Eszter Hollosi is a Budapest, Hungary-born, Vienna, Austria-reared stage [1] and film actress, [2] and director.
She trained with the Royal Shakespeare Company (UK), the Theatre of the Oppressed (Brazil), the Gardzienitze (Poland), the Teatr Piesn Kozla (Poland) and El Instituto del Teatro (Barcelona, Spain). She earned her degree in European Theatre Arts from London's Rose Bruford College.
She made her Austrian stage debut in My Children! My Africa!. She appeared in the Italian short film, Goddess, and the Austrian feature film, Oh Fortuna.
Senta Verhoeven is an Austrian-German actress. She received many award nominations for her acting in theatre, film and television; her awards include three Bambi Awards, two Romys, an Adolf Grimme Award, both a Deutscher and a Bayerischer Fernsehpreis, and a Goldene Kamera.
Paula Anna Maria Wessely was an Austrian theatre and film actress. Die Wessely, as she was affectionately called by her admirers and fans, was Austria's foremost popular postwar actress.
Edita Gruberová was a Slovak coloratura soprano. She made her stage debut in Bratislava in 1968 as Rosina in Rossini's Il barbiere di Siviglia, and successfully auditioned at the Vienna State Opera the following year, which became her base. She received international recognition for roles such as Mozart's Queen of the Night in Die Zauberflöte and Zerbinetta in Ariadne auf Naxos by Richard Strauss.
Elfriede Jelinek is an Austrian playwright and novelist. She is one of the most decorated authors writing in German today and was awarded the 2004 Nobel Prize in Literature for her "musical flow of voices and counter-voices in novels and plays that, with extraordinary linguistic zeal, reveal the absurdity of society's clichés and their subjugating power". Next to Peter Handke and Botho Strauss she is considered to be the most important living playwright of the German language.
Jeanine Tesori is an American composer and musical arranger best known for her work in the theater. She is the most prolific and honored female theatrical composer in history, with five Broadway musicals and five Tony Award nominations. She won the 1999 Drama Desk Award for Outstanding Music in a Play for Nicholas Hytner's production of Twelfth Night at Lincoln Center, the 2004 Drama Desk Award for Outstanding Music for Caroline, or Change, and the 2015 Tony Award for Best Original Score for Fun Home, making them the first female writing team to win that award. She was named a Pulitzer Prize for Drama finalist twice for Fun Home and Soft Power.
The Illusionist is a 2006 American romantic mystery film written and directed by Neil Burger, and starring Edward Norton, Paul Giamatti, and Jessica Biel. Based loosely on Steven Millhauser's short story "Eisenheim the Illusionist", it tells the story of Eisenheim, a magician in turn-of-the-century Vienna, who reunites with his childhood love, a woman far above his social standing. It also depicts a fictionalized version of the Mayerling incident.
Elisabeth is a Viennese, German-language musical commissioned by the Vereinigte Bühnen Wien (VBW), with a book and lyrics by Michael Kunze and music by Sylvester Levay. It portrays the life and death of Empress Elisabeth of Austria, also known as "Sisi", wife of Emperor Franz Joseph I, from her engagement and marriage in 1854 to her murder in 1898 at the hands of the Italian anarchist Luigi Lucheni, through the lens of her growing obsession with death, as her marriage and her empire crumble around her at the turn of the century.
Marta Eggerth was a Hungarian actress and singer from "The Silver Age of Operetta". Many of the 20th century's most famous operetta composers, including Franz Lehár, Fritz Kreisler, Robert Stolz, Oscar Straus, and Paul Abraham, composed works especially for her.
Group B of UEFA Euro 2008 was played from 8 to 16 June 2008. All six of the group's matches were played at venues in Austria, in Vienna and Klagenfurt. The group was made up of four central European nations; co-hosts Austria, as well as Croatia, Germany and Poland. Austria and Poland were appearing in a European Championship finals for the first time.
Karin Schäfer is a performance artist and the head of the Karin Schäfer Figuren Theater - Visual Theatre Productions company. After studying puppetry arts with Harry V. Tozer at Barcelona's Instituto del Teatro and working in Spain for several years, she returned to Austria in 1993.
Caroline Vasicek is an Austrian actress and singer.
Miki Malör is an Austrian theatre creator, director and performance artist.
Ruth Beckermann is an Austrian filmmaker and writer.
Gretl Schörg was an Austrian operatic soprano and actress. She was particularly known for her performances in operettas. Her signature roles included Dodo in Wedding Night in Paradise, Josepha Vogelhuber in The White Horse Inn, Juliette in Der Graf von Luxemburg, Julischka in Maske in Blau, Laura in Der Bettelstudent, and Pepi in Wiener Blut. She made several operetta recordings for Telefunken, Columbia Records, and Polydor Records. She was also active as a dramatic actress on the stage and in films. In April 2004 she was awarded the Austrian Cross of Honour for Science and Art, 1st class.
Gerda Maurus was an Austrian actress.
Mara Mattuschka is an Austrian avant-garde filmmaker.
Ruth Farchi born as Ruth Zimmer was an Austrian-born Israeli TV, stage and film actress.
Birgit Doll was an Austrian actress of stage, screen and television and theatre director. She made her professional theatre debut at the age of 20 and won the Kainz Medal in 1992 for her performance of Libussa and the Nestroy Theatre Prize in 2000 for portraying Martha in Edward Albee's Wer hat Angst vor Virginia Woolf. Doll earned the Best Actress Award at the 1979 Bavarian Film Awards and the Best Actress Award at the Karlovy Vary International Film Festival in 1980. for her role as Marianne of the film Tales from the Vienna Woods.
Eszter Katalin is a Hungarian audiovisual artist. Her work focuses on questioning the relationship between socio-political conflicts and their subjective representation from an LGBTQ and feminist point of view. Eszter Katalin uses the social context of Hungary as inspiration for her work, reflecting on the politics of memory and exclusion in her country.