The 1927 First Delphic Festival was held on May 9 and 10, 1927 at the initiative of Angelos and Eva Sikelianos, and consisted of a series of events in the archaeological site of Delphi. [1] The Delphic Festival was inspired by the ideals adopted by Sikelianos and Eva Palmer, focusing on the solidarity of people all over the world and of mutual respect. The Sikelianos couple believed that Delphi could actually serve as a focal point for this global understanding, due to the Amphictyony which had been established there for centuries. They built a house in the region and prepared the celebrations which were about to have an international calibre. The entire endeavor was funded by the Sikelianos couple and was repeated two times (1927 and 1930), a fact which exhausted them financially and soon led them to separation.
The festival began with a tour of the foreign visitors in the archaeological site and the Museum of Delphi guided by Greek and foreign archaeologists, who were charged with the task of explaining the importance (both historical and aesthetic) of the monuments and ruins, which had relatively recently been revealed. Then (at 1 pm, according to the program) breakfast was offered, accompanied by traditional Greek music [2] ("kleftika songs") by villagers and the tour continued. At 4 p.m. the signal to the visitors to gather in the ancient theater was given by someone standing at the top of the Phaedriades, so that the three main events of the first day could follow: the hymn to Apollo would be performed by the choir and orchestra (as an opening act), the tragedy Aeschylus' Prometheus Bound would be presented and, finally, Angelos Sikelianos, the founder of the Festival, would speak to the public for the purpose of the Delphic Organization in antiquity and today. The first day was concluded with a dinner (at 8 pm); then, those visitors who had come by boat were escorted down to Itea to their ships. [1] [3] [4] [5]
The second day started with a morning visit to the Delphi Artisan Fair, where Eva Sikelianos talked about the importance of folk art and about the value of the work on the loom, of which she was particularly fond. At 11 a.m. a speech on the Ancient Theatre was delivered in German by the archaeologist Wilhelm Dörpfeld and at 1 p.m breakfast was served to the guests. Then at around 3 pm, two events took place: the athletic games at the ancient stadium (in which students in various disciplines participated by practicing the ancient pentathlon along with sports teams from the cities of Thessaloniki and Desfina) and the ancient Pyrrhichios war dance performed by 'warriors'dancers dressed in armors, under the guidance of Athanasios Veloudios to the sounds of the music composed by Constantine Psachos. At 7 p.m. a dinner followed and at 8 p.m. a performance of Byzantine choir music at the Ancient Theatre concluded the day. The weekend would be concluded with a dance-theatre performance, a mimic representation of the Septeria (the battle between Apollo and Python) by the "famous dancer of ancient Greek dances", Vassos, and the "mime" Tanagra Kanellos (both Greek expatriates who came from the US for this purpose) with the repetition of the hymn to Apollo in the end. The departure of the foreign visitors was accompanied by a torch relay on the Sacred Way (Hiera Odos) by athletes with torches who would light the way so the visitors could descend towards Itea. [1] [3] [4]
Delphi, in legend previously called Pytho (Πυθώ), was an ancient sacred precinct and the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The ancient Greeks considered the centre of the world to be in Delphi, marked by the stone monument known as the Omphalos of Delphi (navel).
Pythia was the name of the high priestess of the Temple of Apollo at Delphi. She specifically served as its oracle and was known as the Oracle of Delphi. Her title was also historically glossed in English as the Pythoness.
In Archaic Greece, an amphictyony, or Amphictyonic League, was an ancient religious association of tribes formed before the rise of the Greek polis.
The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments. They were long regarded as being dated c. 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaids in 128 BC. If indeed it dates from ten years before the second, the First Delphic Hymn is the earliest unambiguous surviving example of notated music from anywhere in the western world whose composer is known by name. Inscriptions indicate that the First Delphic Hymn was written by Athenaeus, son of Athenaeus, while Limenius is credited the Second Delphic Hymn's composer.
Angelos Sikelianos was a Greek lyric poet and playwright. His themes include Greek history, religious symbolism as well as universal harmony in poems such as The Moonstruck, Prologue to Life, Mother of God, and Delphic Utterance. His plays include Sibylla, Daedalus in Crete, Christ in Rome, The Death of Digenis, The Dithyramb of the Rose and Asklepius. Although occasionally his grandiloquence blunts the poetic effect of his work, some of Sikelianos finer lyrics are among the best in Western literature. Every year from 1946 to 1951, he was nominated for the Nobel Prize for Literature.
