The Florida Folklife Program is part of the Florida Department of State in the U.S. state of Florida. Recordings of folk performances have been made as part of the program. [1] It has hosted the Florida Folk Fest for 40 years as of 2019. [2] It also hosts other events and performances. [3]
Drop on Down in Florida: Field Recordings of African American Traditional Music 1977-1980 [1] is one of the program's recordings made in partnership with record label Dust-to-Digital and the State Archives of Florida. The expanded reissue received the Stetson Kennedy Award from the Florida Historical Society in 2013. [4]
The Florida Folklife Festival is held annually in White Springs, Florida.
Northwest Folklife is an independent 501(c)(3) arts organization that celebrates the multigenerational arts, cultures, and traditions of a global Pacific Northwest. Since 1972, Northwest Folklife has been deeply committed to celebrating the diversity of our Northwest communities and demystifying our differences together, under one roof.
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made.
The Archive of Folk Culture was established in 1928 as the first national collection of American folk music in the United States of America. It was initially part of the Music Division of the Library of Congress and now resides in the American Folklife Center.
Alan Jabbour was an American musician and folklorist, and the founding director of the American Folklife Center at the Library of Congress.
The Texas Folklife Festival is an annual event sponsored by the University of Texas at San Antonio's Institute of Texan Cultures celebrating the many ethnicities represented in the population of the state of Texas. The first Texas Folklife Festival was held from September 7–10, 1972. The event moved to August a few years after it began and then to June a few years later to avoid the hottest part of summer in Texas. The Festival is held in Downtown San Antonio at the Institute of Texan Cultures on UTSA's HemisFair Park Campus, located at the corner of Bowie Street and Cesar Chavez Boulevard, just off Interstate 37 South.
Public folklore is the term for the work done by folklorists in public settings in the United States and Canada outside of universities and colleges, such as arts councils, museums, folklife festivals, radio stations, etc., as opposed to academic folklore, which is done within universities and colleges. The term is short for "public sector folklore" and was first used by members of the American Folklore Society in the early 1970s.
Peggy Bulger is a folklorist and served as the director of the American Folklife Center at the Library of Congress from 1999 to 2011, when she moved to Florida to continue work on personal projects.
The National Folk Festival (NFF) is an itinerant folk festival in the United States. Since 1934, it has been run by the National Council for the Traditional Arts (NCTA) and has been presented in 26 communities around the nation. After leaving some of these communities, the National Folk Festival has spun off several locally run folk festivals in its wake, including the Lowell Folk Festival, the Richmond Folk Festival, the American Folk Festival and the Montana Folk Festival. The most recent spin-off is the North Carolina Folk Festival. The next year of the festival will be held in Salisbury, Maryland, in 2021, the third year of a three-year run in Salisbury.
Frances Theresa Densmore was an American anthropologist and ethnographer born in Red Wing, Minnesota. Densmore is known for her studies of Native American music and culture, and in modern terms, she may be described as an ethnomusicologist.
Simon J. Bronner is an American folklorist, ethnologist, historian, sociologist, educator, college dean, and author.
Smithsonian Folkways is the nonprofit record label of the Smithsonian Institution. It is a part of the Smithsonian's Smithsonian Center for Folklife and Cultural Heritage, located at Capital Gallery in downtown Washington, D.C. The label was founded in 1987 after the family of Moses Asch, founder of Folkways Records, donated the entire Folkways Records label to the Smithsonian. The donation was made on the condition that the Institution continue Asch's policy that each of the more than 2,000 albums of Folkways Records remain in print forever, regardless of sales. Since then, the label has expanded on Asch's vision of documenting the sounds of the world, adding six other record labels to the collection, as well as releasing over 300 new recordings. Some well-known artists have contributed to the Smithsonian Folkways collection, including Pete Seeger, Ella Jenkins, Woody Guthrie, and Lead Belly. Famous songs include "This Land Is Your Land", "Goodnight, Irene", and "Midnight Special." Due to the unique nature of its recordings, which include an extensive collection of traditional American music, children's music, and international music, Smithsonian Folkways has become an important collection to the musical community, especially to ethnomusicologists, who utilize the recordings of "people's music" from all over the world.
Will McLean (1919–1990) was a Florida folk singer-songwriter. He was inducted into the Florida Artists Hall of Fame in 1996.
The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.
Chris Vallillo is a nationally acclaimed singer-songwriter and folk musician who strives to "make the people and places of 'unmetropolitan' America come to life in song." Having spent the last 30 years in the rural Midwest, he developed an affinity for American roots music. Performing on six-string and bottleneck slide guitars and harmonica, Vallillo writes and performs original, contemporary, and traditional songs and creates musical narratives as a portrait of the history and lifestyles of the Midwest.
Ida Goodson was an American classic female blues and jazz singer and pianist.
Anna Lomax Wood is an anthropologist, ethnomusicologist and public folklorist. She is the President of the Association for Cultural Equity (ACE), established in 1985 by her father, musicologist Alan Lomax, at Hunter College, CUNY.
The Samuel Proctor Oral History Program (SPOHP) is the official oral history program at the University of Florida. With over 6,500 interviews and more than 150,000 pages of transcribed material, it is one of the premier oral history programs in the United States. SPOHP's mission is "to gather, preserve, and promote living histories of individuals from all walks of life." The program involves staff, undergraduate and graduate students, and community volunteers in its operation.
Florida Memory or the Florida Memory Program is an LSTA-funded internet-based digital outreach program providing free online access to primary source materials including historical photographs, audio, video, and textual documents from collections housed in the State Library and Archives of Florida. The Florida Memory Program also produces educational content through educational materials, teacher's lesson plans, a Florida history blog, and online exhibits.
Inez Catalon was an American Creole ballad singer, who was one of the most well-known performers of the genre known as Louisiana "home music". These are a cappella versions of ballads and love songs, drinking songs, game songs, lullabies and waltzes performed by women in the home, passed down from earlier generations to provide entertainment for the family before radio and television existed. Home music is not considered part of the public performance repertoire of Cajun and zydeco music because the songs were sung in the home by women, rather than in the dance halls of southwestern Louisiana which featured almost exclusively male performers.
Anne Grimes was an American journalist, musician and historian of American folklore. An Ohio folksinger, she collected and performed traditional songs now preserved in the Anne Grimes Collection in the American Folklife Center of the Library of Congress. She also collected vintage dulcimers and other instruments now housed in the Smithsonian's National Museum of American History in Washington, D.C. in 1997. Grimes was a classically trained vocalist and accomplished pianist among other musical pursuits.