Everybody's Laughing

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Everybody's Laughing may refer to:

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Everybody Wants to Rule the World 1985 single by Tears for Fears

"Everybody Wants to Rule the World" is a song by English pop rock band Tears for Fears. It was written by Roland Orzabal, Ian Stanley, and Chris Hughes and produced by Hughes. The song was first released on 18 March 1985 by Phonogram, Mercury, and Vertigo Records as the third single from the band's second album, Songs from the Big Chair (1985). "Everybody Wants to Rule the World" is a new wave and synth-pop song with lyrics that detail the desire humans have for control and power and centre on themes of corruption.

Everybodys Fool 2004 single by Evanescence

"Everybody's Fool" is a nu metal song by American rock band Evanescence. Wind-up Records released the song on June 7, 2004, as the fourth and final single from their debut studio album, Fallen. It was written by Amy Lee and Ben Moody and it was produced by Dave Fortman. According to Lee, the song talks about celebrities like Britney Spears and Christina Aguilera, who strip and sell their bodies instead of music to their listeners. Inspired by her sister's love for music artists who had false images, Lee wrote the song five years before the release of the album.

"The Laughing Policeman" is a music hall song recorded by British artist Charles Penrose. It is based on a similar laughing song by American singer George W. Johnson with the same tune but different subject matter, recorded in 1898.

Beast of Burden (song) 1978 song by The Rolling Stones

"Beast of Burden" is a song by the English rock band the Rolling Stones, featured on the 1978 album Some Girls. In 2004, Rolling Stone magazine ranked the song No. 435 on their list of "The 500 Greatest Songs of All Time".

Bedshaped 2004 single by Keane

"Bedshaped" is a song by English rock band Keane, released as the third single from Hopes and Fears. It became their third consecutive top-10 hit on the UK Singles Chart, after "Somewhere Only We Know" and "Everybody's Changing", peaking at number 10. The song also reached the top 20 in Denmark and the Netherlands.

All Day and All of the Night 1964 single by the Kinks

"All Day and All of the Night" is a song by the English rock band the Kinks from 1964. Released as a single, it reached No. 2 on the UK Singles Chart and No. 7 on the US Billboard Hot 100 chart in 1965. The song was included on the Kinksize Hits EP in the UK and the Kinks' second American album, Kinks-Size (1965).

La Di Da Di

"La Di Da Di" is a song performed by Doug E. Fresh, who provides the beatboxed instrumental, and MC Ricky D, who performs the vocals. It was originally released in 1985 as the B-side to "The Show". The song has since gained a reputation as an early hip hop classic, and it is one of the most sampled songs in history.

"Everybody's Changing" is a song performed by English alternative rock band Keane. It was released as the second single from their debut studio album, Hopes and Fears (2004). After a single release on Fierce Panda in May 2003, which peaked at number 122 in the UK Singles Chart, it was re-released on Island on 3 May 2004 after the success of "Somewhere Only We Know" and reached number four. It is also used in the TV series, In Plain Sight and can also be heard in the final moments of One Tree Hill episode "Truth Doesn't Make A Noise" and Scrubs episode "My Day at the Races".

Rainy Day Women ♯12 & 35 Song by Bob Dylan

"Rainy Day Women #12 & 35" is a song by American singer-songwriter Bob Dylan. It is the opening track of his 1966 album, Blonde on Blonde. It was initially released as a single in April 1966, reaching No. 7 in the UK and No. 2 in the US chart. "Rainy Day Women", recorded in the Nashville studio of Columbia Records, features a raucous brass band backing track. The song's title does not appear anywhere in the lyrics and there has been much debate over both the meaning of the title and of the recurrent chorus, "Everybody must get stoned". This has made the song controversial, being labelled by some commentators as "a drug song".

The Beatles Play the Residents and the Residents Play the Beatles 1977 single by the Residents

"The Beatles Play the Residents and the Residents Play the Beatles" is a 1977 single by the Residents. The A-side, "Beyond the Valley of a Day in the Life", is an audio collage of recordings by the Beatles and John Lennon, with a looped clip from the Beatles' third Christmas record, in which Paul McCartney says "Please everybody, if we haven't done what we could have done, we've tried."

Something may refer to:

"Got to Be Free" is a song written by Ray Davies and performed by British rock band the Kinks. It was released on their 1970 LP Lola versus Powerman and the Moneygoround, Part One, which included the Top 10 hit song "Lola". "Got to Be Free" plays a key role in the concept album, as the album borrows its first verse as an introduction, and closes with the full song. The song was also used in the first of the BBC's Play for Today series The Long Distance Piano Player (1970), which featured the song's own writer, Ray Davies, in the lead role.

Wake Up Everybody (Harold Melvin & the Blue Notes song)

"Wake Up Everybody" is an R&B song written by John Whitehead, Gene McFadden and Victor Carstarphen.

Judy Garland discography

Judy Garland recorded scores of singles of her hit songs for Decca Records beginning in the mid-1930s. Garland began recording albums for Capitol Records in the 1950s. Her greatest success, Judy at Carnegie Hall (1961), was listed for 73 weeks on the Billboard 200 chart, was certified Gold, and took home five Grammy Awards.

Everybody Dance (Chic song) 1978 single by Chic

"Everybody Dance" is a song by American band Chic. The disco song, which features Norma Jean Wright on lead vocals and Luther Vandross, Diva Gray, Robin Clark on background vocals, was released as the second single from the band's self-titled debut album Chic (1977). According to guitarist Nile Rodgers, it was the first song specifically written for Chic, and, due to its historical status and popularity, is usually played as the opening song of the band's live set. It was later heavily sampled by British group Steps on their song "Stomp" and echoed by the Manic Street Preachers on their single "(It's Not War) Just the End of Love".

"Sugar Mountain" is a song by Canadian folk rock singer and composer Neil Young. Young composed the song on November 12, 1964—his 19th birthday—at the Victoria Hotel in Fort William, Ontario, where he had been touring with his Winnipeg band the Squires. Its lyrics are reminiscences about his youth in Winnipeg, Manitoba.

Slipping Away or Slippin' Away may refer to:

The Incredible Kidda Band were a British power pop band formed in Nuneaton on 10 February 1976, and composed of Alan Hammonds, Graham "Kidder" Hammonds, Dave 'Legs' Lister, (lead guitar, backing vocals], John Rollason, Les Rollason, Graham "Dick" Millington. Later members of the band were Mark "Tarky" Bates, Keith Taylor, Mick Rollason and Paul Gardner.

"Right by My Side" is a song by Trinidadian-American rapper and singer Nicki Minaj, taken from her second studio album, Pink Friday: Roman Reloaded (2012). The song also features additional vocals from R&B artist Chris Brown. "Right by My Side" was written by Ester Dean and Minaj, while production was handled by Pop & Oak. On March 27, 2012, "Right by My Side" was released as the second official single from the album to Rhythmic and Urban radio in the U.S.

<i>Rock & Roll Hall of Fame Covers EP</i> 2012 EP by Red Hot Chili Peppers

Rock & Roll Hall of Fame Covers EP is EP compilation by American rock band Red Hot Chili Peppers, released in 2012 through iTunes as a digital-only download. The band first announced the EP through their website on April 19, 2012 with the title We Salute You, although it was changed on the date of the release. The EP consists of six cover songs, live and in the studio, of previous Rock and Roll Hall of Fame inductees all who influenced the band. The EP was released to commemorate the band's own induction into the Rock and Roll Hall of Fame in 2012. All six songs have been previously featured on other releases by the band. Four of the six tracks had never been released digitally before.