as a complement to the annexed Fascist Academy of Physical Education, to be used by its students for training. The Stadio dei Marmi first opened in 1932, on the 10th anniversary of the March on Rome, near the Roman neighborhood Monte Mario, by the architect Enrico Del Debbio under the Fascist ruler Benito Mussolini. The Stadio dei Marmi is encircled by sixty, 4-meter tall classical statues of athletes made from Carrara marble. The stadium was built to celebrate Fascist accomplishments and the Gioventú del Littorio, the youth movement of the National Fascist Party of Italy. In its twenty-year reign, the Fascist regime used sports to introduce and instill new fascist traditions, ideals, customs, and values, with the goal of forming citizen warriors. The Stadio dei Marmi was used to host some of the field hockey preliminaries for the 1960 Summer Olympics and also hosted the opening ceremony for the 2009 World Aquatics Championships.
Ugo Spirito was an Italian philosopher. At first a fascist political philosopher and subsequently an idealist thinker, he was also an academic and a university teacher.
The architecture of Rome over the centuries has greatly developed from Ancient Roman architecture to Italian modern and contemporary architecture. Rome was once the world's main epicentres of Classical architecture, developing new forms such as the arch, the dome and the vault. The Romanesque style in the 11th, 12th and 13th centuries was also widely used in Roman architecture, and later the city became one of the main centres of Renaissance and Baroque architecture. Rome's cityscape is also widely Neoclassical and Fascist in style.
Edoardo Zavattari was an Italian zoologist who was a director at the Institute of Zoology in the Sapienza University of Rome from 1935 to 1953. He supported fascism and antisemitism on the basis of his ideas from biology and was a signatory to the "Manifesto della Razza".
The Sandro Italico Mussolini School of Fascist Mysticism was established in Milan, Italy in 1930 by Niccolò Giani. Its primary goal was to train the future leaders of Italy's National Fascist Party. The school curriculum promoted Fascist mysticism based on the philosophy of Fideism, the belief that faith and reason were incompatible; Fascist mythology was to be accepted as a "metareality". In 1932, Mussolini described Fascism as "a religious concept of life", saying that Fascists formed a "spiritual community".
Vincenzo Monaco was an Italian architect who collaborated with Amedeo Luccichenti from 1933 to 1963. During this period, Monaco designed more than 450 projects, of which approximately 100 were built. His work can be seen in buildings in Rome, Pisa, Naples, and Taranto, as well as in Dalmatia, Iran, France, and Tunisia.
The EA 53, was held in Rome, Italy, from 26 July to 31 October 1953. The Expo focused on modern agricultural innovations and was recognised by the Bureau International des Expositions as a Specialised Expo. The Palazzo della Civiltà Italiana, located in the Esposizione Universale Roma EUR district of Rome was the site of the Expo, which welcomed 1,700,000 visitors.
The following outline is provided as an overview of and topical guide to Rome:
Armando Brasini was a prominent Italian architect and urban designer of the early twentieth century and exemplar of Fascist architecture. His work is notable for its eclectic and visionary style inspired by Ancient Roman architecture, Italian Baroque architecture and Giovanni Battista Piranesi.
Fascist martyrs or Martyrs of the Fascist Revolution or Martyrs of Fascism were citizens of Fascist Italy who died for the Fascist cause and were memorialized for doing so as martyrs, beginning with the founding of the Fasci Italiani di combattimento in 1919.