F.A. Dobson | |
---|---|
Born | Frederick Albert Dobson June 1, 1866 Utica, New York, USA |
Died | April 13, 1948 (aged 81) Stanislaus, California, USA |
Occupation | Cinematographer |
Spouses | Georgia Conroy (divorced)Katherine Rehfuss (divorced) |
Frederick "F.A." Dobson was an American cinematographer who worked in Hollywood during its earliest years. [1] [2] [3] [4]
Dobson was born in Utica, New York, to John Dobson and Emma Young.
With the advent of the motion picture industry, he began working for the American Mutoscope and Biograph Company in New York. He ultimately shot more than 100 silent films between 1898 and 1916, [5] including notably Skyscrapers shot in 1906 on the construction site of one of New-York's tallest skyscrapers.
Dobson had two marriages. Georgia Conroy was the bride of his first union in 1891. In 1909, he wed Katherine Rehfuss; the couple had a daughter named Emma before divorcing.[ citation needed ]
Gottfried Wilhelm Bitzer was an American cinematographer, notable for his close association and pioneering work with D. W. Griffith.
Biograph Studios was an early film studio and laboratory complex, built in 1912 by the Biograph Company at 807 East 175th Street, in The Bronx, New York City, New York.
The Biograph Company, also known as the American Mutoscope and Biograph Company, was a motion picture company founded in 1895 and active until 1916. It was the first company in the United States devoted entirely to film production and exhibition, and for two decades was one of the most prolific, releasing over 3000 short films and 12 feature films. During the height of silent film as a medium, Biograph was the most prominent U.S. film studio and one of the most respected and influential studios worldwide, only rivaled by Germany's UFA, Sweden's Svensk Filmindustri and France's Pathé. The company was home to pioneering director D. W. Griffith and such actors as Mary Pickford, Lillian Gish, and Lionel Barrymore.
Actuality film is a non-fiction film genre that, like documentary film, uses footage of real events, places, and things. Unlike documentaries, actuality films are not structured into a larger narrative or coherent whole. In practice, actuality films preceded the emergence of the documentary. During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts. The line between "fact" and "fiction" was not as sharply drawn in early cinema as it would be after documentaries came to serve as the predominant non-fiction filmmaking form. Actuality is a film genre that remains related to still photography.
Linda Arvidson was an American stage and film actress who became one of America's early motion picture stars while working at Biograph Studios in New York, where none of the company's actors, until 1913, were credited on screen. Along with Florence Lawrence, Marion Leonard, and other female performers there, she was often referred to by theatergoers and in trade publications as simply one of the "Biograph girls". Arvidson began working in the new, rapidly expanding film industry after meeting her future husband D. W. Griffith, who impressed her as an innovative screen director. Their marriage was kept secret for reasons of professional discretion.
Sherlock Holmes Baffled is an American short silent film created in 1900 with cinematography by Arthur Marvin. It is the earliest known film to feature Arthur Conan Doyle's detective character Sherlock Holmes, albeit in a form unlike that of later screen incarnations. In the film, a thief who can appear and disappear at will steals a sack of items from Sherlock Holmes. At each point, Holmes's attempts to thwart the intruder end in failure.
Herbert Yost was an American actor who in a career that spanned nearly half a century performed predominantly on stage in stock companies and in numerous Broadway productions. Yost also acted in motion pictures, mostly in one-reel silent shorts released by the Biograph Company and Edison Studios between November 1908 and July 1915. By the time he began working in the film industry, Yost already had more than a decade of stage experience in hundreds of dramatic and comedic roles and was widely regarded in the theatre community "as one of the country's finest stock actors". Reportedly, to reduce the risk of tarnishing his reputation as a professional actor by being identified as a screen performer, Yost often billed himself as "Barry O'Moore" while working in films. He was ultimately cast in scores of motion pictures in the early silent era, although with the exceptions of appearing in three more films in the sound era, Yost spent the remaining decades of his career acting in major theatre productions, almost exclusively on Broadway.
A Drunkard's Reformation is a 1909 American drama film directed by D. W. Griffith. Prints of the film survive in the film archive of the Library of Congress. The American Mutoscope and Biograph Company advertised the feature as "The most powerful temperance lecture ever depicted".
Gladys Egan was an early 20th-century American child actress, who between 1907 and 1914 performed professionally in theatre productions as well as in scores of silent films. She began her brief entertainment career appearing on the New York stage as well as in plays presented across the country by traveling companies. By 1908 she also started working in the film industry, where for six years she acted almost exclusively in motion pictures for the Biograph Company of New York. The vast majority of her screen roles during that period were in shorts directed by D. W. Griffith, who cast her in over 90 of his releases. While most of Egan's films were produced by Biograph, she did work for other motion-picture companies between 1911 and 1914, such as the Reliance Film Company and Independent Moving Pictures. By 1916, Egan's acting career appears to have ended, and she no longer was being mentioned in major trade journals or included in published studio personnel directories as a regularly employed actor. Although she may have performed as an extra or in some bit parts after 1914, no available filmographies or entertainment publications from the period cite Egan in any screen or stage role after that year.
