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Lord Edgware Dies is a 1934 British mystery film directed by Henry Edwards and starring Austin Trevor, Jane Carr, and Richard Cooper. The film was based on the 1933 Agatha Christie novel Lord Edgware Dies.
The Rosary is a 1931 British drama film directed by Guy Newall and starring Margot Grahame, Elizabeth Allan and Leslie Perrins. It was shot at Twickenham Studios in London. The film's sets were designed by the art director James A. Carter. It was released as an independent first feature, despite being produced by a company that generally concentrated on quota quickies.
Open All Night is a 1934 British drama film directed by George Pearson and starring Frank Vosper, Margaret Vines, Gillian Lind, Geraldine Fitzgerald and Michael Shepley. It was made at Twickenham Studios in London. The film's sets were designed by the art director James Carter. The film was produced as a quota quickie by Julius Hagen for distribution by RKO Pictures. It was later released in the United States until the alternative title Murder by Appointment.
The White Lilac is a 1935 British mystery film directed by Albert Parker and starring Basil Sydney, Judy Gunn, Claude Dampier and Percy Marmont. It is based upon the play of the same name by Ladislas Fodor. It was made at Wembley Studios as a quota quickie by the British subsidiary of Fox Film.
The Roof is a 1933 British crime film directed by George A. Cooper and starring Leslie Perrins, Judy Gunn, Russell Thorndike and Michael Hogan. It was shot at Twickenham Studios in London as a quota quickie for release by RKO Pictures. The film's sets were designed by Twickenham's resident art director James A. Carter. It was based on the novel of the same title by David Whitelaw.
The Village Squire is a 1935 British comedy film directed by Reginald Denham and starring David Horne, Leslie Perrins, Moira Lynd and Vivien Leigh. It is based on Arthur Jarvis Black's play. The screenplay concerns a village's amateur production of MacBeth that is aided by the arrival of a Hollywood star. This provokes the fierce resistance of the village squire who hates films. The film was a quota quickie, produced at Elstree Studios for Paramount to help them meet their yearly quota set down by the British government.
Blind Folly is a 1939 British comedy film directed by Reginald Denham and starring Clifford Mollison, Lilli Palmer, and Leslie Perrins. The screenplay concerns a man who inherits a nightclub that belonged to his brother but soon discovers that it is the headquarters for a dangerous criminal gang.
The Gables Mystery is a 1938 British crime film directed by Harry Hughes and starring Francis L. Sullivan, Antoinette Cellier and Leslie Perrins. It is an adaptation of the play The Man at Six by Jack Celestin and Jack DeLeon, previously made into a 1931 film of the same title which was also directed by Hughes. It was shot at Welwyn Studios as a quota quickie for release by Metro-Goldwyn-Mayer.
The Pointing Finger is a 1933 British drama film directed by George Pearson and starring John Stuart, Viola Keats and Leslie Perrins. The screenplay concerns a man who plots to murder his half-brother so he can claim his earldom and an inheritance. The film was made by Twickenham Film Studios with sets designed by the art director James A. Carter. It was distributed by RKO Pictures as a quota quickie. Based on the novel The Pointing Finger (1907) by "Rita," it was a remake of the 1922 film of the same name.
The Barton Mystery is a 1932 British crime film directed by Henry Edwards and starring Ursula Jeans, Ellis Jeffreys and Lyn Harding. It was based on the play The Barton Mystery by Walter C. Hackett.
Holiday's End is a 1937 British mystery film directed by John Paddy Carstairs and starring Sally Stewart, Rosalyn Boulter and Wally Patch. The film follows the arrival at boarding school of a boy king.
The Last Chance is a 1937 British drama film directed by Thomas Bentley and starring Frank Leighton, Judy Kelly and Laurence Hanray. Its plot involves a gunrunner who makes a jail break in order to gather evidence to prove he is innocent of murder. It was made as a supporting feature at British International Pictures' second studio at Welwyn.
Mr. Smith Carries On is a 1937 British crime film directed by Lister Laurance and starring Edward Rigby, Julien Mitchell and H. F. Maltby. It was made at Pinewood Studios as a quota quickie for release by Paramount Pictures. The screenplay concerns a secretary who accidentally shoots a business tycoon.
Doss House is a 1933 British drama film directed by John Baxter and starring Frank Cellier, Arnold Bell and Herbert Franklyn.
The Man Who Changed His Name is a 1934 British crime film directed by Henry Edwards and starring Lyn Harding, Betty Stockfeld and Leslie Perrins. It was based on the play The Man Who Changed His Name by Edgar Wallace. It was made as a quota quickie at Twickenham Studios. The film's art direction was by James A. Carter.
The House of Unrest is a 1931 British mystery film directed by Leslie Howard Gordon and starring Dorothy Boyd, Malcolm Keen and Tom Helmore. It was made as a quota quickie at Cricklewood Studios.
After Dark is a 1932 British crime film directed by Albert Parker and starring Horace Hodges, Hugh Williams and Grethe Hansen. It was made at Walton Studios as a quota quickie.
Above Rubies is a 1932 British comedy film directed by Frank Richardson and starring Zoe Palmer, Robin Irvine and Tom Helmore. It is set in Monte Carlo.
Special Edition is a 1938 British thriller film directed by Redd Davis and starring Lucille Lisle, John Garrick and Norman Pierce.
The Shadow of Mike Emerald is a 1936 British crime drama film directed by Maclean Rogers and starring Leslie Perrins, Marjorie Mars and Vincent Holman. It was made at the Walton Studios outside London as a quota quickie for release by RKO Pictures.
References
- ↑ Chibnall p.283
