Evonne Munuyngu

Last updated

Evonne Munuyngu (born 1960), of the skin name Bilinydjanm, is an Indigenous Australian contemporary artist, weaver, and sculptor. She works at the Bula'Bula Arts Center in Ramingining, Eastern Arnhem Land. She works alongside her sister, Mary Dhalapany in their weaving and artistic practices. [1]

Contents

Bibliography

Munuyngu was born in 1960 in Mirrngatja, an outstation on the eastern edge of the Arafura Swamp. She is a triplet, with her siblings being artist Mary Dhalapany [2] and actor David Gulpilil. She also has another brother, Peter Minygululu, [3] who is a wood carver and a bark painter. Munuyngu's mother taught her and her sister the mastery of weaving before her death. [1] She speaks the language of and is in the Mandhalpuy clan. [1]

Art career

Munuyngu works in the Bula'Bula Arts Center in her community. She is known as a "stalwart" and is said to be the "first person to arrive each day". [1] She is best known for her intricate process of weaving pandanus leaves into bags, baskets and other useful tools.

Julie Shaw commission a top to a gown from the Bula'Bula arts community, which was featured in Australian Vogue in 2022. Munuyngu contributed to the weaving process for the top portion of the dress. [4]

She was featured in the PET Lamp Project, started by Spanish designer Alvaro Catalan de Ocon, in which she made a woven mat from plastic and pandanus leaves. The collection was prompted by the National Gallery of Victoria Triennial in 2011. The work's objective is to turn waste into something functional. [5]

Collections

Evonne Munuyngu's work is held in the permanent collection of the National Gallery of Victoria. [6]

Related Research Articles

<span class="mw-page-title-main">Basket weaving</span> Weaving of pliable materials to make three-dimensional artifacts

Basket weaving is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture. Craftspeople and artists specialized in making baskets may be known as basket makers and basket weavers. Basket weaving is also a rural craft.

Ramingining is an Aboriginal Australian community of mainly Yolngu people in the Northern Territory, Australia, 560 kilometres (350 mi) east of Darwin. It is on the edge of the Arafura Swamp in Arnhem Land. Wulkabimirri is a tiny outstation (homeland) nearby, and Murwangi, further south, is part of the Ramingining Homelands. Marwuyu Gulparil, also known as Gulparil Marwuyu or just Marwuyu, is another remote community to the south of Ramingining.

Judy Napangardi Watson, also known as Judy Watson Napangardi and Kumanjayi Napangardi Watson, was an Aboriginal Australian and a senior female painter from the Yuendumu community in the Northern Territory, Australia.

<span class="mw-page-title-main">Linda Jackson (designer)</span> Australian fashion designer and retailer

Linda Jackson is an Australian fashion designer, fashion retailer and artist.

Maringka Baker is an Aboriginal artist from central Australia. She lives in the Pitjantjatjara community of Kaṉpi, South Australia, and paints for Tjungu Palya, based in nearby Nyapaṟi.Maringka is known for her paintings. Maringka paints sacred stories from her family's Dreaming (spirituality). As well as the important cultural meanings they carry, her paintings are known for being rich in colour and contrast. She often paints the desert landscape in bright green colours, and contrasts it against reds and ochres to depict landforms. She also uses layers of contrasting colours to show the detail of the desert in full bloom.

<i>Vogue Australia</i> Australian Vogue magazine

VogueAustralia is the Australian edition of Vogue magazine. The magazine became the fifth edition of Vogue in 1959 following Vogue, British Vogue, Vogue Paris and Vogue New Zealand.

Julie Gough is an artist, writer and curator based in Tasmania, Australia.

Tjapartji Kanytjuri Bates (c.1933–2015), also spelt Taparti, was an Australian Aboriginal artist based in Warakurna, Wanarn, and Warburton communities in the Gibson Desert. She was of the Ngaanyatjarra people. Known to be active from 1991, her work incorporates media of paint, canvas, glass and felt, and is particularly centred around interpretations of Tjukurrpa from her mother and father.

Brenda L. Croft is an Aboriginal Australian artist, curator, writer, and educator working across contemporary Indigenous and mainstream arts and cultural sectors. Croft was a founding member of the Boomalli Aboriginal Artists Cooperative in 1987.