The Call of the Wild is a 1908 American short silent Western film directed by D. W. Griffith and produced by the American Mutoscope and Biograph Company. The short, a "one-reeler", stars Charles Inslee, Harry Solter and Florence Lawrence. Its interior scenes were shot at Biograph's studio facilities in New York City, and its exteriors were filmed on location in Coytesville, today one of the oldest communities in Fort Lee, New Jersey.
Wallace McCutcheon Sr. was a pioneer cinematographer and director in the early American motion picture industry, working with the American Mutoscope & Biograph, Edison and American Star Film companies. McCutcheon's wealth of credits are often mixed up with the small handful of films directed by his son, Wallace McCutcheon Jr. (1884–1928).
The Maniac Cook is a 1909 American silent thriller film produced by the Biograph Company of New York, directed by D. W. Griffith, and starring Anita Hendrie in the title role. Principal cast members also include Harry Solter and Marion Leonard.
Edgar Allen Poe [sic] is a 1909 American silent drama film produced by the Biograph Company of New York and directed and co-written by D. W. Griffith. Herbert Yost stars in this short as the 19th-century American writer and poet Edgar Allan Poe, while Linda Arvidson portrays Poe's wife Virginia. When it was released in February 1909 and throughout its theatrical run, the film was consistently identified and advertised with Poe's middle name misspelled in its official title, using an "e" instead of the correct second "a". The short was also originally shipped to theaters on a "split reel", which was a single reel that accommodated more than one film. This 450-foot drama shared its reel with another Biograph short, the 558-foot comedy A Wreath in Time. Prints of both films survive.
A Sound Sleeper is a 1909 American comedy film directed by D. W. Griffith and produced by the American Mutoscope and Biograph Company. The short was filmed in one day in the Coytesville borough of Fort Lee, New Jersey, which at the time was a popular filming location for many early motion-picture studios in the northeastern United States. Due to the brief running time of this comedy, it was originally distributed in April 1909 on a split reel with another Biograph release, a longer dramatic film titled The Winning Coat.
Trying to Get Arrested is a 1909 American comedy short film directed by D. W. Griffith, produced by the Biograph Company of New York City, and starring John R. Cumpson. Filmed in two days in early 1909 at Palisades Park, New Jersey, it was released in April that year and distributed to theaters on a "split reel", which was a single film reel that included more than one motion picture. The other picture that accompanied this comedy was the Biograph "dramedy" The Road to the Heart.
The Road to the Heart is a 1909 American short film, a dramedy directed by D. W. Griffith and produced by the Biograph Company of New York City. Starring David Miles, Anita Hendrie and Herbert Yost, the production was filmed in two days in March 1909 at Biograph's studio in Manhattan. It was released in April that year and distributed to theaters on a "split-reel", which was a single film reel that included more than one motion picture. The other picture that accompanied this comedy was the Biograph comedy Trying to Get Arrested.
Schneider's Anti-Noise Crusade is a 1909 American silent film comedy written and directed by D. W. Griffith, produced by the American Mutoscope and Biograph Company in New York City, and co-starring John R. Cumpson and Florence Lawrence. At its release in April 1909, the short was distributed to theaters on a "split reel", which was a single reel that accommodated more than one film. This short shared its reel with another Biograph comedy directed by Griffith, A Rude Hostess.
Jones and His New Neighbors is a 1909 American silent comedy film written by Frank E. Woods and directed by D. W. Griffith. Produced by the American Mutoscope and Biograph Company in New York City, the short stars John R. Cumpson, Florence Lawrence, and Anita Hendrie. It is one film in a series of 1908 and 1909 Biograph pictures in which Cumpson and Lawrence performed together as the married couple Mr. and Mrs. Jones. When this comedy was released in March 1909, it was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one motion picture. It shared its reel with another Biograph short directed by Griffith, the dramatic "thriller" The Medicine Bottle.
Jones and the Lady Book Agent is a 1909 American silent comedy film written by Frank E. Woods and directed by D. W. Griffith. Produced by the American Mutoscope and Biograph Company in New York City, the short stars John R. Cumpson, Florence Lawrence, and Flora Finch as the "lady book agent". It is one film in a series of 1908 and 1909 Biograph pictures in which Cumpson and Lawrence performed together as the married couple Mr. and Mrs. Jones. When this comedy was released in May 1909, it was distributed to theaters on a "split reel", which was a single projection reel that accommodated more than one motion picture. It shared its reel with another Biograph comedy short directed by Griffith, The French Duel. The film was released on May 10, 1909 by Biograph Company and was met by positive viewers. The film is presumed lost.
The Invisible Fluid is a 1908 American silent science fiction comedy film produced by the American Mutoscope and Biograph Company of New York, directed by Wallace McCutcheon Sr., and starring Edward Dillon. The short's plot relies extensively on the filming and editing technique of substitution splicing, also known as "stop trick", a special effect that creates the illusion of various characters or objects suddenly vanishing on screen.