The Expressionist Master of Santa Chiara was an Umbrian painter active between about 1290 and around 1330. He has been identified as one of Giotto's principal followers; some contend that his hand may be identified in a series of frescos attributed to Giotto in the Basilica of San Francesco d'Assisi. Among the surviving works attributed to him are a set of processional crucifixes, including one in the Cleveland Museum of Art. [1]
Cimabue, also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence.
Assisi is a town and comune of Italy in the Province of Perugia in the Umbria region, on the western flank of Monte Subasio.
Pietro Cavallini was an Italian painter and mosaic designer working during the late Middle Ages.
Pietro Lorenzetti or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance.
The Basilica of Saint Francis of Assisi is the mother church of the Roman Catholic Order of Friars Minor Conventual in Assisi, a town in the Umbria region in central Italy, where Saint Francis was born and died. It is a Papal minor basilica and one of the most important places of Christian pilgrimage in Italy. With its accompanying friary, Sacro Convento, the basilica is a distinctive landmark to those approaching Assisi. It has been a UNESCO World Heritage Site since 2000.
San Francesco a Ripa is a church in Rome, Italy. It is dedicated to Francis of Assisi who once stayed at the adjacent convent. The term Ripa refers to the nearby riverbank of the Tiber.
Giotto's Campanile is a free-standing campanile that is part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy.
Puccio Capanna was an Italian painter of the first half of the 14th century, who lived and worked in Assisi, Umbria, Italy between 1341 and 1347. He is also called Puccio Campana.
The chiesa di San Salvatore di Ognissanti or more simply chiesa di Ognissanti, is a Franciscan church located on the piazza of the same name in central Florence, region of Tuscany, Italy. Founded by the lay order of the Umiliati, the church was dedicated to all the saints and martyrs, known and unknown.
Gaddo Gaddi was a painter and mosaicist of Florence in a Gothic art style. Almost no works survive. He was the father of Taddeo Gaddi. He completed mosaics on the facade of Santa Maria Maggiore in Rome. The "Coronation of the Virgin" mosaic over the inside door of Florence Cathedral, dated 1307, is also attributed to Gaddo Gaddi.
Pierre de Bar was a French Cardinal. He is also tentatively identified as a scholastic philosopher, at the University of Paris around 1230. Some sources indicate that he entered Cistercian Order but more recent research conclude that he was secular priest. He was chancellor of the diocese of Noyon from 1232 until his promotion to the cardinalate.
The Isaac Master was an Italian Gothic painter active in the decoration of the Basilica of San Francesco d'Assisi in Assisi at the end of the thirteenth century. Master's name is derived from a fresco painting of the death of Isaac for which he is known, the fresco is located in the Upper Church of St Francis at Assisi, depicting Isaac blessing Jacob and Esau.
Giotto di Bondone, known mononymously as Giotto and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence". Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".
Mongol elements in Western medieval art can be seen in European works of art ranging from the 13th to the 15th century. They encompass artistic areas such as painting and textile manufacture, and mainly consist in the European use of Mongol 'Phags-pa script in Medieval European art, as well as the representation of "Tartar" cloth and Mongol soldiers in a number of contemporary European paintings.
Saint Francis Receiving the Stigmata is a panel painting in tempera by the Italian artist Giotto, painted around 1295–1300 for the Church of Saint Francis in Pisa and it is now in the Musée du Louvre in Paris. It shows an episode from the life of Saint Francis of Assisi, and is 314 cm high by 162 cm wide. It is signed OPUS IOCTI FLORENTINI.
The Maestà is a painting by the Italian artist Cimabue, executed around 1280 and housed in the Musée du Louvre in Paris.
The Santa Trinita Maestà is a panel painting by the Italian medieval artist Cimabue, dating to c. 1290-1300. Originally painted for the church of Santa Trinita, Florence, where it remained until 1471, it is now housed in the Uffizi Gallery of Florence, Italy. It represents the Madonna enthroned with the Baby Jesus and surrounded by eight angels and, below, four half portraits of prophets.
The Master of St Cecilia is the notname given to an Italian painter active circa 1290 to 1320 in Florence and its environs.
The Strasbourg Crucifixion is a painting in tempera and gold on panel of c. 1315 attributed to Giotto, now in the Musée des Beaux-Arts of Strasbourg, France.
Illuminatus of Arce or Illuminatus of Rieti was an earlier follower of Francis of Assisi.