Yvonne Koolmatrie is an Australian artist and weaver of the Ngarrindjeri people, working in South Australia.

Nici Cumpston, is an Australian photographer, painter, curator, writer, and educator.

<span class="mw-page-title-main">Romance Was Born</span> Australian fashion house

Romance Was Born is an Australian fashion house, founded by Anna Plunkett and Luke Sales in 2005. Producing haute couture and women's ready-to-wear garments and accessories, the brand produces designs that "freely toy with the relationship between fashion and art", often evoking an influence of Australiana.

Maree Clarke is an Australian multidisciplinary artist and curator from Victoria, renowned for her work in reviving south-eastern Aboriginal Australian art practices.

<span class="mw-page-title-main">Nonggirrnga Marawili</span> Australian painter and printmaker

Nonggirrnga Marawili was an Australian Yolngu painter and printmaker. She was the daughter of the acclaimed artist and pre-contact warrior Mundukul. Marawili was born on the beach at Darrpirra, near Djarrakpi, as a member of the Madarrpa clan of the Yirritja moiety. She grew up in both Yilpara and Yirrkala in Arnhem Land in the Northern Territory, but lived wakir', meaning her family would move frequently, camping at Madarrpa clan-related sites between Blue Mud Bay and Groote Eylandt. Marawili died at Yirrkala in October 2023.

<span class="mw-page-title-main">Regina Pilawuk Wilson</span> Australian Aboriginal artist

Regina Pilawuk Wilson is an Australian Aboriginal artist known for her paintings, printmaking and woven fiber-artworks. She paints syaws, warrgarri, and message sticks. Her work has been shown in many Australian and international museums, collections and galleries. She has won the General Painting category of the Telstra National Aboriginal & Torres Strait Islander Art Awards in 2003 for a syaw painting. Wilson has been a finalist for the Kate Challis RAKA Award, the Togart Award, and the Wynne Prize.

<span class="mw-page-title-main">Ruth Nalmakarra</span> Indigenous Australian artist

Ruth Nalmakarra is an Indigenous Australian artist known for her weaving, painting, and community leadership.

Lucy Malirrimurruwuy Armstrong Wanapuyngu is an Aboriginal Australian master fibre artist. She is an elder of the Gapuwiyak community, and is heavily involved in the transmission of knowledge dealing with fibre works. She has worked with anthropologist Louise Hamby, since 1995, and many of her works have been spotlighted at different art festivals, collections, galleries, and museums.

Anniebell Marrngamarrnga is an Aboriginal Australian artist from Maningrida in the Northern Territory of Australia. She is well known for her large-scale, intricate fibre sculptures.

Betty Muffler is an Aboriginal Australian artist and ngangkari (healer). She is a senior artist at Iwantja Arts, in Indulkana in Aṉangu Pitjantjatjara Yankunytjatjara, South Australia, known for a series of works on large linen canvases called Ngangkari Ngura .

Mary Dhapalany, skin name Bilinydjan, also known as Mary Dhapalany Mangul, is an Indigenous Australian contemporary artist based in Ramingining, Australia in Arnhem Land. She is of the Yolŋu people from the Mandhalpuy clan, of the Dhuwa moiety. She is a renowned Aboriginal Australian fibre-artist.

References

  1. 1 2 3 4 "Evonne Munuyngu". Bula'Bula Arts. Retrieved 2024-05-06.
  2. "Mary Dhapalany (1)". Bula'Bula Arts. Retrieved 2024-05-06.
  3. "Peter Minygululu - AAIA Aboriginal Art". 2021-11-15. Retrieved 2024-05-06.
  4. [Hobson, Shonae. The NGV’s First Indigenous Fashion Commission Is an Ode to the Golden Age of Couture. Vogue, 2022.https://www.vogue.com.au/fashion/news/the-ngvs-first-indigenous-fashion-commission-is-an-ode-to-the-golden-age-of-couture/image-gallery/79e0b3a2bc42202ac407e99ef93574d1..]
  5. Sierzputowski, Kate (2018-02-01). "Collaborative Lamps That Weave Traditional Fibers With PET Plastic Waste". Colossal. Retrieved 2024-05-06.
  6. "Maayama-li (make by hand)". National Gallery of Victoria. Retrieved 19 May 2024.

Further reading