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The esterilla is a traditional percussion instrument from Colombia. [1] The esterilla consists of long, narrow pieces of wood woven together in a similar fashion as a placemat. The instrument is played by either bending it or rubbing it against itself. This instrument dates back to the 1960s.
Colombia, officially the Republic of Colombia, is a country primarily located in South America with insular regions in North America. The Colombian mainland is bordered by the Caribbean Sea to the north, Venezuela to the east and northeast, Brazil to the southeast, Ecuador and Peru to the south and southwest, the Pacific Ocean to the west, and Panama to the northwest. Colombia is divided into 32 departments. The Capital District of Bogotá is also the country's largest city hosting the main financial and cultural hub. Other major urbes include Medellín, Cali, Barranquilla, Cartagena, Santa Marta, Cúcuta, Ibagué, Villavicencio and Bucaramanga. It covers an area of 1,141,748 square kilometers and has a population of around 52 million. Its rich cultural heritage—including language, religion, cuisine, and art—reflects its history as a colony, fusing cultural elements brought by immigration from Europe and the Middle East, with those brought by the African diaspora, as well as with those of the various Indigenous civilizations that predate colonization. Spanish is the official language, although Creole, English and 64 other languages are recognized regionally.
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section ; and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums.
The music of Colombia is an expression of Colombian culture, music genres, both traditional and modern, according with the features of each geographic region, although it is not uncommon to find different musical styles in the same region. The diversity in musical expressions found in Colombia can be seen as the result of a mixture of Amerindian, African, and European influences, as well as more modern American.
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre-Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales.
Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans and Africans during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community.
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto, tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son, descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock.
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody.
A tiple, is a plucked typically 12-string chordophone of the guitar family. A tiple player is called a tiplista. The first mention of the tiple comes from musicologist Pablo Minguet e Irol in 1752. Although many variations of the instrument exist, the tiple is mostly associated with Colombia, and is considered the national instrument. The Puerto Rican version characteristically has fewer strings, as do variants from Cuba, Mallorca, and elsewhere among countries of Hispanic origin.
Champeta, also known as terapia, is a musical genre and dance that originated in the Caribbean coast of Colombia in the early 1980s. It developed from an earlier style termed chalusonga, which originated in Palenque de San Basilio in the mid-1970s. Chalusonga was a combination of Colombian chalupa and Afro-Cuban percussive music popularized by Estrellas del Caribe. When their music reached Cartagena de Indias, it evolved into champeta, which became a movement and identity among Afro-Colombians. It shows influences from African colonial settlements and from contemporary African culture, particularly from the Democratic Republic of the Congo.
Mexican cumbia is a type of cumbia, a music which originated in Colombia but was later reinvented and adapted in Mexico.
Guacharaca is a percussion instrument found in Colombia. It is a rasp named after a bird whose call it is said to imitate.
The güira is a percussion instrument from the Dominican Republic used in merengue, bachata, and to a lesser extent, other genres such as cumbia. It is made of a metal sheet and played with a stiff brush, thus being similar to the Haitian graj and the Cuban guayo and güiro. Güira, guayo and güiro all have a function akin to that of the indigenous native maracas or the trap-kit's hi-hat, namely providing a complementary beat.
The caja, a Colombian drum similar to a tambora, is one of the three main or traditional instruments of Vallenato music. Caja, the slang word adopted to nickname this drum, means "box" in Spanish. There is also a Caribbean drum called caja, used in the music of Cuba.
Tecnocumbia is a style of Cumbia where there is a fusion between electronic sounds generated by electronic musical instruments through electronic drums, the electric guitar, synthesisers, and samplers. "Tecnocumbia" was a word developed in Mexico to describe this type of music. However, the style of music was developed throughout South America with different names given to it before the name "Tecnocumbia" was adopted as the single denomination for the music.
A kuisi is a Native Colombian fipple flute made from a hollowed cactus stem, with a beeswax and charcoal powder mixture for the head, with a thin quill made from the feather of a large bird for the mouthpiece. Seagull, turkey and eagle feathers are among the feathers commonly used.
Justo Pastor Almario Gómez is a Colombian-born, Los Angeles–based flutist, saxophonist and Latin jazz group leader. He was among several Colombian musicians recruited by Mongo Santamaria for his band in the 1970s, notably on the album, Afro–Indio (1975).
Muisca music describes the use of music by the Muisca. The Muisca were organized in the Muisca Confederation before the Spanish conquest of the Muisca of the central highlands of present-day Colombia. The Muisca used music in their religious rituals, to welcome the new cacique and during harvest, sowing and the construction of the houses.
Cumbia is a folkloric genre and dance from Colombia.
Ely Jair Esterilla Castro is an Ecuadorian professional footballer who plays as a forward for 9 de Octubre.
Guabina is a rhythm from the Andean mountains in Colombia. The word "Guabina" refers to the musical style, as well as a type of fish or a tool used to control domestic animals. The features of this music are based on dances and lifestyles of the people from Antioquia, Santander, Boyacá, Cundinamarca, Tolima, and, Huila. The Guabina rhythm includes dancers, but it may be played without them. There is a version of the Guabina that is played faster and is called Torbellino.Another type of Guabina, known as guabina-torbellino, is a mixture of the instrumental torbellino and the sung guabina, particularly in its a cappella format. Guabina is most popular in rural communities.
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