Federico Quarenghi or Federigo Quarenghi (Milan, November 24, 1858 - Milan, 1940 [1] ) was an Italian painter.
Federico Quarenghi or Federigo Quarenghi (Milan, November 24, 1858 - Milan, 1940 [1] ) was an Italian painter.
He studied at the Brera Academy under Giuseppe Bertini. His style was influenced by Tranquillo Cremona, and was mainly known for his elegant portraits. He exhibited commonly at the Brera, and among his paintings are portraits of Giacobbe Colombo and of the painter Attilio Pusterla. [2]
Francesco Hayez was an Italian painter. He is considered one of the leading artists of Romanticism in mid-19th-century Milan, and is renowned for his grand historical paintings, political allegories, and portraits.
Bernardino Luini was a north Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend". Consequently, many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov.
Giovanni Ambrogio Figino was an Italian Renaissance painter from Milan.
Andrea Solari (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named Andre del Gobbo, but more confusingly as Andrea del Bartolo a name shared with two other Italian painters, the 14th-century Siennese Andrea di Bartolo, and the 15th-century Florentine Andrea di Bartolo.
Andrea Appiani was an Italian neoclassical painter.
Giovanni Cariani, also known as Giovanni Busi or Il Cariani, was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city.
Giovanni Antonio Boltraffio was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci. Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan.
Eleuterio Pagliano was an Italian painter of the Romantic period as well as an activist and fighter of the Risorgimento.
Salomon Adler was a German painter of the Baroque period, active in Milan and Bergamo as a portrait painter. He was the mentor of Fra' Galgario. Born in Danzig (Gdańsk), died in Milan.
The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by the Italian High Renaissance artist Raphael. Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph. It changed hands several times before settling in 1806 at the Pinacoteca di Brera.
Osvaldo Bignami was an Italian painter.
Cesare Tallone was an Italian painter.
Mosè Bianchi (1840–1904) was an Italian painter and printmaker.
Achille Funi was an Italian painter who painted in a Modernist take on the Neoclassical style.
Pompeo Mariani was an Italian painter.
Cherubino Cornienti was an Italian painter, active in a Romantic style mainly in Northern Italy.
Amerino Cagnoni was an Italian painter.
Attilio Andreoli was an Italian painter, depicting portraits, genre, and sacred subjects. He painted in oil and acquaforte, often in a realist style.
Felice Schiavoni was an Italian painter, depicting history, genre, and portraits. During his early career, he often collaborated with his father, the painter Natale Schiavoni.
Portrait of Febo da Brescia is an oil-on-canvas painting created in 1543–44 by the Italian High Renaissance artist Lorenzo Lotto. It is identified with the commission mentioned in the artist's account books in April 1543 from Febo Bettignoli da Brescia, a nobleman from Treviso, for paintings of himself and his wife, which were delivered in 1544. After Febo's death in 1547 both paintings passed to his wife's heirs and remained with them until her family died out in the 19th century. In 1859, via the painter Francesco Hayez, the Pinacoteca di Brera in Milan acquired the portraits.
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