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FHR Fred Robertson Los Angeles Pottery was a small studio art pottery manufacturer in Los Angeles, California, from approximately 1906 to approximately 1921.
Fred H. Robertson and his father, Alexander, were important figures in the art pottery movement in America. Alexander, a fifth generation potter, had founded Chelsea Keramic Art Works (Chelsea, Massachusetts) in 1866 (or 1867), its successor, Dedham Pottery (Dedham, Massachusetts) in 1896, and the Roblin Art Pottery (San Francisco) in 1898. Fred worked at Chelsea and then Dedham. Other Robertson family members worked at Chelsea and Dedham, including Alexander's brother, Hugh. Dedham is known for its crackle (craquelure) and volcanic glazes, and blue cobalt hand painted designs.
In 1903 Fred moved to California and joined Alexander at Roblin. The name Roblin came from the names of its founders, Robertson and Linna Irelan. Fred moved to Los Angeles in 1906 and worked for LA Pressed Brick until 1921 as its superintendent. At LA Pressed Brick Fred won medals for his crystalline and lustered glazes.
From approximately 1906 until approximately 1921 Fred also operated a small art pottery studio in Los Angeles known as "FHR Fred Robertson Los Angeles." FHR is best known for its crackle, matte, crystalline and lustered glazes. The crackle finish was a well known Robertson development from the Chelsea/Dedham period, inspired by the Oriental pottery seen by Hugh Robertson at the Centennial Exposition. The pottery is typically marked on the bottom with a stamped or incised "FHR" or "FHR Los Angeles."
In 1921 Fred, along with Gus Larson of LA Pressed Brick, moved to Claycraft Potteries Company (Los Angeles), which was established that year. Claycraft is known to have been located at 3101 San Fernando Road. Fred was the general superintendent of Claycraft, focusing on the development of bodies and glazes. George B. Robertson, Fred's son, joined the firm as a designer in 1925. Claycraft is well known for its decorative tiles, garden pottery, fountains and lamp bases. The body of work achieved at Claycraft is largely credited to the skill and attention of the two Robertsons. In 1934 the two departed to form Robertson/Hollywood Pottery. The last mention of Claycraft Potteries is found in Los Angeles city directories of 1939.
Robertson/Hollywood Pottery was located in Los Angeles California at a time when many of the better potters were moving west. Robertson/Hollywood made household pottery items such as plates and covered boxes. Robertson/Hollywood pottery is typically marked on the bottom with incised script "Robertson/Hollywood."
Robertson/Hollywood Pottery closed in 1952.
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard, durable form. Major types include earthenware, stoneware and porcelain. The place where such wares are made by a potter is also called a pottery. The definition of pottery used by the American Society for Testing and Materials (ASTM), is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." In archaeology, especially of ancient and prehistoric periods, "pottery" often means vessels only, and figures of the same material are called "terracottas". Clay as a part of the materials used is required by some definitions of pottery, but this is dubious.
Raku ware is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air.
Celadon is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware, and a type of transparent glaze, often with small cracks, that was first used on greenware, but later used on other porcelains. Celadon originated in China, though the term is purely European, and notable kilns such as the Longquan kiln in Zhejiang province are renowned for their celadon glazes. Celadon production later spread to other parts of East Asia, such as Japan and Korea as well as Southeast Asian countries such as Thailand. Eventually, European potteries produced some pieces, but it was never a major element there. Finer pieces are in porcelain, but both the color and the glaze can be produced in stoneware and earthenware. Most of the earlier Longquan celadon is on the border of stoneware and porcelain, meeting the Chinese but not the European definitions of porcelain.
Langley Mill Pottery was located in Langley Mill, Derbyshire on the Derbyshire – Nottinghamshire border. From its establishment in 1865 to its final closure in 1982, the pottery went through five distinct periods of ownership, producing a wide range of stoneware ranging from salt glazed ink bottles, utilitarian items and tableware to high quality and original art pottery.
Shigaraki ware (信楽焼) is a type of stoneware pottery made in Shigaraki area, Japan. The kiln is one of the Six Ancient Kilns in Japan. Although figures representing the tanuki are a popular product included as Shigaraki ware, the kiln and local pottery tradition has a long history.
Royal Doulton is an English ceramic and home accessories manufacturer founded in 1815. Operating originally in Vauxhall, London, later moving to Lambeth, in 1882 it opened a factory in Burslem, Stoke-on-Trent, in the centre of English pottery. From the start the backbone of the business was a wide range of utilitarian wares, mostly stonewares, including storage jars, tankards and the like, and later extending to pipes for drains, lavatories and other bathroom ceramics. From 1853 to 1902 its wares were marked Doulton & Co., then from 1902, when a royal warrant was given, Royal Doulton.
