GIMP is a free and open-source raster graphics editor used for image manipulation (retouching) and image editing, free-form drawing, transcoding between different image file formats, and more specialized tasks. It is extensible by means of plugins, and scriptable. It is not designed to be used for drawing, though some artists and creators have used it in this way.
Vector graphics is a form of computer graphics in which visual images are created directly from geometric shapes defined on a Cartesian plane, such as points, lines, curves and polygons. The associated mechanisms may include vector display and printing hardware, vector data models and file formats, as well as the software based on these data models. Vector graphics is an alternative to raster or bitmap graphics, with each having advantages and disadvantages in specific situations.
Video game modding is the process of alteration by players or fans of one or more aspects of a video game, such as how it looks or behaves, and is a sub-discipline of general modding. Mods may range from small changes and tweaks to complete overhauls, and can extend the replay value and interest of the game.
Protest art is the creative works produced by activists and social movements. It is a traditional means of communication, utilized by a cross section of collectives and the state to inform and persuade citizens. Protest art helps arouse base emotions in their audiences, and in return may increase the climate of tension and create new opportunities to dissent. Since art, unlike other forms of dissent, take few financial resources, less financially able groups and parties can rely more on performance art and street art as an affordable tactic.
Remix culture, sometimes read-write culture, is a term describing a society that allows and encourages derivative works by combining or editing existing materials to produce a new creative work or product. A remix culture would be, by default, permissive of efforts to improve upon, change, integrate, or otherwise remix the work of creators and copyright holders, with or without their permission. While combining elements has always been a common practice of artists of all domains throughout human history, the growth of exclusive copyright restrictions in the last several decades limits this practice more and more by the legal chilling effect. In reaction, Harvard law professor Lawrence Lessig, who considers remixing a desirable concept for human creativity, has worked since the early 2000s on a transfer of the remixing concept into the digital age. Lessig founded the Creative Commons in 2001, which released Licenses as tools to enable remix culture again, as remixing is legally prevented by the default exclusive copyright regime applied currently on intellectual property. The remix culture for cultural works is related to and inspired by the earlier Free and open-source software for software movement, which encourages the reuse and remixing of software works.
Krita is a free and open-source raster graphics editor designed primarily for digital art and 2D animation. The software runs on Windows, macOS, Linux, Android, and ChromeOS, and features an OpenGL-accelerated canvas, colour management support, an advanced brush engine, non-destructive layers and masks, group-based layer management, vector artwork support, and switchable customisation profiles.
Rhizome is an American not-for-profit arts organization that supports and provides a platform for new media art.
The Contemporary Austin, originally known as the Austin Museum of Art, is Austin, Texas's primary contemporary art museum, consisting of two locations and an art school. The Contemporary Austin reflects the spectrum of contemporary art through exhibitions, commissions, education, and the collection. Locally, the museum is often referred to as The Contemporary.
Dario Robleto is an American transdisciplinary artist, researcher, writer, teacher, and “citizen-scientist”. His research-driven practice results in intricately handcrafted objects that reflect his exploration of music, popular culture, science, war, and American history.
The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both highly dynamic and a characteristically constant feature of human life, they have developed into innovative, stylized and sometimes intricate forms. This is often achieved through sustained and deliberate study, training and/or theorizing within a particular tradition, across generations and even between civilizations. The arts are a vehicle through which human beings cultivate distinct social, cultural and individual identities, while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life and experiences across time and space.
Glitch art is the practice of using digital or analog errors for aesthetic purposes by either corrupting digital data or physically manipulating electronic devices. Glitches appear in visual art such as the film A Colour Box (1935) by Len Lye, the video sculpture TV Magnet (1965) by Nam June Paik and more contemporary work such as Panasonic TH-42PWD8UK Plasma Screen Burn (2007) by Cory Arcangel.
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States. Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement which began in the 1960s.
Feminist art criticism emerged in the 1970s from the wider feminist movement as the critical examination of both visual representations of women in art and art produced by women. It continues to be a major field of art criticism.
A 1926–27 statue of George Washington by Italian American artist Pompeo Coppini, sometimes called George Washington, was installed in northeast Portland, Oregon, United States. The bronze sculpture was the second of three statues of Washington by the artist, following a similar statue installed in Mexico City in 1912 and preceding another installed on the University of Texas at Austin campus in February 1955. The Portland statue was created to commemorate the 1926 sesquicentennial of the Declaration of Independence and dedicated in 1927. It was part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council. In June 2020, it was toppled by protestors.
Kristin Lucas is a media artist who works in video, performance, installation and on the Internet. Her work explores the impacts of technology on humanity, blurring the boundary between the technological and corporeal. In her work she frequently casts herself as the protagonist in videos and performances where her interactions with technology lead to isolation, and physical and mental contamination.
Hollis Hammonds is an American artist and academic, who is associate professor of art and chair of visual studies at St. Edward's University in Austin, Texas. Hammonds specializes in drawing and sculptural installations. She is author of the drawing textbook, Drawing Structure: Conceptual & Observational Techniques.
Artificial intelligence art is any visual artwork created through the use of artificial intelligence (AI) programs.
Beili Liu is a Chinese-born US-based visual artist who makes large-scale, process-driven sculptural environments that examine themes of migration, cultural memory, materiality, labor, social and environmental concerns. Through unconventional use of commonplace materials and elements such as thread, needle, scissors, feather, salt, wax, and cement, Liu extrapolates complex cultural narratives through a hybrid work form that merges site-responsive installation, sculpture, public art, and performance. Liu lives and works in Austin, Texas. Liu is the Leslie Waggener Professor in the Fine Arts and is a University of Texas System Regents' Outstanding Teaching Professor at the University of Texas at Austin.
Roman Lipski is a Polish-born artist.
