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Dreimal sieben Gedichte aus Albert Girauds "Pierrot lunaire", commonly known simply as Pierrot lunaire, Op. 21, is a melodrama by Arnold Schoenberg. It is a setting of 21 selected poems from Albert Giraud's cycle of the same name as translated into German by Otto Erich Hartleben. The work is written for reciter who delivers the poems in the Sprechstimme style accompanied by a small instrumental ensemble. Schoenberg had previously used a combination of spoken text with instrumental accompaniment, called "melodrama", in the summer-wind narrative of the Gurre-Lieder, which was a fashionable musical style popular at the end of the nineteenth century. Though the music is atonal, it does not employ Schoenberg's twelve-tone technique, which he did not use until 1921.
In music, instrumentation is the particular combination of musical instruments employed in a composition, and the properties of those instruments individually. Instrumentation is sometimes used as a synonym for orchestration. This juxtaposition of the two terms was first made in 1843 by Hector Berlioz in his Grand traité d'instrumentation et d'orchestration modernes, and various attempts have since been made to differentiate them. Instrumentation is a more general term referring to an orchestrator's, composer's or arranger's selection of instruments in varying combinations, or even a choice made by the performers for a particular performance, as opposed to the narrower sense of orchestration, which is the act of scoring for orchestra a work originally written for a solo instrument or smaller group of instruments.
Richard Emsley is a British composer, sometimes associated with the New Complexity school.
In music, a nonet is a composition which requires nine musicians for a performance, or a musical group that consists of nine people. The standard nonet scoring is for wind quintet, violin, viola, cello, and contrabass, though other combinations are also found.
Philip Grange is an English composer and academic.
The Nash Ensemble of London is an English chamber ensemble. It was founded by Artistic Director Amelia Freedman and Rodney Slatford in 1964, while they were students at the Royal Academy of Music, and was named after the Nash Terraces around the academy. The Ensemble has won awards from the Edinburgh Festival Critics and the Royal Philharmonic Society, as well as a 2002 Gramophone Award for contemporary music.
A Pierrot ensemble is a musical ensemble comprising flute, clarinet, violin, cello and piano, frequently augmented by the addition of a singer or percussionist, and/or by the performers doubling on other woodwind/stringed/keyboard instruments. This ensemble is named after 20th-century composer Arnold Schoenberg’s seminal work Pierrot Lunaire, which includes the quintet of instruments above with a narrator.
Radius is a London music ensemble founded in 2007 by the British composer Tim Benjamin. The ensemble specialises in the performance of new music from around the world written by living composers and 20th-century masters. The ensemble's artistic director is the British composer Ian Vine, a contemporary of Tim Benjamin at the Royal Northern College of Music from 1994 to 1997. Modelled on the 1960s ensemble The Fires of London,, the core instrumental line-up of Radius is flute, clarinet, violin, cello, piano, and percussion. To this instrumentation have been added trumpet, trombone, French horn, actors, and vocalists, as required for the performance of specific works.
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Robert Duncan Druce was an English composer, string player and musicologist, noted for his breadth of musical interests ranging from contemporary music to baroque and early music, as well as music of India.
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A Garland for Dr. K. is a set of eleven short compositions created in 1969 for the celebration of the eightieth birthday of Dr Alfred Kalmus, the director of the London branch of Universal Edition. It is also the title of an album containing these eleven pieces of music, recorded in 1976.
Kate Soper is a composer and vocalist, notable for her innovative treatment of the vocal mechanism. Her work as both a composer and performer explores the dramatic and affective qualities of the human voice, capitalizing on extended vocal and instrumental techniques. She was a recent Guggenheim Fellow as well as a 2012–13 fellow of the Radcliffe Institute for Advanced Study. She was a finalist for the 2017 Pulitzer Prize in Music for her chamber opera, Ipsa Dixit.
Incantations, subtitled Concerto da camera, is a composition for piano and ensemble by Graham Waterhouse, composed in 2015 and first performed in Birmingham.
References
- ↑ Who’s Who 1975, page 1302, (A&C Black: London)
- ↑ "The Devils". maxopus.com. Retrieved 21 March 2016.
