Filippo Lauri (25 August 1623 - 12 December 1694) was an Italian painter of the Baroque period, active mainly in Rome.
Miracle of St Vincent Ferrer
Born and active in Rome, his story was featured in the biographies by Baldinucci. He first studied with his father, Balthasar Lauwers (Italianized as Lauri), who was a Flemish landscape painter; and then studied with his elder brother, Francesco Lauri. Afterwards, he worked under his brother-in-law, Angelo Caroselli. Filippo's brother had been a pupil of Andrea Sacchi. In 1654 Lauri became a member of the Accademia di San Luca in Rome, and later became the Principe or director of the academy. He painted along with Filippo Gagliardi a canvas depiction of Celebrations for Christine of Sweden at Palazzo Barberini (now at Palazzo Braschi), which demonstrates the exuberant pageantry common in their time.
Filippo's father had emigrated from Antwerp, and was a pupil of Paul Bril. Filippo's oldest brother Francesco Lauri was also a painter and a pupil of Andrea Sacchi, who died young. Fillipo often painted small figures for the landscapes of Claude Lorraine. He was prolific. He employed many engravers.
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Pietro da Cortona was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.
Francesco Albani or Albano was an Italian Baroque painter who was active in Bologna (1591–1600), Rome (1600–1609), Bologna (1609), Viterbo (1609–1610), Bologna (1610), Rome (1610–1617), Bologna (1618–1660), Mantova (1621–1622), Roma (1623–1625) and Florence (1633).
Jacques Courtois or Giacomo Cortese, called il Borgognone or le Bourguignon was a Franc-comtois-Italian painter, draughtsman, and etcher. He was mainly active in Rome and Florence and became known as the leading battle painter of his age. He also created history paintings and portraits. He became a Jesuit later in life but continued to paint.
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Andrea Sacchi was an Italian painter of High Baroque Classicism, active in Rome. A generation of artists who shared his style of art include the painters Nicolas Poussin and Giovanni Battista Passeri, the sculptors Alessandro Algardi and François Duquesnoy, and the contemporary biographer Giovanni Bellori.
Carlo Maratta or Maratti was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta.
Events from the year 1694 in art.
Giacinto Gimignani was an Italian painter, active mainly in Rome, during the Baroque period. He was also an engraver in aquaforte.
Alessandro Turchi was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Orbetto. His style has been described as soft and Caravaggesque at the same time.
Angelo Caroselli or Carosèlli was an Italian painter of the Baroque period, active mainly in his native Rome. He created religious works, allegories, portraits as well as genre scenes in the vein of the Caravaggisti. He also returned regularly to scenes of witchcraft and sorcery. His style is eclectic style and shows influences principally from Caravaggio and the painters of 'low-life' scenes active in Rome called the Bamboccianti. His work is characterised by its search for originality. This is demonstrated in the potent naturalism and chiaroscuro that characterise his compositions and his preference for depicting colorful characters of contemporary Rome and scenes of witchcraft and musicians. The work of Caroselli was influential on other Caravaggisti such as the Lucchese painter Pietro Paolini and the Dutch painter Dirck van Baburen.
Filippo Gagliardi was an Italian painter of the Baroque period, active mainly in Rome. He collaborated with Filippo Lauri, Andrea Sacchi and Giovanni Benedetto Castiglione. He also helped in the renovation of San Martino ai Monti (1647–54). He contributed illustrated architectural perspectives to Ferrari's Hesperides (1646). He was a member of the Accademia di San Luca from at least 1638 and became principe in 1656–58. He was also a member of the Congregazione dei Virtuosi del Pantheon. He produced numerous architectural paintings showing grand structures in strong chiaroscuro, including a set of four in the Palazzo Rospigliosi-Pallavicini in Rome, with figure by the Genoese painter Giovanni Benedetto Castiglione, and two in the Musée de Peinture e de Sculpture, Grenoble. He was also known as 'Filippo delle Prospettive'. His works are sometimes confused with those by Viviano Codazzi. He also appears to confused with Giovanni Francesco Gagliardi.
Luigi Garzi was an Italian painter of the Baroque period, whose work displayed heavy influences of the Bolognese painter, Guido Reni.
Lazzaro Baldi was an Italian painter and engraver of the Baroque period, active mainly in Rome.
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Lieven Mehus or Livio Mehus was a Flemish painter, draughtsman and engraver of the Baroque period, who trained and worked in Italy. He was mainly active in Florence where he was court painter of Prince Mattias de' Medici. During his lifetime he enjoyed a high reputation for his allegorical and mythological scenes, landscapes, religious works and portraits.
Francesco Lauri (1610–1635) was an Italian painter of the Baroque period, active mainly in Rome, but also throughout other parts of eastern and northern Italy and some of France, Spain and Greece.
Italian Baroque art is a term that is used here to refer to Italian painting and sculpture in the Baroque manner executed over a period that extended from the late sixteenth to the mid eighteenth centuries.
Balthasar Lauwers, known in Italy as Baldassare Lauri or Baldassare Lauro was a Flemish landscape painter who, after initially training in Antwerp, had a successful career in Italy where he worked for an elite clientele. As he was mainly active as a fresco painter in private residences, not many of his works have been preserved.
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