Fatima | |
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Directed by | |
Written by | Saeroen |
Produced by | Tan Khoen Yauw |
Starring |
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Cinematography |
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Music by | Lief Java |
Production company | |
Release date |
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Country | Dutch East Indies |
Language | Indonesian |
Fatima is a 1938 film from the Dutch East Indies (now Indonesia) directed by Othniel and Joshua Wong. Written by Saeroen, it starred Roekiah, Rd Mochtar, and ET Effendi and followed two lovers who are disturbed by a rich youth. The film followed the same formula as the earlier hit Terang Boelan (Full Moon; 1937), and saw commercial success domestically. It is one of three films which Misbach Yusa Biran credits with reviving the domestic film industry, which had been faltering.
Fatima (Roekiah) is in love with Idris (Rd Mochtar), the son of a poor fisherman on the island of Motaro. One day, the rich youth Ali (ET Effendi) comes to the island and tries to steal Fatima's heart. She, however, is unwilling to receive him and gives his gifts to Idris, so that the latter can sell them. Ultimately it is revealed that Ali is the leader of a gang, and the police trace him through a stolen ring he had given Fatima. [1]
The success of Albert Balink's Terang Boelan in 1937, released in a stagnant domestic film industry, led the Tan brothers (Khoen Yauw and Khoen Hian) to reestablish their production house Tan's Film. [2] For the company's first production, the Tans called the Wong brothers, Othniel and Joshua, to direct and handle daily activities with the company. [3] The Wongs, who had served as cinematographers for Terang Boelan but found themselves unemployed after the studio closed its feature film division, accepted. They also handled cinematography on Fatima, shooting in black-and-white. [4]
The Wongs brought with them much of cast of Terang Boelan, as well as some crew members. The previous film's writer, Saeroen, penned the story for Fatima, closely following the same formula of romance, good music, and beautiful scenery as his earlier film. The main cast members, including Roekiah, Rd Mochtar, and ET Effendi, as well as actors in minor roles like Kartolo (Roekiah's husband), also joined. [3] They were given higher wages than when they had worked on Terang Boelan. Roekiah, for example, earned a monthly fee of 150 gulden, with another 50 gulden for Kartolo; this was twice as much as she had earned previously. [5]
The film's backing music was provided by Lief Java, which played in the kroncong genre (traditional music with Portuguese influences). The film contained several songs, with vocals by Roekiah, Mochtar, Kartolo, Louis Koch, and Annie Landouw. [1]
Fatima was released on 24 April 1938, with marketing handled by the Tan brothers. [6] It was a commercial success, reportedly earning 200,000 gulden on a 7,000 gulden investment. [3] Most of the audience was native, although it reportedly interested Dutch viewers as well. A review in the daily Bataviaasch Nieuwsblad wrote that, although the film could not be judged by European standards, the performance by Roekiah was enjoyable and that the domestic cinema seemed "on the right track". [lower-alpha 1] [6]
The Tans enjoyed the Fatima's success, but the Wongs were displeased with their percentage of its profits, which they considered too low. [7] Nonetheless, they continued to work with the Tans until the 1940, [7] and, in 1948, the Tans and Wongs established another production house. [8] Mocthar and Roekiah, meanwhile, remained the main stars of Tan's until Mochtar left the company in 1940 over a wage dispute. [9]
The Indonesian film historian Misbach Yusa Biran credits the triple successes of Terang Boelan, Fatima, and The Teng Chun's Alang-Alang (Grass, 1939) with reviving the local film industry. [10] Most domestic films made prior to Indonesian independence were produced between 1939 and the Japanese occupation in 1942. [11]
Fatima is likely a lost film. The American visual anthropologist Karl G. Heider writes that all Indonesian films made before 1950 are lost. [12] However, JB Kristanto's Katalog Film Indonesia (Indonesian Film Catalogue) records several as having survived at Sinematek Indonesia's archives, and Biran writes that several Japanese propaganda films have survived at the Netherlands Government Information Service. [13]
Tan's Film was a film production house in the Dutch East Indies. Established by the brothers Tan Khoen Yauw and Tan Khoen Hian on September 1, 1929, its films were mostly targeted at native ethnic groups. Starting with Njai Dasima in 1929, the company released fifteen movies before ultimately being dissolved after the Japanese occupation. The Tans and the Wong brothers established Tan & Wong Bros in 1948 to continue this work.
Pareh, released internationally as Pareh, Song of the Rice, is a 1936 film from the Dutch East Indies. Directed by the Dutchmen Albert Balink and Mannus Franken, it featured an amateur native cast and starred Raden Mochtar and Soekarsih. The story follows the forbidden love between a fisherman and a farmer's daughter.
Hajji Raden Mochtar, often credited as Rd Mochtar, was an Indonesian actor. Of noble descent, Mochtar was discovered by Albert Balink and first cast in the commercial failure Pareh (1936). Rising to popularity after the release of Terang Boelan the following year, he spent nearly sixty years in film, while also becoming a businessman and farmer.
Terang Boelan is a 1937 film from the Dutch East Indies. Written by Saeroen, directed by Albert Balink, and starring Rd Mochtar, Roekiah and Eddie T. Effendi, Terang Boelan follows two lovers who elope after one is almost forced to marry an opium smuggler. The film was shot in the Indies and Singapore, and was partially inspired by the 1936 Hollywood film The Jungle Princess. It was aimed at native audiences and included keroncong music, which was popular at the time, and several actors from Balink's previous work Pareh (1936).
