Eugen Hoffmann, born in Dresden on 1892, a sculptor, trained in 1919 with Karl Albiker at the Dresden Academy of Fine Arts.
Eugen Hoffmann | |
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| Born | 1892 Dresden |
| Died | 1955 Dresden |
| Resting place | Heidefriedhof, Dresden |
| Nationality | German |
| Notable work | Girl with Blue Hair (Mädchen mit Blauem haar) |
He joined the Communist Party of Germany in 1933.
In 1937 his work was selected for the Degenerate Art Exhibition in 1937.
Works in Entartete Kunst include: [1]
Adam and Eve - Exhibited as Joseph and Potiphar by Christoph Voll. Destroyed.
Mädchen mit blauem Haar (Girl with blue hair) Plaster. Acquired by Stadtmuseum Dresden 1919. The replica of this work was used in the 2017 German film Never Look Away .
Weiblicher Akt (Female nude) Wood, dimensions unknown.
Nackln Web (Female nude) Etching.
Wilhelm Heinrich Otto Dix was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of German society during the Weimar Republic and the brutality of war. Along with George Grosz and Max Beckmann, he is widely considered one of the most important artists of the Neue Sachlichkeit.
Christian Rohlfs was a German painter and printmaker, one of the important representatives of German expressionism.
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Ernst Ludwig Kirchner was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art. He volunteered for army service in the First World War, but soon suffered a breakdown and was discharged. His work was branded as "degenerate" by the Nazis in 1933, and in 1937 more than 600 of his works were sold or destroyed.
In art history, secession refers to a historic break between a group of avant-garde artists and conservative European standard-bearers of academic and official art in the late 19th and early 20th century. The name was first suggested by Georg Hirth (1841–1916), the editor and publisher of the influential German art magazine Jugend (Youth), which also went on to lend its name to the Jugendstil. His word choice emphasized the tumultuous rejection of legacy art while it was being reimagined.
Adolf Ziegler was a German painter and politician. He was tasked by the Nazi Party to oversee the purging of what the Party described as "degenerate art", by most of the German modern artists. He was Hitler's favourite painter. He was born in Bremen and died in Varnhalt, today Baden-Baden.
Otto Müller was a German painter and printmaker of the Die Brücke expressionist movement.
Elfriede Lohse-Wächtler was a German painter of the avant-garde whose works were banned as "degenerate art", and in some cases destroyed, in Nazi Germany. She became mentally ill and was murdered in a former psychiatric institution at Sonnenstein castle in Pirna under Action T4, a forced euthanasia program of Nazi Germany. Since 2000, a memorial center for the T4 program in the house commemorates her life and work in a permanent exhibition.
Karl Schmidt-Rottluff was a German expressionist painter and printmaker; he was one of the four founders of the artist group Die Brücke.
Georg Kolbe was a German sculptor. He was the leading German figure sculptor of his generation, in a vigorous, modern, simplified classical style similar to Aristide Maillol of France.
Lothar Schreyer was a German artist, writer, editor, stage designer and gallery owner. He was the first Master of the stagecraft workshop at the Bauhaus art school.
Georg Muche was a German painter, printmaker, architect, author, and teacher.
Emy Roeder was a modern German sculptor born in Würzburg, Germany. During the first third of the twentieth century she was one of a number of women that were associated with the German Expressionist movement of Modern art. She was the first woman to achieve Master Student of sculpture as a student at the Berlin Academy In 1937 her work was labeled Degenerate art by the Nazis. After World War II she was arrested in Italy by the Allies because she was a German citizen and then sent to an internment camp. She received the Villa Romana prize in 1936, and was awarded the Federal Cross of Merit for her life work in 1960. She died, aged 81, in Mainz.
The Degenerate Art exhibition was an art exhibition organized by Adolf Ziegler and the Nazi Party in Munich from 19 July to 30 November 1937. The exhibition presented 650 works of art, confiscated from German museums, and was staged in counterpoint to the concurrent Great German Art Exhibition. The day before the exhibition started, Hitler delivered a speech declaring "merciless war" on cultural disintegration, attacking "chatterboxes, dilettantes and art swindlers". Degenerate art was defined as works that "insult German feeling, or destroy or confuse natural form or simply reveal an absence of adequate manual and artistic skill". One million people attended the exhibition in its first six weeks. A U.S. critic commented "there are probably plenty of people—art lovers—in Boston, who will side with Hitler in this particular purge".
En Canot is a Cubist oil painting created by Jean Metzinger in 1913. The work is referred to in various publications as Femme à l'ombrelle, Im Boot, Le Canot, En Bâteau, In the Canoe, The Boat, On the Beach, Am Strand, Im Schiff, V Člunu and Im Kanu. The painting was exhibited in Paris at the 1913 Salon d'Automne. The following year it was shown at Moderní umění, 45th Exhibition of SVU Mánes in Prague, February–March 1914. This "Survey of Modern Art" was one of the last prewar exhibitions in Prague. En Canot was exhibited again, in July of the same year, at the Galerie Der Sturm, Berlin. The painting was acquired from Herwarth Walden in 1916 by Georg Muche at Galerie Der Sturm.
Karl Caspar was a German painter who lived and worked mainly in Munich.
Jussuf Abbo, originally Jussuff Abbu, was a Palestinian-Jewish artist active mainly in Germany.
Self-Portrait as a Soldier, or Selbstbildnis als Soldat, is an Expressionist oil on canvas painting by Ernst Ludwig Kirchner. Kirchner created this self-depiction in 1915, following his medical discharge from military service during the First World War. The artwork measures 69 centimetres in height by 61 centimetres in width. The painting was first exhibited in the 'Städtische Galerie' in Germany between 1916 and 1919 and currently resides at the Allen Memorial Art Museum in Ohio USA. Critical interpretations of the painting attribute its stark Expressionist style and myriad of symbolic elements to the socio-political turbulence of Germany during the First World War. Self Portrait as a Soldier may be viewed as testimony to Kirchner's volatile mental and physical health and as a critique of the chaotic instability of Germany during the early 20th century.
Seated Nude is an oil on canvas painting by Italian artist Amedeo Modigliani created in 1918. The painting is one of the dozens of nudes created by Modigliani between 1916 and 1919.
The Duchess of Montesquiou-Fezensac is a 1910 oil portrait by Oskar Kokoschka. In this expressionist work Kokoschka strove to capture the essence of his sitter, a young noblewoman afflicted with tuberculosis, with somber tones and stylized gestures. Among his early portraits, Kokoschka considered the work his most valuable, and as his first work to be acquired by a museum it played a key role in establishing the young artist's reputation. During the Nazi period it was confiscated from the Museum Folkwang in Essen and pilloried in the Degenerate Art exhibition before being auctioned off. It is currently in the collection of the Cincinnati Art Museum.
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