Fatal Extravagance | |
---|---|
Written by | Aaron Hill |
Date premiered | 21 April 1721 [1] |
Place premiered | Lincoln's Inn Fields Theatre |
Original language | English |
Genre | Tragedy |
Fatal Extravagance is a 1721 tragedy by the British writer Aaron Hill. It was presented by another writer Joseph Mitchell, a friend of Hill, at the Lincoln's Inn Fields Theatre in London. [2] The original cast included James Quin as Bellmour, Anthony Boheme as Courtney, John Ogden as Bargrave and Anna Maria Seymour as Louisa. It was printed with the slightly longer title The Fatal Extravagance.
Hill was inspired by the recent South Sea Bubble where speculative investment had led to a massive crash, ruining backers of the company. In the play this takes the former a out-of-control gambler who ends up killing a creditor and planning to commit suicide. [3]
In 1793 a version of the play retitled The Prodigal by Francis Godolphin Waldron was staged at the Haymarket Theatre, with a happy ending added.
This article contains information about the literary events and publications of 1726.
Aaron Hill was an English dramatist and miscellaneous writer.
Zaïre is a five-act tragedy in verse by Voltaire. Written in only three weeks, it was given its first public performance on 13 August 1732 by the Comédie française in Paris. It was a great success with the Paris audiences and marked a turning away from tragedies caused by a fatal flaw in the protagonist's character to ones based on pathos. The tragic fate of its heroine is caused not through any fault of her own, but by the jealousy of her Muslim lover and the intolerance of her fellow Christians. Zaïre was notably revived in 1874 with Sarah Bernhardt in the title role, and it was the only one of Voltaire's plays to be performed by the Comédie française during the 20th century. The play was widely performed in Britain well into the 19th century in an English adaptation by Aaron Hill and was the inspiration for at least thirteen operas.
Francis Godolphin Waldron (1744–1818) was an English writer and actor, known also as an editor and bookseller.
The Persian Princess is a 1708 tragedy by the British writer Lewis Theobald. It was performed at the Theatre Royal, Drury Lane. It is also written as The Persian Princess: or, The Royal Villain.
Sir Thomas Overbury is a 1723 tragedy by the British writer Richard Savage. It is based on the life of Thomas Overbury an associate of the Jacobean royal favourite Robert Carr whose apparent murder while incarcerated in the Tower of London provoked a trial and major scandal.
The Humour of the Age is a 1701 comedy play by the English writer Thomas Baker. It was staged at the Theatre Royal in Drury Lane.
The Fatal Vision is a 1716 tragedy by the British writer Aaron Hill. It is also known as The Fatal Vision: Or, the Fall of Siam.
Squire Trelooby is a 1704 farce by the writers William Congreve, John Vanbrugh and William Walsh. All were members of the Kit-Cat Club and another member Samuel Garth wrote a prologue. It was inspired by the French play Monsieur de Pourceaugnac by Molière.
Elfrid: or The Fair Inconstant, generally shortened to Elfrid, is a 1710 tragedy by the British writer Aaron Hill.
The Wife of Bath is a 1713 comedy play by the British writer John Gay. It was inspired by the The Wife of Bath's Tale by Geoffrey Chaucer. The play marked a conscious switch by Gay towards an apolitical and distant past, after his contemporary work The Mohocks had faced controversy and censorship the previous year. Robert Wilks, a celebrated actor and manager of the Drury Lane Theatre, appeared as Chaucer. The title role of the wife was played by Margaret Bicknell with Mary Porter as Myrtilla and the cast rounded out by William Bullock, Lacy Ryan, Christopher Bullock, William Pinkethman and Henry Norris.
The Siege of Damascus is a 1720 tragedy by the British writer John Hughes. It was inspired by Simon Ockley's 1708 study Conquest of Syria, and focuses specifically on the Siege of Damascus in 634.
The Captives is a 1724 tragedy by the British writer John Gay. The action takes place in the ancient Median Empire, following the fashion in many tragedies of the era to have oriental settings. It concerns a plot against the King, which involves his wife and two royal Persian captives.
The Invader of His Country, or The Fatal Resentment is a 1719 tragedy by the British writer John Dennis. Is is based on Coriolanus by William Shakespeare, portraying the life of the Roman general Gaius Marcius Coriolanus. Written in the wake of the 1715 Jacobite Rebellion, it was intended by the Whig Dennis as a patriotic defence of the Hanoverian Succession by drawing parallels with Coriolanus's shift from loyal commander to rebel leader to the contemporary situation.
Money the Mistress is a 1726 comedy play by the Irish writer Thomas Southerne. It was his final play.
The Modish Husband is a 1702 comedy play by the English writer William Burnaby. It is in the Restoration-style comedy of manners.
As You Find It is a 1703 comedy play by the English writer Charles Boyle, later Earl of Orrery. His grandfather Roger Boyle, 1st Earl of Orrery had also been a playright. In style it is much closer to traditional Restoration comedy, than the developing trend for Sentimental comedy.
The Fatal Constancy is a 1723 tragedy by the British writer Hildebrand Jacob. The original cast included Barton Booth as Omphales, Colley Cibber as Tryphon and Mary Porter as Hesione.
The Bath Unmasked is a 1725 comedy play by the British writer Gabriel Odingsells. The action takes place in the fashionable spa town of Bath.
The Fair Captive is a 1721 tragedy by the British writer Eliza Haywood.
This article on a play is a stub. You can help Wikipedia by expanding it. |