Eugen Hoffmann, born in Dresden on 1892, a sculptor, trained in 1919 with Karl Albiker at the Dresden Academy of Fine Arts.
Eugen Hoffmann | |
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| Born | 1892 Dresden |
| Died | 1955 Dresden |
| Resting place | Heidefriedhof, Dresden |
| Nationality | German |
| Notable work | Girl with Blue Hair (Mädchen mit Blauem haar) |
He joined the Communist Party of Germany in 1933.
In 1937 his work was selected for the Degenerate Art Exhibition in 1937.
Works in Entartete Kunst include: [1]
Adam and Eve - Exhibited as Joseph and Potiphar by Christoph Voll. Destroyed.
Mädchen mit blauem Haar (Girl with blue hair) Plaster. Acquired by Stadtmuseum Dresden 1919. The replica of this work was used in the 2017 German film Never Look Away .
Weiblicher Akt (Female nude) Wood, dimensions unknown.
Nackln Web (Female nude) Etching.
Wilhelm Heinrich Otto Dix was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of German society during the Weimar Republic and the brutality of war. Along with George Grosz and Max Beckmann, he is widely considered one of the most important artists of the Neue Sachlichkeit.
Christian Rohlfs was a German painter and printmaker, one of the important representatives of German expressionism.
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Ernst Ludwig Kirchner was a German expressionist painter and printmaker and one of the founders of the artists group Die Brücke or "The Bridge", a key group leading to the foundation of Expressionism in 20th-century art. He volunteered for army service in the First World War, but soon suffered a breakdown and was discharged. His work was branded as "degenerate" by the Nazis in 1933, and in 1937 more than 600 of his works were sold or destroyed.
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Self-Portrait as a Soldier, or Selbstbildnis als Soldat, is an Expressionist oil-on-canvas painting by the German artist Ernst Ludwig Kirchner. Kirchner created this self-depiction in 1915, following his medical discharge from military service during the First World War. The artwork measures 69 centimetres in height by 61 centimetres in width. The painting was first exhibited in the 'Städtische Galerie' in Germany between 1916 and 1919 and currently resides at the Allen Memorial Art Museum in Ohio USA. Critical interpretations of the painting attribute its stark Expressionist style and myriad of symbolic elements to the socio-political turbulence of Germany during the First World War. Self Portrait as a Soldier may be viewed as testimony to Kirchner's volatile mental and physical health and as a critique of the chaotic instability of Germany during the early 20th century.
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