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The following outline is provided as an overview of and topical guide to theatre:
A striptease is an erotic or exotic dance in which the performer gradually undresses, either partly or completely, in a seductive and sexually suggestive manner. The person who performs a striptease is commonly known as a "stripper" or an "exotic" or "burlesque" dancer.
A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy, comedy, and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements.
Francesca Annis is an English actress. She is known for television roles in Reckless (1998), Wives and Daughters (1999), Deceit (2000), and Cranford (2007). A six-time BAFTA TV Award nominee, she won the 1979 BAFTA TV Award for Best Actress for the ITV serial Lillie. Her film appearances include Krull (1983), Dune (1984), The Debt Collector (1999), and The Libertine (2004).
Betty Garrett was an American actress, comedian, singer and dancer. She originally performed on Broadway, and was then signed to a film contract with Metro-Goldwyn-Mayer. She appeared in several musical films, then returned to Broadway and made guest appearances on several television series.
Travesti is a theatrical character in an opera, play, or ballet performed by a performer of the opposite sex.
Ida Lvovna Rubinstein was a Russian dancer, actress, art patron and Belle Époque figure. She performed with Diaghilev's Ballets Russes from 1909 to 1911 and later formed her own company. Boléro by Ravel (1928) was among her commissions.
Indira Anne Varma is a British actress and narrator. Her film debut and first major role was in Kama Sutra: A Tale of Love.
The music of ancient Rome was a part of Roman culture from the earliest of times. Songs (carmen) were an integral part of almost every social occasion. The Secular Ode of Horace, for instance, was commissioned by Augustus and performed by a mixed children's choir at the Secular Games in 17 BC. Music was customary at funerals, and the tibia, a woodwind instrument, was played at sacrifices to ward off ill influences. Under the influence of ancient Greek theory, music was thought to reflect the orderliness of the cosmos, and was associated particularly with mathematics and knowledge.
The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times.
Bríd Brennan is an Irish actress who is known for her film, TV and theatre work. She originated the role of Agnes in the Brian Friel play Dancing at Lughnasa, for which she won the 1992 Tony Award for Best Featured Actress in a Play. She is also a three-time Olivier Award nominee; for Rutherford and Son (1995), The Little Foxes (2002) and The Ferryman (2018).
An actor or actress is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is ὑποκριτής (hupokritḗs), literally "one who answers". The actor's interpretation of a role—the art of acting—pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role", which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art.
The history of theatre charts the development of theatre over the past 2,500-2,600 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment, and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 5th century BC, vibrant traditions of theatre have flourished in cultures across the world.
The Armenian Theater dates to before Roman times and is one of the oldest Eurasian theatrical traditions. Alongside Greek and Roman theatres, it stands as one of the world's most ancient theatres. The ancient and beloved form of theatrical art is lyrical (profound) drama, which exerted its influence on the folklore of the Near East, Balkan, and Apennine peoples. Within this cultural context, Armenian folk and mystical drama, characterized by its dance elements, also took shape. Although the ancient theatre system hasn't been preserved, it has left its linguistic marks.
Evgenia Viktorovna Obraztsova is a Russian ballerina. She is a prima ballerina with the Bolshoi Ballet in Moscow, and with the Mariinsky Ballet.
Galeria Copiola was an ancient Roman dancer (emboliaria) and actress whom Pliny includes in a list of notable female nonagenarians and centenarians in his Natural History. Because of Pliny's notice, Galeria is one of the few performing artists in classical antiquity whose career milestones can be precisely dated.
The important place of women in dance can be traced back to the origins of civilization. Cave paintings, Egyptian frescos, Indian statuettes, ancient Greek and Roman art and records of court traditions in China and Japan all testify to the important role women played in ritual and religious dancing from the start. In the Middle Ages, what has become known as ballet had its beginnings in Italian court festivals when women frequently played the parts of men. It was however in late 17th-century France that the Paris Opera produced the first celebrated ballerinas. While women began to dominate the ballet scene in the 18th century, it was with the advent of Romantic ballet in the 19th century that they became the undisputed centre of attraction with stars playing the leading roles in the works of Marius Petipa, appearing in theatres across Europe from Milan's La Scala to the Mariinsky Theatre in Saint Petersburg. More recently, women have played a leading role in developing various forms of modern dance including flamenco and expressionist dance.
Laine Mägi is an Estonian stage, film and television actress, dancer and choreographer and dance pedagogue who began her career as a teenager. She is the founder of the Laine Mägi School of Dance, based in Pärnu.
Licinia Eucharis was an Ancient Roman stage actress. She was a star of the Theatre of ancient Rome, and belonged to the few known ancient actresses to achieve fame and respect in her profession during the Roman Republic.
Bassilla, was a mime actress in Ancient Rome.
References
- ↑ Gregori, Gian Luca (2005). "I protagonisti della scena teatrale nella documentazione epigrafica di Roma". Scienze dell'Antichità: 12, 2004/2005: 575–590.
- ↑ Christer Bruun, J. C. Edmondson: The Oxford Handbook of Roman Epigraphy
- ↑ García Morcillo, Marta; Richardson, James H.; Santangelo, Federico (2016). Ruin or Renewal?: Places and the Transformation of Memory in the City of Rome.
- ↑ Pat Easterling, Edith Hall: Greek and Roman Actors: Aspects of an Ancient Profession