After the naval Battle of Aegospotami, the Lacedaemonians dedicated a majestic ex voto in Delphi.
To the left of the entrance into the sanctuary of Apollo, opposite to the base of the Arcadians stood the large votive offering of the Lacaedemonians, celebrating their victory against the Athenians at Aegospotami in 405 BC. It depicted Castor and Pollux, Zeus, Apollo, Artemis as well as the Spartan navarch Lysander, receiving a wreath by Poseidon, and finally the generals of the Lacaedemonians in this particular naval battle, such as Hermon (captain of Lysander's ship) and the soothsayer Agias: in total the monument comprised 38 bronze statues. Some fragments of the base, partly preserved and restored, are what is left nowadays from this pretentious monument. There are also preserved some fragments of epigrams from the base of the monument, referring to the Dioskouroi, to Lysander and to Arakos, admiral of the Lacaedemonian fleet.
Pausanias mentions also some of the sculptors who worked for the construction of the monument: the Megarian Theokosmos had made the statue of Hermon, the Argive Antiphanes had made Castor and Pollux, Agias was created by Pison, originating from Kalavria in Troezen, and the Arcadians Dameas and Athenodoros had made the gods' statues. [1]
Lysander was a Spartan military and political leader. He destroyed the Athenian fleet at the Battle of Aegospotami in 405 BC, forcing Athens to capitulate and bringing the Peloponnesian War to an end. He then played a key role in Sparta's domination of Greece for the next decade until his death at the Battle of Haliartus.
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The Battle of Aegospotami was a naval confrontation that took place in 405 BC and was the last major battle of the Peloponnesian War. In the battle, a Spartan fleet under Lysander destroyed the Athenian navy. This effectively ended the war, since Athens could not import grain or communicate with its empire without control of the sea.
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The Temple of Castor and Pollux is an ancient temple in the Roman Forum, Rome, central Italy. It was originally built in gratitude for victory at the Battle of Lake Regillus. Castor and Pollux were the Dioscuri, the "twins" of Gemini, the twin sons of Zeus (Jupiter) and Leda. Their cult came to Rome from Greece via Magna Graecia and the Greek culture of Southern Italy.
The Stoa of the Athenians is an ancient portico in the Delphic Sanctuary, Greece, located south of the Temple of Apollo. The southern side of the polygonal wall of the platform forms the north wall of the stoa. It was constructed c. 478 BC-470 BC during the early Classical period. The one-aisled stoa with Ionic colonnade opens toward the southeast. It was dedicated by the Athenians after the Persian Wars.
The Serpent Column, also known as the Serpentine Column, Plataean Tripod or Delphi Tripod, is an ancient bronze column at the Hippodrome of Constantinople in what is now Istanbul, Turkey. It is part of an ancient Greek sacrificial tripod, originally in Delphi and relocated to Constantinople by Constantine the Great in 324. It was built to commemorate the Greeks who fought and defeated the Persian Empire at the Battle of Plataea. The serpent heads of the 8-metre (26 ft) high column remained intact until the end of the 17th century.
Agias, the son of Agelochus and grandson of Tisamenus of Elea, was the Spartan seer of Lysander, who predicted that general's victory at the battle of Aegospotami in 404 BC. Some ancient writers considered Agias' prediction—that Lysander would capture the entire fleet except for ten triremes --to have been the cause of the victory more than a mere prediction. Pausanias mentions seeing a bronze statue of Agias at the altar of Augustus in the marketplace in Sparta. There was also a statue in Delphi of both Agias and Lysander, reputedly erected by Lysander, which has been partially recovered.
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Alypus was a sculptor of ancient Greece, a native of Sicyon. He studied under Naucydes of Argos. His age may be fixed from his having executed bronze statues of some Spartans who shared in the victory of Lysander at Aegospotami around 405 BC. Pausanias also mentions some statues of victors of the Ancient Olympic Games made by him.
The Dancers of Delphi, also known as the Acanthus Column, are three figures in high relief on top of an acanthus column found near the sanctuary of Pythian Apollo at Delphi. They are on display in the Delphi Archaeological Museum and were the inspiration for the first of Claude Debussy's Préludes.
The Temple of Athena Pronaia was a temple at the ancient site of Delphi, in the Sanctuary of Athena Pronaia, a group of buildings comprising temples and treasuries as well as the famous Tholos of Delphi. There were in fact three successive temples built at the site. The earlier temples (38°28′49″N22°30′30″E), referred to as A and B, were built in the 7th and 6th centuries BC respectively and were made of porous stone; a third temple (38°28′49″N22°30′28″E) was built of limestone in the 4th century BC, although it is not certain that it actually was dedicated to Athena this time.
The tenth book of the work Description of Greece by the traveler Pausanias is dedicated to Phocis; its larger part constitutes a description of the sanctuaries and buildings of Delphi. His work constituted a precious aid to travelers and archaeologists who attempted to identify the monuments revealed by the excavations, although in some cases their identifications were not enough.
The Treasury of the Boeotians was dedicated in the late Archaic period within the sanctuary of Apollo at Delphi. It is identified due to some epigraphic material.
Next to the Bull of the Corcyreans close to the entrance to the sanctuary of Apollo in Delphi lay a grandiose monument dedicated by the Arcadians, particularly the Tegeates.
One of the important ex votos of the Greek cities in the sanctuary of Delphi was the bronze sculpted ex voto of the Italian city of Tarentum in commemoration of their victory against the Messapians.
The city of Argos dedicated several ex votos within the sanctuary of Apollo in Delphi. It was, after all, one of the most powerful cities of the archaic and classical period.
Behind the column with the Dancers of Delphi was situated the Athenian Treasury, where was located the famous ex voto of Daochos, a long marble base where stood nine statues, eight of which represented members of Daochos' family and one a god, probably Apollo. Daochos II, son of Agias, a politician from Pharsalus and supporter of Macedonia, was a hieromnemon at the delphic sanctuary from 336 to 332 B.C. He dedicated the ex voto as a sign of honour to his prominent family.