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Flatlinerz is a hip hop group from Brooklyn, New York. The group was one of the early acts involved in the horrorcore genre of Hip-Hop, along with The Gravediggaz.
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Flatlinerz is a hip hop group from Brooklyn, New York. The group was one of the early acts involved in the horrorcore genre of Hip-Hop, along with The Gravediggaz.
| Year | Title | Chart positions | |
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| U.S. R&B | U.S. Heat | ||
| 1994 | U.S.A.
| 65 | 24 |
| Year | Title |
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| 2016 | 6ix: Chapter 1
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| 2017 | 66ix: Chapter 2
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| 2017 | 6ix: RevilATIONZ The Flatline Metal Sessions
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| 2018 | 666ix: Chapter 3
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| 2018 | 6ix: PURGEatory The Flatline Metal Sessions
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| Year | Title |
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| 1994 | The Fear (Original Motion Picture Soundtrack
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| 2014 | Definitive Creepy Collection
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| 2016 | Snowgoons: Goon Bap
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| 2017 | Reel Wolf: Sinema
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German hip hop refers to hip hop music produced in Germany. Elements of American hip hop culture, such as graffiti art and breakdancing, diffused into Western Europe in the early 1980s.
Greek hip hop, is the chief genre of rap music in Greece.
West Coast hip-hop is a regional genre of hip-hop music that encompasses any artists or music that originated in the West Coast of the United States. West Coast hip-hop began to dominate from a radio play and sales standpoint during the early to-mid 1990s with the birth of G-funk and the emergence of record labels such as Suge Knight and Dr. Dre's Death Row Records, Ice Cube's Lench Mob Records, the continued success of Eazy-E's Ruthless Records, Dr. Dre's Aftermath Entertainment, and others.
Southern hip hop, also known as Southern rap, South Coast hip hop, or dirty south, is a blanket term for a regional genre of American hip hop music that emerged in the Southern United States, especially in Georgia, Texas, Louisiana, Tennessee, and Florida—often titled "The Big 5," five states which constitute the "Southern Network" in rap music.
Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.
Underground hip-hop is an umbrella term for hip hop music that is outside the general commercial canon. It is typically associated with independent artists, signed to independent labels or no label at all. Underground hip hop is often characterized by socially conscious, positive, or anti-commercial lyrics. However, there is no unifying or universal theme – AllMusic suggests that it "has no sonic signifiers". "The Underground" also refers to the community of musicians, fans and others that support non-commercial, or independent music. Music scenes with strong ties to underground hip hop include alternative hip hop and conscious hip hop. Many artists who are considered "underground" today were not always so, and may have previously broken the Billboard charts.
Korean hip-hop, also known as K-hip-hop or K-rap, is a subgenre of the South Korean popular music.
Rap Nigerien is a hip hop music style that first appeared in Niamey, Niger, at the end of 1998.
Hip hop soul is a subgenre of contemporary R&B music, most popular during the early and mid 1990s, which fuses R&B or soul singing with hip hop musical production. The subgenre had evolved from a previous R&B subgenre, new jack swing, which had incorporated hip-hop influences into R&B music. By contrast, hip hop soul is, as described in The Encyclopedia of African American Music, "quite literally soul singing over hip hop grooves".
Mobb Deep was an American hip hop duo from Queens, New York formed in 1991. Consisting of rappers/songwriters/record producers Prodigy and Havoc, they are considered to be among the principal progenitors of hardcore East Coast hip hop. Mobb Deep became one of the most successful rap duos of all time, having sold over three million records. Their best-known albums are The Infamous (1995), Hell on Earth (1996) and Murda Muzik (1999), and their most successful singles were "Shook Ones " and "Survival of the Fittest." They were known for their dark and hardcore delivery.
Arabic hip-hop is a segment of hip hop music performed in the Arabic-speaking world. Due to variety of dialects and local genres which exist in the localities, Arabic hip-hop music may appear very diverse depending on the country of the song. Like most artists of the genre, the hip-hop artists from the Arabic-speaking world are highly influenced by American hip-hop.
