Everything Will Be is a 2014 documentary film about the changing face of Vancouver's Chinatown, directed by Julia Kwan and produced by David Christensen for the National Film Board of Canada. Everything Will Be was the first documentary film for Kwan, whose first feature Eve and the Fire Horse was a fictional comic account of growing up Chinese in Vancouver. [1]
Kwan and Christensen had initially explored the idea of making a film that contrasted Vancouver’s fading Chinatown with the thriving Golden Village in nearby Richmond, until Kwan realized her passion was in documenting Chinatown’s historic sites and businesses before they disappeared: "One day I was walking down Pender Street and within a two-block radius I counted like 20 shuttered shops … herbalists and knick-knack shops and green grocers. I think I was inspired to make this film from that ache I felt for the Chinatown of my childhood." [2]
Kwan has described the film as "an observational, immersive documentary, inspired by Frederick Wiseman," and prepared for the film by walking the streets of Chinatown with her cinematographer. Since she characterizes her own command of Cantonese as "highly suspect," Kwan had a researcher and translator with her much of the time. She found herself drawn to the stories of elderly residents, who reminded her of her own parents and the people she grew up with. [1]
Area residents featured in Everything Will Be include an elderly newspaper seller known as Granny Kwan, and a security guard who's worked in the area for 20 years, who helped the filmmaker convince doubtful area residents to participate in the film. The film's title is inspired by a neon installation by Martin Creed, which reads "Everything is going to be alright," overlooking the neighbourhood from atop real estate developer Bob Rennie's art museum in Chinatown’s Wing Sang building. Rennie is also featured in the film. [1] [2] [3]
The film premiered at the 2014 Hot Docs Canadian International Documentary Festival, [4] followed by the Vancouver International Film Festival. [1] [3]
Patrick McLaughlin won the Canadian Screen Award for Best Cinematography in a Documentary at the 3rd Canadian Screen Awards. [5]
The Vancouver International Film Festival (VIFF) is an annual film festival held in Vancouver, British Columbia, Canada, for two weeks in late September and early October.
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Julia Kwan is a Canadian screenwriter, director, and occasional producer of her own short and feature films. She has brought a keen sense of the Chinese-Canadian cultural experience to her films. Several of the films were made in conjunction with the National Film Board of Canada. Her feature films include Eve and the Fire Horse (2005), as well as the feature length documentary film Everything Will Be (2014). She is also known for her short film 10,000 Delusions (1999) which screened at the Vancouver International Film Festival.
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Bob Rennie is an art collector and a real estate marketer based in Vancouver, British Columbia. He is the founder and executive director of Rennie, a Vancouver based real estate marketing firm. The company's business divisions include Rennie developer services, Rennie consumer services, Rennie advisory services, Rennie rental services and technology. He is known colloquially as the "condo king". Rennie is deeply involved in the art community locally and internationally, and he maintained his own art museum in Chinatown's Wing Sang building until fairly recently gifting it to the Chinese History Society.
David Christensen is an Alberta film director and producer who since October 2007 has been an executive producer with the National Film Board of Canada (NFB) at its Northwest Centre, based in Edmonton.
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