Federico Celestini (born 5 December 1964) is an Italian musicologist. Since 2011 he has been professor of musicology at the University of Innsbruck, Austria.
Federico Celestini was born in Rome. He studied violin at the Musikhochschule Giulio Briccialdi in Terni, Italy, and musicology, aesthetics and literature at the Sapienza University of Rome. He received his doctorate in 1998 and the Habilitation in 2004, both in Musicology, at the University of Graz. At the same time, he worked as a member of the Special Research Project "Modern - Vienna and Central Europe around 1900" in the Musicology department at the university until 2005. From 2008 to 2011, Celestini was a lecturer at the Institute of Music Aesthetics at the University of Music and Performing Arts, Graz. Celestini has taught and conducted research as a professor at the Institute of Musicology at the University of Innsbruck since October 2011.
From 2010 to 2012, Celestini ran the project "Scelsi and Austria," with the support of the Austrian Science Fund. Since 2011 he has been editor of the journal Acta Musicologica . He has had fellowships and visiting professorships at the University of Oxford (British Academy, 2002), Riemenschneider Bach Institute (2004), at the Free University of Berlin (Alexander von Humboldt Foundation, 2005-2007), and at the University of Chicago (Mellon Foundation, 2010). [1]
His areas of interest include music of the 18th-21st centuries, approaches to music from cultural studies, music aesthetics, and medieval polyphony.
Friedrich Blume was professor of musicology at the University of Kiel from 1938 to 1958. He was a student in Munich, Berlin and Leipzig, and taught in the last two of these for some years before being called to the chair in Kiel. His early studies were on Lutheran church music, including several books on J.S. Bach, but broadened his interests considerably later. Among his prominent works were chief editor of the collected Praetorius edition, and he also edited the important Eulenburg scores of the major Mozart Piano Concertos. From 1949 he was involved in the planning and writing of Die Musik in Geschichte und Gegenwart.
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