Ewert Janssen or Evert Janssen (died c. 1692) was a Danish architect who became a royal masterbuilder in 1668. His greatest achievement was Charlottenborg Palace in Copenhagen. [1]
Ewert Janssen or Evert Janssen (died c. 1692) was a Danish architect who became a royal masterbuilder in 1668. His greatest achievement was Charlottenborg Palace in Copenhagen. [1]
Ewert Janssen, along with Ernst Brandenburger a few years later, was one of the great masterbuilders of the absolute monarchy which, instituted by Frederick III, played an important part in supporting architectural developments. [2]
In 1665, Janssen completed his first major achievement with a connecting stairway at the medieval Gjorslev Castle in the south of Sealand. It appears to have been copied from an earlier design by Dutch architect Philips Vingboons.
After his appointment as royal masterbuilder in 1668, he prepared a number of drawings showing how Skanderborg Castle could, for a reasonably small sum, be adapted to the style of the period, possibly for the use of Crown Princess Charlotte Amalie. The work was, however, not carried out.
His original drawings for Charlottenborg Palace appear once again to have been based on Vingboom's plans for Amsterdam's city hall which is now the royal residence. It was only thanks to Lambert van Haven's significant alterations that the building has a style of its own. Nevertheless, it is considered to be one of Denmark's architectural masterpieces.
Janssen is also credited with the design of several manor houses in southern Sealand, the most impressive being Nysø Manor, the first Baroque building of its kind in Denmark.
Colen Campbell was a pioneering Scottish architect and architectural writer who played an important part in the development of the Georgian style. For most of his career, he resided in Italy and England. As well as his architectural designs he is known for Vitruvius Britannicus, three volumes of high-quality engravings showing the great houses of the time.
Laurids Lauridsen de Thurah, known as Lauritz de Thurah, was a Danish architect and architectural writer. He became the most important Danish architect of the late baroque period. As an architectural writer and historian he made a vital contribution to the understanding of both Denmark's architectural heritage and building construction in his day.
Nicolai Eigtved, also known as Niels Eigtved, was a Danish architect. He introduced and was the leading proponent of the French rococo or late baroque style in Danish architecture during the 1730s–1740s. He designed and built some of the most prominent buildings of his time, a number of which still stand to this day. He also played an important role in the establishment of the Royal Danish Academy of Art, and was its first native-born leader.
Caspar Frederik (Friedrich) Harsdorff, also known as C.F. Harsdorff, was a Danish neoclassical architect considered to have been the leading Danish architect in the late 18th century.
Nicolas-Henri Jardin was a French architect. Born in St. Germain des Noyers, Seine-et-Marne, Jardin worked seventeen years in Denmark–Norway as an architect to the Danish royal court. He introduced neoclassicism to Denmark–Norway.
Hack Kampmann was a Danish architect, Royal Inspector of Listed State Buildings in Jutland and professor at the architecture department of the Royal Danish Academy of Fine Arts. Marselisborg Palace in Aarhus, built between 1899 and 1902, is among his best known works.
Charlottenborg Palace is a large town mansion located on the corner of Kongens Nytorv and Nyhavn in Copenhagen, Denmark. Originally built as a residence for Ulrik Frederik Gyldenløve, it has served as the base of the Royal Danish Academy of Fine Arts since its foundation in 1754. Today it also houses Kunsthal Charlottenborg, an institution for contemporary art, and Danmarks Kunstbibliotek, the Royal Art Library.
The architecture of Denmark has its origins in the Viking period, richly revealed by archaeological finds. It became firmly established in the Middle Ages when first Romanesque, then Gothic churches and cathedrals sprang up throughout the country. It was during this period that, in a country with little access to stone, brick became the construction material of choice, not just for churches but also for fortifications and castles.
Gammelholm is a predominantly residential neighbourhood in the city centre of Copenhagen, Denmark. It is bounded by the Nyhavn canal, Kongens Nytorv, Holmens Kanal, Niels Juels Gade and the waterfront along Havnegade. For centuries, the area was the site of the Royal Naval Shipyard, known as Bremerholm, but after the naval activities relocated to Nyholm, it came under residential redevelopment in the 1860s and 1870s. The new neighbourhood was planned by Ferdinand Meldahl and has also been referred to as "Meldahl's Nine Streets". Apart from the buildings which face Kongens Nytorv, which include the Royal Danish Theatre and Charlottenborg Palace, the area is characterized by homogeneous Historicist architecture consisting of perimeter blocks with richly decorated house fronts.
Den Danske Vitruvius is a richly illustrated 18th-century architectural work on Danish monumental buildings of the period, written by the Danish Baroque architect Lauritz de Thurah. It was commissioned by Christian VI in 1735 and published in two volumes between 1746 and 1749. The title refers to the Roman architect and engineer Vitruvius, who published De architectura in the 1st century AD, an authoritative treatise on the architecture of the time. The direct inspiration for de Thurah's Den Danske Vitruvius was Colen Campbell's Vitruvius Britannicus.
Nysø Manor, located near Præstø in the southeast of the Danish island of Sealand, was built in 1673 for Jens Lauridsen, a local functionary. It now houses the Thorvaldsen Collection, a group of works by the Danish sculptor Bertel Thorvaldsen, who lived and worked there in his later years.
Hans van Steenwinckel the Youngest (1639–1700) was a Danish architect and sculptor, son of Hans van Steenwinckel the Younger and grandson of Hans van Steenwinckel the Elder. Following in the footsteps of his father and grandfather, he became a Royal Building Master in 1669. Around 1680 he also became Naval Building Master at Holmen, replacing Ewert Janssen.
Philip de Lange was a leading Dutch-Danish architect who designed many different types of building in various styles including Dutch Baroque and Rococo.
Johan Daniel Herholdt was a Danish architect, professor and royal building inspector. He worked in the Historicist style and had a significant influence on Danish architecture during the second half of the 19th and the beginning of the 20th century. His most famous work is the Copenhagen University Library in Fiolstræde in Copenhagen which heralded a new trend. The strong use of red brick in large-scale cultural and civic buildings was to characterize Danish architecture for several decades. He was a leading proponent of the "national" school in Danish architecture of the period as opposed to Ferdinand Meldahl's and Vilhelm Dahlerup's "European" school.
Jørgen Hansen Koch was a Neoclassical Danish architect. He was chief of the national Danish building administration from 1835 and director of the Royal Danish Academy of Fine Arts from 1844 to 1849.
Ewert is both a surname and a given name. Notable people with the name include:
Johan Cornelius Krieger (1683–1755) was a Danish architect and landscape architect, who from the 1720s served as both the country's chief architect, and head of the royal gardens.
Emil Axel Berg was a Danish architect. He received the Neuhausen Prize, C. F. Hansen Medal, and Eckersberg Medal, and was honored as a Knight of Order of the Dannebrog.
Albert Jensen was a Danish architect. He collaborated with Ferdinand Meldahl on several projects, including the completion of Marble Church in Copenhagen and Charlottenborg Exhibition Hall. He also designed the Magasin du Nord department store on Kongens Nytorv.
Arnold Krog was a Danish architect, painter and designer who is remembered for his achievements as artistic director of Royal Copenhagen from 1884 to 1916. He revived the company after a period of decline, moving away from the stiff Empire style of previous decades in favour of a more Impressionist style which combined underglaze painting techniques with inspiration from Japanese imagery and European naturalism. He designed the Polar Bear Fountain for the Peace Palace in The Hague. He has also designed furniture and silverware and took up landscape painting after his retirement from the porcelain factory in 1916.
| International | |
|---|---|
| Artists | |
