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Thomy Charles Bourdelle was a French actor.
The Rebel is a 1931 French drama film directed by Adelqui Migliar and starring Suzy Vernon, Thomy Bourdelle and Paule Andral. The film is based on the 1928 play The General by Lajos Zilahy.
Captain Ardant is a 1951 French spy film directed by André Zwoboda and starring Yves Vincent, Renée Saint-Cyr and Jean Danet. It is an adaptation of the 1938 novel Captain Ardant by Pierre Nord. There had been several previous attempts to film the novel, but none had been completed.
Jeanne Helbling was a French film actress and a prominent member of the French Resistance during World War II.
The Big Trail is a 1931 French western film directed by Pierre Couderc and starring Gaston Glass and Jeanne Helbling. It is the French-language version of Fox's The Big Trail (1930) starring John Wayne and directed by Raoul Walsh. In the early years of sound it was common to make multiple-language versions of films, until the practice of dubbing became more widespread.
The Devil's Holiday is a 1931 American-French drama film directed by Alberto Cavalcanti and starring Marcelle Chantal, Thomy Bourdelle and Jacques Varennes. It is the French-language version of The Devil's Holiday (1930). It was made at the Joinville Studios in Paris by the French subsidiary of Paramount Pictures which invested heavily in multi-language versions during the early years of sound.
The Divine Voyage is a 1929 French silent film directed by Julien Duvivier and starring Jean Murat, Thomy Bourdelle and Suzanne Christy.
Billeting Order is a 1932 French comedy film directed by Charles-Félix Tavano and starring André Berley, Jeanne Helbling and Georges Melchior. The film's sets were designed by the art director Robert-Jules Garnier. It is based on the 1901 play of the same title by Henri Kéroul and Antony Mars.
The Champion Cook is a 1932 French comedy film directed by Karl Anton and starring Pierre Bertin, Jeanne Helbling and Louis Baron fils. It was made by the French subsidiary of Paramount Pictures at Joinville Studios near Paris.
Transit Camp or Temporary Shelter is a 1932 French-German drama film directed by Max Reichmann and starring Ivan Koval-Samborsky, Berthe Ostyn and Meg Lemonnier. It was made as a polyglot film with each actor speaking in their own language. It is set amongst the travelling circus community.
The House on the Dune is a 1934 French drama film directed by Pierre Billon and starring Pierre Richard-Willm, Madeleine Ozeray and Thomy Bourdelle. It is based on the 1932 novel The House on the Dune by Maxence Van Der Meersch. In 1952 the film was remade.
Bastille Day or July 14 is a 1933 French romantic comedy film directed by René Clair and starring Annabella, George Rigaud and Raymond Cordy. It was made at the Epinay Studios by the French subsidiary of the German company Tobis. The film's art direction was by Lazare Meerson.
Jeannou is a 1943 French comedy film directed by Léon Poirier and starring Michèle Alfa, Saturnin Fabre and Thomy Bourdelle.
The Blue Danube is a 1940 French drama film directed by Emil E. Reinert and Alfred Rode and starring Madeleine Sologne, José Noguéro and Marguerite Moreno. The film's sets were designed by the art director Émile Duquesne. Rode had produced a previous version of the film featuring Conchita Montenegro and Thomy Bourdelle but the negative of this was damaged during a March 1939 fire at the LTC laboratories in Paris and had to be re-shot with a different cast.
Counter Investigation is 1930 crime film directed by John Daumery and starring Daniel Mendaille, Suzy Vernon and Jeanne Helbling. It was made by Warner Brothers as the French-language version of their film Those Who Dance. Such Multiple-language versions were common during the early years of sound before dubbing became more widespread. It was made at the company's Burbank Studios in California and shot using Vitaphone.
Sisters in Arms is a 1937 French spy drama film directed by Léon Poirier and starring Jeanne Sully, Josette Day and Thomy Bourdelle. The film's sets were designed by the art directors Raymond Druart and Hugues Laurent.
When Midnight Strikes is a 1936 French-Dutch crime drama film directed by Léo Joannon and starring Marie Bell, Pierre Renoir and Roger Karl. It was adapted by Alfred Machard from his own novel of the same title. The film's sets were designed by the art director Jacques-Laurent Atthalin. A separate Dutch-language version Klokslag twaalf was also produced.
Chéri-Bibi is a 1938 French drama film directed by Léon Mathot and starring Pierre Fresnay, Jean-Pierre Aumont and Marcel Dalio. It was based on the Chéri-Bibi series of novels by Gaston Leroux. The film's sets were designed by the art director Robert Gys. The character had previously appeared in the 1931 American film The Phantom of Paris and would return in a 1955 French film Chéri-Bibi and a 1974 television series of the same title.
The Crime of Bouif is a 1933 French comedy drama film directed by André Berthomieu and starring Félicien Tramel, Jeanne Helbling and Mady Berry. It was based on the 1921 play of the same title by André Mouëzy-Éon and Georges de La Fouchardière. The film's sets were designed by the art director Hugues Laurent. Tramel had previously appeared in a 1922 silent version of the story.
Peace on the Rhine is a 1938 French comedy drama film directed by Jean Choux and starring Françoise Rosay, Dita Parlo and John Loder. The film's sets were designed by the art director Émile Duquesne. It is based on a novel of the same title by Pierre Claude. It was made to coincide with the twentieth anniversary of the Armistice of 1918 and promote reconciliation between France and Germany.
References
- ↑ Crisp p.395
