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The Flipside film festival is an international film festival held in Plymouth, England, which focuses on independent and experimental film practice. It is put on by Flipside, a collective which explores participatory modes of film-making and alternatives to the industrial technical obsolescence model. It takes its inspiration and central research methodology from the DIY punk subculture.
The first Flipside Film Festival was conceived and curated by filmmaker Dan Paolantonio in 2008. It ran from 21–31 May 2008, in Plymouth and showcased both feature length and short films. The event featured an open call for film submissions, an "Official Selection" screening, and various thematically relevant film workshops.
The 2008 Official Selection program included:
In 2010, the Flipside collective produced a series of microcinema events in the city of Plymouth conceived of by filmmaker Allister Gall. These events explored the potential of translating a DIY punk methodology to participatory microcinema film-making. Each event included an event-specific manifesto, interviews with invited guest speakers, film screenings and details of masterclasses and film training to support the production of films for each project.
Queercore is a cultural/social movement that began in the mid-1980s as an offshoot of the punk subculture and a music genre that comes from punk rock. It is distinguished by its discontent with society in general, and specifically society's disapproval of the LGBT community. Queercore expresses itself in a DIY style through magazines, music, writing and film.
The Traverse City Film Festival was an annual film festival held at the end of July in Traverse City, Michigan. The festival was created as an annual event in 2005 to help “save one of America's few indigenous art forms—the cinema". The event was co-founded by Michael Moore, the Oscar-winning film director, well known for his anti-establishment films and documentaries such as Fahrenheit 9/11, Bowling for Columbine, and Roger & Me, along with author Doug Stanton and photographer John Robert Williams.
Carthage Film Festival is an annual film festival that takes place in Tunis and was founded in 1966. It is also called by its abbreviation JCC, from its French name, Journées cinématographiques de Carthage, or by its Arabic title, أيام قرطاج السينمائية. Initially biennial alternating with the Carthage Theatre Festival, the festival became an annual event in 2014. A directing committee chaired by the Tunisian Ministry of Culture, joined with professionals of the cinema industry, is in charge of the organization.
Sheffield DocFest, short for Sheffield International Documentary Festival (SIDF), is an international documentary festival and Industry Marketplace held annually in Sheffield, England.
The São Paulo International Film Festival, also known internationally as Mostra, is an annual film festival held in the city of São Paulo, Brazil. A non-profit event, the festival is organized by ABMIC. The state and city of São Paulo have established October as the festival's official month.
The Denver Film Festival is held in November, primarily at the Denver Film Center/Colfax, in Denver, Colorado, now the Anna and John J. Sie FilmCenter. Premiere events are held in the Buell Theatre and Ellie Caulkins Opera House at the Denver Performing Arts Complex. Before 2012, It was held in the Tivoli Union on the Auraria Campus.
The Hamilton Underground Film Festival was an annual film festival held in Hamilton, New Zealand between 2006 and 2013. Run on the basis of a DIY ethos the festival was open to all and had no admission fee for film entries. Each entrant received a DVD which contains all the entered films. The festival was the longest running festival of its kind in Australasia until recent usurped by the Melbourne underground film festival.
The Disposable Film Festival (DFF) is an annual juried international festival of short films made using casual, lo-fi video capture devices like cell phones, point and shoot cameras, webcams, and inexpensive handycams. It also features artist profile screenings of filmmakers working in these media and hosts educational film workshops.
The Maryland Film Festival is an annual five-day international film festival taking place each May in Baltimore, Maryland. The festival was launched in 1999, and presents international film and video work of all lengths and genres. The festival is known for its close relationship with John Waters, who is on the festival's board of directors and selects a favorite film to host within each year of the festival.
Berwick Film & Media Arts Festival (BFMAF) is an annual festival with a focus on new cinema and artists' moving image. The festival programme takes place across Berwick-upon-Tweed in the North East of England, UK and includes exhibitions, film screenings, live events, school screenings and family activities.
The East End Film Festival was one of the UK's largest film festivals. Founded in 2000 and operating in various venues across East London, the festival focused on emerging British, Eastern European, and Asian films. It ceased operations on March 4, 2020 due to COVID-19.
London Iranian Film Festival is an annual, independent film festival held in London. It is the only festival in the UK that is dedicated to Iranian independent cinema.
The UK Jewish Film Festival is an annual film festival dedicated to world cinema that explores Jewish life, history and culture worldwide. It was founded in 1997 and takes place in November, in London and in other cities in the United Kingdom.
Cinema Speakeasy is about a curated film screening series based on the West Coast of the United States.
Zero Film Festival is one of several independent film festival exclusive to self-financed filmmakers. Founded by Brad Bores and Richard Hooban in 2007, Zero Film Festival holds annual festival events in Toronto, New York City, Los Angeles, London and Miami Beach. The American Buffalo is the symbol for the festival, representing the independent spirit.
The Aesthetica Short Film Festival (ASFF) is an international film festival which takes place annually in York, England, at the beginning of November. Founded in 2011, it is a celebration of independent film from around the world, and an outlet for supporting and championing filmmaking.
The Trylon Cinema is a 90-seat movie theater in the Longfellow neighborhood of Minneapolis, Minnesota. The cinema was founded and is currently run by Take-Up Productions, a group of volunteers who got their start at the Oak Street Cinema before establishing the Trylon in 2009 within a former warehouse. A 2017 expansion resulted in an increase in the cinema's seating capacity and accessibility. Throughout its history, the venue has featured a variety of regular programming, ranging from career retrospectives of famous directors to B movies and cult films. The Trylon has been well received by critics who have praised its film lineup, intimacy, and atmosphere.
Norwich Film Festival is an annual short film festival founded in 2009 and held in Norwich, England, which showcases films by local, national and international filmmakers, both independent and mainstream. Various films have gone on to win BAFTAs and Oscars, as well as awards at the Sundance Film Festival, Tribeca Festival and South by Southwest.
Tartan Features is a filmmaking network and distribution platform based in Scotland. It supports the production of micro-budget feature films.
Kier-La Janisse is a Canadian film writer, programmer, producer, and founder of The Miskatonic Institute of Horror Studies. Her best-known work as a writer is House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films which many critics consider an important milestone in both confessional film writing and the study of female madness onscreen. Video Watchdog’s Tim Lucas referred to it as one of the 10 “most vital” horror film books of all time, and Ian MacAllister-McDonald of the LA Review of Books called it “the next step in genre theory, as well as the most frightening and heart-rending memoir I’ve read in years.” Her debut feature as a filmmaker, the three-hour documentary Woodlands Dark and Days Bewitched: A History of Folk Horror, premiered at SXSW 2021 where it won the Midnighters Audience Award.