Roekiah, often credited as Miss Roekiah, was an Indonesian kroncong singer and film actress. The daughter of two stage performers, she began her career at the age of seven; by 1932 she had become well known in Batavia, Dutch East Indies, as a singer and stage actress. Around this time she met Kartolo, whom she married in 1934. The two acted in the 1937 hit film Terang Boelan, in which Roekiah and Rd Mochtar played young lovers.
The Wong brothers were three ethnic Chinese film directors and cameramen active in the cinema of the Dutch East Indies. The sons of an Adventist preacher, the brothers – Nelson (1895–1945), Joshua (1906–1981), and Othniel (1908–1986) – received much of their education in the United States before going to Shanghai and establishing The Great Wall Productions.
Saeroen was an Indonesian journalist and screenwriter. Born in Yogyakarta, he became a journalist after a time working at a railway station. By the mid-1930s he had established the daily Pemandangan with Oene Djunaedi and was writing editorials with the pen name Kampret. When the paper was dissolved, Saeroen drifted into the film industry as a writer, making his debut with Albert Balink's Terang Boelan (1937). Much of his later life was spent working with several minor publications.
Rentjong Atjeh is a 1940 action film from the Dutch East Indies directed by The Teng Chun. Telling of a group who take revenge against pirates in the Strait of Malacca, it starred Ferry Kock, Dewi Mada, Bissoe, Mohammad Mochtar, and Hadidjah. It was filmed near the shore in Batavia and reused footage from The's earlier work Alang-Alang (1939). Rentjong Atjeh, inspired in part by the Tarzan films, was a commercial success, although it may now be lost.
Roekihati is a 1940 film from the Dutch East Indies. Directed by the brothers Joshua and Othniel Wong and produced by Tan's Film, it follows a young village woman who goes to the city and encounters various difficulties. Targeted at lower-class audiences, it was shot in black-and-white and starred Roekiah and Raden Djoemala.
Raden Mas Kartolo was an Indonesian actor and songwriter. Born in Yogyakarta to a noble family, he entered the theatre and married the actress Roekiah around 1933. The two, living in Batavia acted in numerous movies together, starting with the 1938 hit Terang Boelan. However, Roekiah was always cast with other actors as her romantic interest. After Roekiah died in 1945, Kartolo brought the family to Yogyakarta and worked with Radio Republik Indonesia until his death. One of his sons, Rachmat Kartolo, went on to be an actor in the 1960s and 1970s.
Siti Akbari is a 1940 film from the Dutch East Indies directed by Joshua and Othniel Wong and produced by Tan Khoen Yauw. Starring Roekiah and Rd Mochtar, it follows a couple while the husband commits adultery.
Kedok Ketawa is a 1940 action film from the Dutch East Indies. Union Films' first production, it was directed by Jo An Djan. Starring Basoeki Resobowo, Fatimah, and Oedjang, the film follows a young couple who fight off criminals with the help of a masked man.
Gagak Item is a 1939 bandit film from the Dutch East Indies directed by Joshua and Othniel Wong for Tan's Film. Starring Rd Mochtar, Roekiah, and Eddy T. Effendi, it follows a masked man known only as "Gagak Item". The black-and-white film, which featured the cast and crew from the 1937 hit Terang Boelan, was a commercial success and received positive reviews upon release. It is likely lost.
Sorga Ka Toedjoe is a 1940 film from the Dutch East Indies directed by Joshua and Othniel Wong for Tan's Film. It follows an older couple who are reunited by another, younger couple after years of separation. The black-and-white film, the first production by Tan's Film after the departure of Rd Mochtar, featured kroncong music and was targeted at lower-class native audiences. It was a commercial and critical success. Roekiah and Djoemala took leading roles in three more films before Tan's closed in 1942. Sorga Ka Toedjoe is now thought lost.
Asmara Moerni is a 1941 romance film from the Dutch East Indies directed by Rd Ariffien and produced by Ang Hock Liem for Union Films. Written by Saeroen, the film followed a doctor who falls in love with his maid, as well as her failed romance with a fellow villager. Starring Adnan Kapau Gani, Djoewariah, and S. Joesoef, the black-and-white film was cast and advertised to cater to the growing native intelligentsia. Despite mixed reviews, it was a commercial success. As with most films of the Indies, Asmara Moerni may be lost.
Bengawan Solo is a now-lost 1949 film from what is now Indonesia. Directed by Jo An Djan, it starred Sofia WD, Rd Mochtar, and Mohamad Mochtar.
Mohamad Mochtar, usually credited as Moh Mochtar, was an Indonesian film actor active from 1939 until his death in 1981.
Air Mata Mengalir di Tjitarum is a 1948 film from what is now Indonesia, written and directed by Roestam Sutan Palindih for the Tan & Wong Bros Film Company.
Union Films was a film production company located in Batavia, Dutch East Indies. Established by ethnic Chinese businessmen Ang Hock Liem and Tjoa Ma Tjoen in 1940, it produced seven black-and-white films before it was dissolved in 1942; all are thought to be lost. The company's films were directed by four men, mostly ethnic Chinese, and launched the careers of actors such as Rendra Karno and Djoewariah.
Oriental Film was a film production company in Batavia, Dutch East Indies. Established by ethnic Chinese businessman Tjo Seng Han in 1940, it completed four black-and-white films before it was closed in 1941. All the company's films were screened into the 1950s but may now be lost. They were directed by two men, Njoo Cheong Seng and Sutan Usman Karim, and launched the careers of actors such as Dhalia and Soerip.