Togo has very diverse and rich traditions in music and dance, which is in part reflected by Togo's regional hip hop scene. Hip-hop togo is the style of Old school hip hop of America mixing with the traditional music of Togo.
Industrial hip hop is a fusion genre of industrial music and hip hop.
The Gambian hip hop scene is a relatively new scene in African hip hop which developed in the mid-1990s and was heavily influenced by American hip hop and Senegalese hip hop. Gambian hip-hop has been heavily influenced by international music scene including worldbeat, Senegalese wolof music, and American hip hop, as well as traditional Gambian mbalax and n'daga music. Dominican merengue and Jamaican reggae, ragga, and dancehall have also influenced the development of Gambian hip-hop.
Hip-hop or hip hop, formerly known as disco rap, is a genre of popular music,that emerged in the late 1960s and early 1970s primarily from African American, Afro-Latin, and Afro-Caribbean musical aesthetics practiced by youth in the South Bronx. Hip-hop music originated as an anti-drug and anti-violence social movement led by the Afrika Bambaataa and the Universal Zulu Nation. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising expression. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art or writing. Knowledge is sometimes described as a fifth element, underscoring its role in shaping the values and promoting empowerment and consciousness-raising through music. In 1999, emcee KRS-One, often referred to as "The Teacher," elaborated on this framework in a Harvard lecture, identifying additional elements that extend beyond the basic four. These include self-expression, street fashion, street language, street knowledge, and street entrepreneurialism, which remain integral to hip-hop's musical expression, entertainment business, and sound production. Girls’ double-dutch was also recognized as a key stylistic component of breakdancing, according to KRS. While often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. The term hip-hop music is sometimes used synonymously with the term rap music, though rapping may not be the focus of hip-hop music. The genre also centers DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Lawrence "Kris" Parker, better known by his stage names KRS-One and Teacha, is an American rapper from The Bronx. He rose to prominence as part of the hip hop group Boogie Down Productions, which he formed with DJ Scott La Rock in the mid-1980s. KRS-One is known for his songs "Sound of da Police", "Love's Gonna Get'cha ", and "My Philosophy". Boogie Down Productions received numerous awards and critical acclaim in their early years. Following the release of the group's debut album, Criminal Minded, fellow artist Scott La Rock was shot and killed, but KRS-One continued the group, effectively as a solo project. He began releasing records under his own name in 1993. He is politically active, having started the Stop the Violence Movement after La Rock's death. He is also a vegan activist, expressed in songs such as "Beef". He is widely considered an influence on many hip-hop artists.
Alternative hip hop is a subgenre of hip hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip hop groups that refuse to conform to any of the traditional stereotypes of rap, such as gangsta, bass, hardcore, and party rap. Instead, they blur genres drawing equally from funk and pop/rock, as well as jazz, soul, reggae, and even folk."
Bangladeshi hip hop is a genre of music and culture that covers a variety of styles of hip hop music developed in Bangladesh. It is heavily influenced by American hip hop, and started in the early 1990s. In recent years, artists have used lyrical expressions for cultural identity, with lyrics addressing Bangladesh's political and social problems, lifestyles, nature, cultures, and communities. Hip hop in today's era has earn great impact in Bangladesh.
Run-DMC was an American hip hop group from Hollis, Queens, New York City, formed in 1983 by Joseph Simmons, Darryl McDaniels, and Jason Mizell. Run-DMC is regarded as one of the most influential acts in the history of hip hop culture and especially one of the most famous hip hop acts of the 1980s. Along with Beastie Boys, LL Cool J, DJ Jazzy Jeff & the Fresh Prince, and Public Enemy, the group pioneered new-school hip hop music and helped usher in the golden age of hip hop. The group was among the first to highlight the importance of the MC and DJ relationship.
Jewish hip hop is a genre of hip hop music with thematic, stylistic, or cultural ties to Judaism and its musical traditions.