In Classical architecture, the adyton or adytum (Latin) was a restricted area within the cella of a Greek or Roman temple. The adyton was frequently a small area at the farthest end of the cella from the entrance; at Delphi it measured just 9 by 12 feet. The adyton often would house the cult image of the deity.
The Temple of Apollo, also known as Apollonion, was a major part of the Panhellenic religious sanctuary located in Central Greece at Delphi. The temple and sanctuary at large were dedicated to one of the major Greek deities, Apollo, the god of archery, music, light, prophecy, the arts, and healing. There have been several temples built at Delphi throughout the history of the site, though the visible ruins seen in modernity are those of the temple built in the 4th century B.C.E. before its destruction under the orders of Theodosius I in 390 C.E.. During antiquity, the temple was home to the famous Greek prophetess the Pythia, or the Oracle of Delphi, making the Temple of Apollo and the sanctuary at Delphi a major Panhellenic religious site as early as the 8th century B.C.E., and a place of great importance at many different periods of ancient Greek history. References to Delphi, the sanctuary, the temple, and the prophecies of the Pythia are made throughout ancient Greek mythology and historical accounts from the periods of its use.
Delphi Archaeological museum is one of the principal museums of Greece and one of the most visited. It is operated by the Greek Ministry of Culture. Founded in 1903, it has been rearranged several times and houses the discoveries made at the Panhellenic sanctuary of Delphi, which date from the Late Helladic (Mycenean) period to the early Byzantine era.
International Delphic Council (IDC) is a not-for-profit, charitable, non aligned, non-sectarian & non-governmental organisation (NGO), headquartered in Berlin, Germany. It was formed as a League of 20 Nations in 1994 in Berlin to revive the Delphic Games of the Modern Era, although there is a separate organisation, International Delphic Committee, headquartered in Russia, created after Russia NDC split from the international Delphic Council in the year 2000 and works in the CIS region.
Delphic Games of the modern era involve presentations, exhibitions, competitions and other activities in six different fields of art. They are inspired by the Delphic Games of ancient Greece.
Evelina "Eva" Palmer was an American woman notable for her study and promotion of Classical Greek culture, weaving, theater, choral dance and music. Palmer's life and artistic endeavors intersected with numerous noteworthy artists throughout her life. She was both inspired by or inspired the likes of dancers Isadora Duncan and Ted Shawn, the French literary great Colette, the poet and author Natalie Barney and the actress Sarah Bernhardt. She would go on to marry Angelos Sikelianos, a Greek poet and playwright. Together they organized a revival of the Delphic Festival in Delphi, Greece. Embodied in these festivals of art, music and theater she hoped to promote a balanced sense of enlightenment that would further the goals of peace and harmony in Greece and beyond.
Takis Dimopoulos was a Greek essayist, novelist and philologist.
Delphic Festival can refer to a festival held by Angelos Sikelianos and Eva Palmer-Sikelianos as part of their general effort towards the revival of the Delphic Idea.
The Delphic Appeal is a text created by Angelos Sikelianos recited during the 2nd Delphic Festival in 1930.
The European Cultural Centre of Delphi (ECCD) was founded in 1977 upon the inspiration and initiative of Konstantinos Karamanlis with the view of setting up a European and intellectual centre in Delphi.
The Dithyramb of the Rose is the first tragedy by Angelos Sikelianos written and published in 1932. The first performance was held in Athens, in 1933. This play, is fermented through the beliefs of Sikelianos for Delphi, the Delphic Idea, and the two, already completed, Delphic Festivals. The play, was translated into English in 1939.
Athanasios Veloudios was a Greek military officer, actor and writer.
Vasileios E. Vekiarellis (1887–1944) was a Greek journalist and writer.
The Second Delphic Festival, organised by Angelos Sikelianos and his wife Eva Palmer-Sikelianos was held between May 1–13, 1930 and consisted of three long weekends : the programme was repeated three times.
The modern town of Delphi is situated immediately west of the archaeological site of the same name. The town was created as a home for the population of Castro, which was relocated to allow for the excavation of the site of ancient Delphi. The importance of the twin locations grew to the point where Delphi has also been made the name of the modern-day municipality, which includes the communities of the Plaistos valley system as far south as the Gulf of Corinth. The name Delphi came from the Oracle of Delphi, which was anciently accepted as a purveyor of truth revealed by the god Apollo.