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Florence Wightman was an American harpist of the 20th century. She began her orchestral career in Philadelphia theaters, and then served as Principal Harp for the Cleveland Orchestra, making her the first woman to hold a principal position in the USA, though for only one season.[ citation needed ] She departed Cleveland to serve as Principal Harp for the Roxy Theater Orchestra in New York City. She later played for the NBC Radio Symphony Orchestra, and served as Principal Harp for the Metropolitan Opera, while simultaneously performing weekly solo recital programs on several national radio networks.
After an early retirement from the Metropolitan Opera, she continued performing for several opera companies, including the Lyric Opera of Chicago, in Montreal under Leonard Pelletier, and in Bogota. She was recorded performing in Wonder Tidings, a Christmas work by the composer John LaMontaine for solo harp, choir and narrator. There are also historic recordings of her playing in the library of the American Harp Society. She participated in the Memorial Concert for Carlos Salzedo, produced by Gerald Goodman, which took place in New York's Town Hall in 1962, the recording of which was released in limited distribution.[ citation needed ] On it she performs Salzedo's Sonata for Harp and Piano.
Wightman began music study on the piano, then became a harp student of the famed teacher, Carlos Salzedo, [1] and served as his assistant instructor at the Curtis Institute of Music in Philadelphia, before embarking on her orchestral and solo career. The harpist, Edna Phillips (Rosenbaum) was her protégée, later becoming Principal Harp of the Philadelphia Orchestra.[ citation needed ]
Alphonse Jean Hasselmans was a Belgium-born French harpist, composer, and pedagogue.
Gulnara Mashurova was born in Almaty, Kazakhstan. She started piano studies at the age of 6 and by age 9 was chosen to study harp at the Pre Moscow Conservatory with Natalia Sibor. From 1991 to 1993 she studied with Vera Dulova at the Moscow Conservatory. Mashurova received a bachelor's and master's degree in harp performance from the Juilliard School as a Jerome Green full scholarship recipient studying under Nancy Allen, Principal Harpist of the New York Philharmonic. She received her second Masters in Orchestra Performance with a full scholarship from the Manhattan School of Music studying under Deborah Hoffman, Principal Harpist of the Metropolitan Opera Orchestra.
Charles Moïse Léon Salzedo was a French harpist, pianist, composer and conductor. His compositions presented the harp as a virtuoso instrument. He influenced many composers with his new ideas for the harp's sounds, and was influential in New York's new music scene through his work leading the International Composers' Guild with Edgard Varèse.
Pearl Chertok was an internationally regarded harpist and composer for harp.
The pedal harp is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves.
Ann Hobson Pilot is an American musician and the former principal harpist of the Boston Symphony Orchestra and the Boston Pops. She has performed with the National Symphony Orchestra, the Pittsburgh Symphony, and as a soloist with many orchestras in the United States. She was one of four African American musicians who were the first to play in United States symphony orchestras during the 1960s.
The Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, is a concerto by Wolfgang Amadeus Mozart for flute, harp, and orchestra. It is one of only two true double concertos that he wrote, as well as the only piece of music by Mozart for the harp. The piece is one of the most popular such concertos in the repertoire, as well as often being found on recordings dedicated to either one of its featured instruments.
Nicolai Tikhonovich Berezowsky was a Russian-born American violinist and composer.
Coline-Marie Orliac is a French harpist. A graduate of the Curtis Institute of Music, she has performed with leading orchestras including the Berlin Philharmonic.
Maria Krushevskaya is a virtuoso Russian harpist. She was the gold medalist of the 2007 USA International Harp Competition, where she was awarded the Jan Jennings Prize for best performance of Pierné's Concertstück for Harp and Orchestra, the Mary L. Ogg Prize for best performance of Küne's Fantaisie sur un theme de l’opera Eugene Onegin, and best performance of Alvars' Introduction and Variations on Themes from Bellini's Opera Norma. Maria Krushevskaya was born in Moscow in 1984 in a family of musicians. She began to study music at the age of five. In 1992 she entered the Moscow Gnessin School of Music, graduating with distinction in 2002 and subsequently continued her studies at the Gnesins’ Russian Academy of Music from which she also graduated with distinction in 2008.
Alice Chalifoux was the principal harpist with the Cleveland Orchestra from 1931 to 1974 and was its only female member for twelve years. Chalifoux learned to play the harp from her mother, studying music at local schools before studying under Carlos Salzedo at the Curtis Institute of Music. She was an authority on his music and took over the Salzedo Summer Harp Colony after his death. She had a reputation as a specialist in orchestral harp technique and a master teacher. She taught at the Cleveland Institute of Music, the Oberlin Conservatory of Music, and the Baldwin-Wallace Conservatory of Music. She continued teaching harp until her death in 2008, at the age of 100. Chalifoux received two honorary degrees for her work. In her personal life, Chalifoux married John Gordon Rideout in 1937 and had one daughter.
Yolanda Kondonassis is an American classical harpist. She is considered one of the world's premier solo harpists and is widely regarded as today's most recorded classical harpist.
Lucile Lawrence was an American harpist. At the end of her life, she was a faculty member of Boston University and the Manhattan School of Music, as well as teaching privately.
Edna Phillips, later Edna Phillips Rosenbaum, was an American harpist long associated with the Philadelphia Orchestra and a teacher at the Philadelphia Conservatory of Music. Her most lasting contribution to the instrument was a body of works she commissioned as a soloist, including the concertos of Alberto Ginastera, Nicolai Berezowsky, Ernst Krenek, and Ernst von Dohnányi.
Anna Maria Mendieta is a professional harpist from the United States. She is best known for pioneering the harp as a contemporary tango instrument. She is an orchestral musician and a teacher.
Susan Allen was an American harpist and music educator. She was particularly known for her world premieres of music for both the classical and electric harp by contemporary composers. She performed in a variety genres—classical, experimental music, jazz, and world music. For many years Allen was also Associate Dean of the Herb Alpert School of Music at California Institute of the Arts.
Heidi Lehwalder is an American classical harpist. She is internationally renowned as one of the world's greatest harp prodigies, and as the final student of master Carlos Salzedo. Leonard Bernstein said of her, "...The main thing to tell you about Heidi is that she is simply a genius," in his notes for the Young People's Concerts. She was the first recipient of the prestigious Avery Fisher Prize, later to be renamed the Avery Fisher Career Grant. Heidi was given a harp at the age of seven by her mother, who was a cellist with the Seattle Symphony, and Heidi made her debut performing with the Seattle Symphony at nine. She studied with Carlos Salzedo at his music colony in Camden, Maine for two summers beginning in 1960, and it was Salzedo who prepared her to play in The International Harp Contest in Israel in 1962. The Philharmonic Hall commentary on the contest said that "Heidi was the one and only sensation of the entire affair."
Marie-Pierre Langlamet is a French harpist.
Mildred Dilling was an American harpist. She studied under Henriette Renié in Paris. She first started performing in 1911, and traveled over 30,000 miles (48,000 km) per year at her busiest. She performed with many notable vocalists, had her own weekly NBC radio show, and appeared on the Bing Crosby radio show. She toured Europe and Asia multiple times, and often performed internationally. She enthusiastically championed the harp and gave many celebrities their first harp lesson, including Harpo Marx. In 1962 she helped found the American Harp Society. She devised a lever system for a non-pedal harp that made it more portable than a pedal harp but which allowed flexibility in harp tuning. Her extensive harp collection is held partially by Indiana University, and harp students still use two of her harp music compilations.
June Ellen Loney MBE was an Australian harpist.