Richard Charles Rodgers was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music.
Mitchell Parish was an American lyricist, notably as a writer of songs for stage and screen.
William Jerome Flannery, September 30, 1865 – June 25, 1932) was an American songwriter, born in Cornwall-on-Hudson, New York, of Irish immigrant parents, Mary Donnellan and Patrick Flannery. He collaborated with numerous well-known composers and performers of the era but is best remembered for his decade-long association with Jean Schwartz with whom he created many popular songs and musical shows in the 1900s and early 1910s.
Do I Hear a Waltz? is a musical with a book by Arthur Laurents, music by Richard Rodgers, and lyrics by Stephen Sondheim. It was adapted from Laurents' 1952 play The Time of the Cuckoo, which was the basis for the 1955 film Summertime starring Katharine Hepburn.
Henry Robert Merrill Levan was an American songwriter, theatrical composer, lyricist, and screenwriter. He was one of the most successful songwriters of the 1950s on the US and UK single charts. He wrote musicals for the Broadway stage, including Carnival! and Funny Girl (lyrics).
Burton Lane was an American composer and lyricist primarily known for his theatre and film scores. His most popular and successful works include Finian's Rainbow in 1947 and On a Clear Day You Can See Forever in 1965.
William Denight Cobb was an American lyricist and composer. He and a partner, Ren Shields, produced several popular musicals and musical comedies in the early 20th century. Cobb also had a long-run collaboration with Gus Edwards.
Arthur Reed Ropes, better known under the pseudonym Adrian Ross, was a prolific writer of lyrics, contributing songs to more than sixty British musical comedies in the late 19th and early 20th centuries. He was the most important lyricist of the British stage during a career that spanned five decades. At a time when few shows had long runs, nineteen of his West End shows ran for over 400 performances.
Theodore F. Morse was an American composer of popular songs.
John Walter Bratton was an American Tin Pan Alley composer and theatrical producer who became popular during the era known as the Gay Nineties.
Rida Johnson Young was an American playwright, songwriter and librettist. In her career, Young wrote over 30 plays and musicals and approximately 500 songs. She was inducted into the Songwriters Hall of Fame in 1970. Some of her better-known lyrics include "Mother Machree" from the 1910 show Barry of Ballymore, "Italian Street Song", "I'm Falling in Love with Someone" and "Ah! Sweet Mystery of Life" from Naughty Marietta, and "Will You Remember?" from Maytime.
Michael Elder Rourke, who assumed the pen name Herbert Reynolds in 1913, was an Irish-American lyricist. Reynolds wrote the lyrics to Jerome Kern's first big hit, "They Didn't Believe Me", interpolated into the 1914 American version of The Girl from Utah, produced by Charles Frohman. The show had a successful run of 140 performances at the Knickerbocker Theatre, opening on August 14, 1914. Frohman had hired the young Kern to write five new songs for the score together with Reynolds to strengthen what he felt was a weak first act. Julia Sanderson and Donald Brian starred in the production.
Leopold Feist, in 1897 founded and ran a music publishing firm bearing his name. In the 1920s, at the height of the golden age of popular music, his firm was among the seven largest publishers of popular music in the world. Leo Feist, Inc., ran until 1934. The company used the motto "You can't go wrong, with any FEIST Song."
Nathaniel D. Mann (1866–1915) was an American composer best known for his work with L. Frank Baum. He composed at least two songs with Baum, "Different Ways of Making Love" and "It Happens Ev'ry Day," and another with John Slavin, "She Didn't Really Mind the Thing at All," for The Wizard of Oz stage musical in 1902, and in 1908, composed the first original film score for The Fairylogue and Radio-Plays, one of the earliest feature-length fiction films, which debuted September 24, 1908. With Baum, he also composed the musical The King of Gee-Whiz, which went through various titles such as Montezuma, King Jonah XIII, and The Son of the Sun (1905). This was collaboration with and based on a novel by Emerson Hough, which was never completed and the extant scenario published in 1969.
Edgar McPhail Smith was an American writer and lyricist for musicals in the early decades of the 20th century. He contributed to some 150 Broadway musicals. Weber and Fields starred in many of his works.
Bandanna Land is a musical from 1908. The book was written by Jesse A. Shipp, lyrics by Alex Rogers and music composed primarily by Will Marion Cook. Created by and featuring African Americans, it was the third musical written by the team whose previous works included In Dahomey (1902) and Abyssinia (1906). It was the last show featuring the duo of Bert Williams and George Walker, comedians who starred in these musicals. Walker became ill during the post-Broadway tour and died in 1911.
Joel P. Corin was a composer in the United States. Several songsheet collections include his work. Felix F. Feist wrote the lyrics to some of his songs. His song "The Old Barn Dance" was recorded by the Victor Dance Orchestra.
Gustav Carl Luders, sometimes written Gustave Luders, was a musician who wrote the music for various songs and shows in the U.S. He was born in Bremen, Germany. He came to the U.S. in 1888 and lived in Milwaukee and then Chicago. He was known for his musical comedies. His The Prince of Pilsen was adapted into the film The Prince of Pilsen.
Frank S. Pixley was an educator, newspaper editor, playwright and lyricist. He partnered with Gustav Luders, Pixley writing words and lyrics and Luders the music for several shows. American Musical Productions describes the team as Pixley and Luders became the Rodgers and Hammerstein of the 1900s.
Albert Gumble was an American composer, pianist, music arranger, and songwriter. After graduating from the Auditorium School of Music in Cincinnati, he lived and worked briefly in Chicago during the early years of the twentieth century before moving to New York City where he worked as a Tin Pan Alley composer of ragtime pieces and songs. As a songwriter he was particularly associated with dixie tunes. He also was a prolific music arranger and contributed music to several Broadway musicals. From 1938 until his death in 1946 he was a resident pianist at the Ansonia Hotel.
