Howard Everett Titcomb (30 June 1884 - 31 December 1968) was an American organist, choir-director and composer.
Titcomb grew up in Salisbury Mills, Massachusetts as the son of butcher George Howard Titcomb (1844-1928) and Sarah Ella Prime (1850-1941). [1]
He served as the organist-choirmaster at the Church of St. John the Evangelist, Boston from 1910 to 1959 and has been called a Boston church music institution [2]
Titcomb was a prolific composer for choir and organ. [3] His music has been characterized by John Ogasapian in the following manner:
"Titcomb's style is sectional, with abrupt changes and frequent cadences. Within sections, melodies are simply structured and harmonized. The result is naive and scarcely arresting; yet the music lies well for the voice and is extremely effective, even when done by a choir of limited capability." [4]
His popularity as a composer of choral anthems was noted by Fansler:
"The popularity of Titcomb's anthems resulted from their simple dignity. By means of full organ sonorities, Titcomb was able to please even the most sophisticated Episcopal congregation." [5]
David Hurd is a composer, concert organist, choral director and educator.
James Healey Willan (1880–1968) was an Anglo-Canadian organist and composer. He composed more than 800 works including operas, symphonies, chamber music, a concerto, and pieces for band, orchestra, organ, and piano. He is best known for his church music.
Sir William Henry Harris KCVO was an English organist, choral trainer and composer, affectionately nicknamed "Doc H" by his choristers.
Sir Edward Cuthbert Bairstow was an English organist and composer in the Anglican church music tradition.
Thomas Tertius Noble was an English-born organist and composer, resident in the United States for the latter part of his career.
Edward Woodall Naylor was an English organist and composer.
The Choir of King's College, Cambridge is an English choir. It is considered one of today's most accomplished and renowned representatives of the great English choral tradition. It was created by King Henry VI, who founded King's College, Cambridge, in 1441, to provide daily singing in his Chapel, which remains the main task of the choir to this day.
Adrian Batten was an English organist and Anglican church composer. He was active during an important period of English church music, between the Reformation and the Civil War in the 1640s. During this period the liturgical music of the first generations of Anglicans began to diverge significantly from music on the continent. Among the genres developed during this period by Batten and other Anglican composers was the 'verse anthem', in which sections alternate between the full choir and soloists, underlain and unified by an independent organ accompaniment.
Alan Gray was a British organist and composer.
Eleanor Daley is a Canadian composer of choral and church music, a church choir director, choral clinician and accompanist. She lives and works in Toronto, Ontario. Among her best-known works are The Rose Trilogy and Requiem.
Samuel Brenton Whitney was a United States organist, conductor and composer. His compositions were primarily church music and chamber works.
Humphrey John Stewart was an American composer and organist, born in England. A native of London, he came to the United States in 1886, and served for many years as a church organist on the West Coast. In 1898, he was awarded a doctorate degree in music from the University of the Pacific. In 1901, he gave a recital in Buffalo, New York and accepted a position at Trinity Church in Boston, but after two years he returned to San Francisco. In 1915, Stewart took a position as organist at the Panama-California Exposition in San Diego, and stayed in that city for many years, playing open-air organ concerts at Balboa Park.
Clifford Demarest was an American composer. He wrote a number of anthems, songs, and part-songs, as well as some pieces for piano and for organ. He was early leader of the American Guild of Organists, and from 1911 until his death he served as organist at Church of the Messiah.
Charles Albert Edward Harriss was an English then Canadian composer, impresario, educator, organist-choirmaster and conductor.
Stanley Drummond Wolff was an English organist, choirmaster, composer, and music educator who was primarily active in North America. His compositional output primarily consists of anthems for choir and works for solo organ. In the 1980s he completed and published four volumes of hymns. Many of his compositions have been published by Concordia Publishing House and MorningStar Music Publishers.
Sarah MacDonald is a Canadian-born organist, conductor, and composer, living in the UK, and currently holds the positions of Fellow and Director of Music at Selwyn College, Cambridge, and Director of the girl choristers at Ely Cathedral. She has been at Selwyn since 1999, and is the first woman to hold such a post in an Oxbridge Chapel. In 2018 Sarah was given the honorary award of Associate of the Royal School of Church Music (ARSCM).
Peter Christian Lutkin was an American organist, choral conductor, and composer.
Evening Hymn, "Te lucis ante terminum", is an anthem composed by Henry Balfour Gardiner, a setting of the Latin compline hymn "Te lucis ante terminum" for four voices and organ, in both English and Latin. It was published in 1908. It is regarded as Gardiner's best-known work and a classic of the English choral tradition.
John Robinson is an English organist and choral conductor. Currently, he is the Director of Music at Blackburn Cathedral. Robinson is active as an Organ Recitalist, having performed in venues across the US and Europe, and recorded for Priory, Herald, Hyperion and Ambisonic. He has led choral festivals for various organisations including the RSCM and Pueri Cantores.
I Will Mention the Loving-kindnesses is an anthem for Easter by Arthur Sullivan. The text is taken from the Book of Isaiah, scored for solo tenor, mixed choir and organ. It was published by Novello in 1875, dedicated to John Stainer.
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