Van Briggle Art Pottery was at the time of its demise the oldest continuously operating art pottery in the United States, having been established in Colorado Springs, Colorado in 1901 by Artus and Anne Van Briggle. Artus had a significant impact on the Art Nouveau movement in the United States, and his pottery is foundational to American Art Pottery. The Art Nouveau style favored by its founders continues to influence the pottery's designs.
Dorchester Pottery Works is a historic site at 101-105 Victory Road in Dorchester, Massachusetts, a neighborhood of Boston. The Dorchester Pottery Works was founded in 1895 by George Henderson and made stoneware. The Dorchester Pottery Works closed in 1979. The building was designated as a Boston Landmark in 1980 and added to the National Register of Historic Places in 1985.
Thomas Toft was an English potter working in the Staffordshire Potteries during the 17th century. He and his family are known for large earthenware plates heavily decorated by slip-trailing, often in several colours. Work in this style, even by other makers, is known as Toft ware.
Art pottery is a term for pottery with artistic aspirations, made in relatively small quantities, mostly between about 1870 and 1930. Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases, jugs, bowls and the like which are sold singly. The term originated in the later 19th century, and is usually used only for pottery produced from that period onwards. It tends to be used for ceramics produced in factory conditions, but in relatively small quantities, using skilled workers, with at the least close supervision by a designer or some sort of artistic director. Studio pottery is a step up, supposed to be produced in even smaller quantities, with the hands-on participation of an artist-potter, who often performs all or most of the production stages. But the use of both terms can be elastic. Ceramic art is often a much wider term, covering all pottery that comes within the scope of art history, but "ceramic artist" is often used for hands-on artist potters in studio pottery.
J.A. Bauer Pottery is an American pottery that was founded in Paducah, Kentucky in 1895 and operated for most of its life in Los Angeles, California. It closed in 1962.
Hugh C. Robertson, (1845–1908), was the first American studio potter who experimented with new ceramic glazes. Born in England, Robertson apprenticed at the Jersey City Potter in 1860. In 1868, he started work in his father's shop that had opened in 1866 in Chelsea, Massachusetts. In 1872 the factory was incorporated into the Chelsea Keramic Art Works (CKAW). The company became known for their antique Grecian terra cotta and Pompeian bronzes. In 1877, Robertson developed the Chelsea faience, underglazed opaque earthenware, which led the development of other American faience. There in 1884, Robertson worked on discovering the famous Chinese sang de boeuf glaze. In 1888, he finally discovered the recipe for the glaze and produced three hundred pieces of what he dubbed, Sang de Chelsea.
Dedham Pottery was an American art pottery company opened by the Robertson Family in Dedham, Massachusetts during the American arts & crafts movement that operated between 1896 and 1943. It was known for its high-fire stoneware characterized by a controlled and very fine crackle glaze with thick cobalt border designs. The Chelsea Keramic Art Works (1872–1889) and "Chelsea Pottery U.S." were earlier companies of the family.
Gladding, McBean is a ceramics company located in Lincoln, California. It is one of the oldest companies in California, a pioneer in ceramics technology, and a company which has "contributed immeasurably" to the state's industrialization. During the heyday of architectural terra cotta, the company "dominated the industry in California and the Far West."
Franciscan Ceramics are ceramic tableware and tile products produced by Gladding, McBean & Co. in Los Angeles, California, from 1934–1962, International Pipe and Ceramics (Interpace) from 1962–1979, and Wedgwood from 1979-1983. Wedgwood closed the Los Angeles plant, and moved the production of dinnerware to England in 1983. Waterford Glass Group plc purchased Wedgwood in 1986, becoming Waterford Wedgwood. KPS Capital Partners acquired all of the holdings of Waterford Wedgwood in 2009. The Franciscan brand became part of a group of companies known as WWRD, an acronym for "Wedgwood Waterford Royal Doulton." WWRD continues to produce the Franciscan patterns Desert Rose and Apple.
Vernon Kilns was an American ceramic company in Vernon, California. In July 1931, Faye G. Bennison purchased the former Poxon China pottery renaming the company Vernon Kilns. Poxon China was located at 2300 East 52nd Street. Vernon produced ceramic tableware, art ware, giftware, and figurines. The company closed its doors in 1958.
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. While some ceramics are considered fine art, as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artefacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery". In a one-person pottery studio, ceramists or potters produce studio pottery.
Brayton Laguna Pottery produced ceramics (pottery) in Laguna Beach, California from 1927 to 1968.
American art pottery refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques. Stylistically, most of this work is affiliated with the modernizing Arts and Crafts (1880-1910), Art Nouveau (1890–1910), or Art Deco (1920s) movements, and also European art pottery.
Sang de boeuf glaze, or sang-de-boeuf, is a deep red colour of ceramic glaze, first appearing in Chinese porcelain at the start of the 18th century. The name is French, meaning "ox blood", and the glaze and the colour are also called ox-blood or oxblood in English, in this and other contexts.