Giovanni Francesco Barbieri, better known as (il) Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Giovanni Battista Tiepolo, also known as GiambattistaTiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.
Giovanni di Niccolò de Luteri, better known as Dosso Dossi, was an Italian Renaissance painter who belonged to the School of Ferrara, painting in a style mainly influenced by Venetian painting, in particular Giorgione and early Titian.
Giovanni Paolo, also known as Gian Paolo Panini or Pannini, was an Italian painter and architect who worked in Rome and is primarily known as one of the vedutisti. As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon, and his vedute—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of capriccio themes. In this they resemble the capricci of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV.
Francesco Lazzaro Guardi was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting.
Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
Pietro Longhi was a Venetian painter of contemporary genre scenes of life.
Francesco Francia, whose real name was Francesco Raibolini was an Italian painter, goldsmith, and medallist from Bologna, who was also director of the city mint.
Francesco Salviati or Francesco de' Rossi was an Italian Mannerist painter who lived and worked in Florence, with periods in Bologna and Venice, ending with a long period in Rome, where he died. He is known by various names, usually the adopted one of Francesco Salviati or Il Salviati, after an early patron, but also Francesco Rossi and Cecchino del Salviati.
Francesco Albotto (1721–1757) was an Italian painter from Venice, mainly producing vedute. He was a pupil of Michele Marieschi. After Marieschi's death, Albotto married his widow and took over his shop, and continued to produce paintings in a similar style until his own death, which has led to some problems in attributing paintings to Marieschi versus Albotto.
The Last Supper is a painting by the Italian Renaissance artist Jacopo Tintoretto. An oil painting on canvas executed in 1592–1594, it is housed in the Basilica di San Giorgio Maggiore in Venice, Italy.
Bernardino de 'Conti was an Italian Renaissance painter, born in 1465 in Castelseprio and died around 1525.
The Doge on the Bucintoro near the Riva di Sant'Elena is an oil painting on canvas by the Venetian painter Francesco Guardi. It was painted between 1775 and 1780, and is now in the Louvre in Paris.
Francesco Migliori, also known as Francesco Megliori was an Italian painter of the Baroque period, active mainly in his native Republic of Venice.
The church of San Marcuola is a religious building facing the Grand Canal and located in the sestiere of Cannaregio in Venice, Italy. It is dedicated to the saints Hermagoras and Fortunatus. Palazzo Memmo Martinengo Mandelli is a neighboring building.
The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola is a painting by Canaletto in the J. Paul Getty Museum in Los Angeles, California. Painted around 1738, it may have been commissioned by the English merchant and art collector Joseph Smith (1682–1770).
Regatta in Venice is a small oil-on canvas-painting executed c. 1770 by Francesco Guardi. It is now in The Frick Collection, New York. The painting was gifted to the museum by Helen Clay Frick, the daughter of Henry Clay Frick, who founded the Frick Collection. Its dimensions are 48.6 x 78.4 cm.
View of the Cannaregio Canal is a small oil-on-canvas painting executed ca. 1770 by the Italian painter Francesco Guardi. It measuring 48.9 × 77.5 cm. It is now in the reading room of the Frick Art Reference Library alongside the Regatta in Venice. Both paintings were gifted to the Frick Collection by Helen Clay Frick after her father's death. In the painting, Guardi captures a typical scene of Venetian life on the canals. In this particular veduta, Guardi depicts a section of the northern bank of the Cannaregio Canal, one of Venice’s largest canals, located in the Cannaregio sestiere (district) of the city.
The Grand Canal with the Rialto Bridge from the South is an oil-on-canvas painting executed c. 1775 by Italian painter Francesco Guardi. It is one of the many cityscapes that he made from Venice. It is held in the collection of the San Diego Museum of Art.
