"Flamin' Mamie" is a 1925 jazz classic composed by Paul Whiteman and Fred Rose. [1] [2]
Paul Whiteman wrote "Flamin' Mamie" in 1925 with Fred Rose as a "Fox Trot Song" on Jazz Age themes relying on the 1920s image of the vamp: "A Red Hot Stepper". It was one of the top hits of 1925.
The song was recorded by the Harry Reser Band, Merritt Brunies and the Friars Inn Orchestra, Billy Jones and Ernest Hare, the Six Black Diamonds in 1926 on Banner, also released as by Perry's Hot Dogs on Domino, the Toll House Jazz Band, Aileen Stanley in 1925 with Billy "Uke" Carpenter on the ukulele, Turk Murphy, the Frisco Syncopators, the Firehouse Five Plus Two, Ray Pearl and His Orchestra in 1947 on Bullet Records as a 78, 1007A, Bob Schulz and His Frisco Jazz Band, and the Coon-Sanders Nighthawk Orchestra led by Carleton Coon and Joe Sanders with Joe Sanders on vocals. [1] [3] Mike Markels' Orchestra released a version on Brunswick with Miff Mole. Alex Mendham and his Orchestra have performed the song in concert in 2014.
The lyrics describe Mamie as a Roaring Twenties vamp: "Flamin' Mamie, a sure-fire vamp/When it comes to lovin'/She's a human oven/Come on you futuristic papas/She's the hottest thing he's seen since the Chicago fire."
Willie Dixon wrote a song with the same title in 1977 with Penny Page whose copyright was registered on August 9, 1979, that uses the same themes and lyrics as the Paul Whiteman and Fred Rose song without acknowledgement. [4] [5]
Hank Penny and his Radio Cowboys released a song by the same name in 1938 released on Vocalion which lists Fred Rose and Paul Whiteman as the composers. [6] A release in 1946 on King, however, lists Rex Martin as the writer. [7]
A slide whistle is a wind instrument consisting of a fipple like a recorder's and a tube with a piston in it. Thus it has an air reed like some woodwinds, but varies the pitch with a slide. The construction is rather like a bicycle pump. Because the air column is cylindrical and open at one end and closed at the other, it overblows the third harmonic. "A whistle made out of a long tube with a slide at one end. An ascending and descending glissando is produced by moving the slide back and forth while blowing into the mouthpiece." "Tubular whistle with a plunger unit in its column, approximately 12 inches long. The pitch is changed by moving the slide plunger in and out, producing ascending and descending glisses."
Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violinist.
Aileen Stanley, born Maude Elsie Aileen Muggeridge, was one of the most popular American singers of the early 1920s.
Jazz royalty is a term encompassing the many jazz musicians who have been termed as exceptionally musically gifted and informally granted honorific, "aristocratic" or "royal" titles as nicknames. The practice of affixing honorific titles to the names of jazz musicians goes back to New Orleans at the start of the 20th century, before the genre was commonly known as "jazz".
Knowles Fred Rose was an American musician, Hall of Fame songwriter, and music publishing executive.
"Somebody Loves Me" is a popular song, with music written by George Gershwin, and lyrics by Ballard MacDonald and Buddy DeSylva. The song was published in 1924 and featured in George White's Scandals of 1924.
Michael (Mike) Pingitore was a member of Paul Whiteman's Orchestra. Whiteman discovered him playing tenor banjo and he became part of the rhythm section for his newly-formed band for the Alexandria Hotel in Los Angeles, playing there for its entire existence (1919–1948) except for a brief period in 1923 due to illness. Pingitore played banjo on Art Mooney's "I'm Looking Over a Four Leaf Clover", which was a number one hit on the Billboard magazine pop chart in 1948. He was inducted into the American Banjo Museum Hall of Fame in 2005.
Coon-Sanders Original Nighthawk Orchestra was the first Kansas City jazz band to achieve national recognition, which it acquired through national radio broadcasts. It was founded in 1918, as the Coon-Sanders Novelty Orchestra, by drummer Carleton Coon and pianist Joe Sanders.
"Washboard Blues" is a popular jazz song written by Hoagy Carmichael, Fred B. Callahan and Irving Mills. It was first recorded for Gennett Records in May, 1925 by Hitch's Happy Harmonists with Carmichael on piano. It was subsequently recorded by jazz bands Original Memphis Five (1925) and Red Nichols and his Five Pennies (1926).
"Wonderful One" is a popular song recorded by the Paul Whiteman Orchestra on January 25, 1923 in New York and was released as Victor 19019-B. The record reached no. 3 on the Billboard chart. The song was also recorded as "My Wonderful One".
"Nobody's Sweetheart", also known as "Nobody's Sweetheart Now" and "You're Nobody's Sweetheart Now", is a popular song, written in 1924, with music by Billy Meyers and Elmer Schoebel, and lyrics by Gus Kahn and Ernie Erdman. The song is a jazz and pop standard.
"Whispering" is a popular song published in 1920 by Sherman, Clay & Co. of San Francisco. The 1920 copyright attributes the lyrics to Malvin Schonberger and the music to John Schonberger.
"Avalon" is a 1920 popular song written by Al Jolson, Buddy DeSylva and Vincent Rose referencing Avalon, California. It was introduced by Jolson and interpolated in the musicals Sinbad and Bombo. Jolson's recording rose to number two on the charts in 1921. The song was possibly written by Rose, but Jolson's popularity as a performer allowed him to claim composer co-credit. Originally, only Rose and Jolson were credited, and DeSylva's name was added later.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
"Charlestonette" is a 1925 jazz composition by jazz musician and bandleader Paul Whiteman and Fred Rose. The song was released as a 78 single by Paul Whiteman and His Orchestra.
"Whiteman Stomp" is a 1927 jazz composition by musician and bandleader Paul Whiteman, Fats Waller, and Jo Trent. The song was released as a 78 single by both Paul Whiteman and Fletcher Henderson.
"Wang Wang Blues" is a 1920 jazz composition written by Henry Busse, Gussie Mueller, and Theron E. "Buster" Johnson, with lyrics by Leo Wood. The song was released as a 78 single by Paul Whiteman and his Orchestra featuring Henry Busse on trumpet. The song is a pop and jazz standard.
"It Happened in Monterey" or "It Happened in Monterrey" is a 1930 song composed by Mabel Wayne, with lyrics by Billy Rose and performed by Paul Whiteman and his orchestra. It was written for the 1930 musical film King of Jazz, and was subsequently covered several times in short succession including by the Regent Club Orchestra, George Olsen and Ruth Etting. It fell out of popularity until Frank Sinatra re-recorded it for both his 1956 Capitol release Songs for Swingin' Lovers! and his 1957 live album Sinatra '57 in Concert.