Figure painting

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The Golden Apple of Discord at the wedding of Peleus and Thetis, Jacob Jordaens, 1633, 181 cm x 288 cm (71 in x 113 in), oil on canvas Golden Apple of Discord by Jacob Jordaens.jpg
The Golden Apple of Discord at the wedding of Peleus and Thetis, Jacob Jordaens, 1633, 181 cm × 288 cm (71 in × 113 in), oil on canvas

A figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude. Figure painting may also refer to the activity of creating such a work. The human figure has been one of the constant subjects of art since the first stone age cave paintings, and has been reinterpreted in various styles throughout history.

Contents

Unlike figure drawings which are usually nudes, figure paintings are often clothed depictions which may be either historically accurate or symbolic. Figure painting is not synonymous with figurative art, which may depict real objects of any kind (including humans and animals).

Clothed figures

Portraiture

A portrait painting focuses on the creation of a likeness of a particular individual or group. [1]

Everyday life

Genre painting portray ordinary people engaged in common activities.

Narrative paintings

Historical paintings depict events in a narrative, which may be allegorical.

Nude figures

The nude has been a theme in Western art since classical antiquity [2] and again in Renaissance art, after being largely absent during the Middle Ages. [3] While standing nude figures of both sexes are found in antiquity, in Western art, male nudes were more prevalent through the idealisation of the male form in society. The first female reclining nudes as a popular genre appeared during the Renaissance, most notably in a work by Giorgione. [4] Oil paint historically has been the ideal media for depicting the figure. By blending and layering paint, the surface can become more like skin. "Its slow drying time and various degrees of viscosity enable the artist to achieve rich and subtle blends of color and texture, which can suggest transformations from one human substance to another." [5] Although working from live models is preferred, the length of time needed to complete a painting has led most modern painters to use photographs as references at least part of the time if not for the entire work.

History and styles

Notes

  1. Brilliant, Richard (1987). "Editors Statement: Portraits: The Limitations of Likeness". Art Journal. 46 (3): 171–172. doi:10.1080/00043249.1987.10792358.
  2. Sorabella, Jean (January 2008). "The Nude in Western Art and its Beginnings in Antiquity, In Heilbrunn Timeline of Art History". New York: The Metropolitan Museum of Art. Retrieved 25 October 2012.
  3. Sorabella, Jean (January 2008). "The Nude in the Middle Ages and the Renaissance, In Heilbrunn Timeline of Art History". New York: The Metropolitan Museum of Art. Retrieved 25 October 2012.
  4. Ferrara, Lidia Guibert (2002). Reclining Nude. London: Thames & Hudson. pp. 6, 7. ISBN   0-500-23797-2.
  5. Scala, p. 1

See also

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Figure study

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