| Flowers in a glass vase on a partly draped stone ledge | |
|---|---|
 | |
| Artist | Nicolaes van Verendael  |
| Year | 1660s |
| Medium | oil paint |
| Dimensions | 49.5 cm (19.5 in) × 39.5 cm (15.6 in) |
| Location | Suermondt-Ludwig-Museum |
| Accession No. | GK 535 |
| Identifiers | RKDimages ID: 198239 |
Flowers in a glass vase on a partly draped stone ledge is a circa 1667 floral painting by Nicolaes van Verendael in the collection of the Suermondt-Ludwig-Museum. [1]
Nicolaes van Verendael was a respected flower painter in Antwerp who worked with Jan Davidsz. de Heem, among others. The early provenance of this painting is unknown but it can be dated based on other works by Van Verendael, such as his garland painting in the Prado which was long attributed to Jan Brueghel the Elder, who began floral painting in Antwerp a half-century beforehand.
This painting dates to the period in Antwerp when hothouses became popular among the nobility and patrons ordered paintings to record their personal hothouse triumphs. Not all of the blooms would have bloomed at the same time, and the painting was meant more for decoration than for botanical accuracy. The work shows the following flower species: Rosa alba, Tropaeolum majus, Hepatica nobilis, rosemary, Tulipa, Delphinium, Aquilegia, Punica granatum, Rosa × centifolia. [2]
This painting was stored for safe-keeping during WWII in the Albrechtsburg in Meissen, from whence it was found and taken by marauding Soviet troops in 1945. Somehow it ended up in the possession of a German citizen who later migrated to Canada and it appeared on the art market in the 1970s, whereupon it was returned to the museum after 70 years. [3]
Ambrosius Bosschaert the Elder was a Flemish-born Dutch still life painter and art dealer. He is recognised as one of the earliest painters who created floral still lifes as an independent genre. He founded a dynasty of painters who continued his style of floral and fruit painting and turned Middelburg into the leading centre for flower painting in the Dutch Republic.
Jan Brueghelthe Elder was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the first three decades of the 17th century.
Jan Davidsz. de Heem or in-full Jan Davidszoon de Heem, also called Johannes de Heem or Johannes van Antwerpen or Jan Davidsz de Hem, was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch and Flemish Baroque painting.
Abraham Mignon or Minjon, was a still life painter. He is known for his flower pieces, still lifes with fruit, still lifes in forests or grottoes, still lifes of game and fish as well as his garland paintings. His works are influenced by those of Jan Davidszoon de Heem and Jacob Marrel.
Nicolaes van Verendael or Nicolaes van Veerendael was a Flemish painter active in Antwerp who is mainly known for his flower paintings and vanitas still lifes. He was a frequent collaborator of other Antwerp artists to whose compositions he added the still life elements. He also painted a number of singeries, i.e, scenes with monkeys dressed and acting as humans.
Jan Philip van Thielen or Jan Philips van Thielen was a Flemish painter who specialized in flower pieces and garland paintings. He was a regular collaborator with leading Flemish and Dutch figure painters of his time. Van Thielen was the most popular flower painter in Flanders and his patrons included Diego Felipez de Guzmán, 1st Marquis of Leganés and Leopold Wilhelm of Austria, the art-loving governor of the Southern Netherlands.
Hendrick Andriessen, known as Mancken Heyn was a Flemish still-life painter. He is known for his vanitas still lifes, which are made up of objects referencing the precariousness of life, and 'smoker' still lifes, which depict smoking utensils. The artist worked in Antwerp and likely also in the Dutch Republic.
Osias Beert or Osias Beert the Elder was a Flemish painter active in Antwerp who played an important role in the early development of flower and "breakfast"-type still lifes as independent genres in Northern European art. He has been recognized as one of the most influential artists of the earliest generation of still life painters in Flanders. He contributed in particular to the development of still lifes placed on table tops featuring festive culinary delights as well as of sumptuous floral bouquets, typically displayed in Wan Li vases.
Hieronymus Galle or Hieronymus Galle I or the Elder was a Flemish painter, who specialized in still lifes of fruit and flowers and hunting pieces. He collaborated with his fellow painters on garland paintings, i.e. paintings showing a garland of flowers or fruit around a devotional image or portrait.
Carstian Luyckx, also known as the Monogrammist KL, was a Flemish painter and draughtsman who specialized in still lifes in various subgenres including flower still lifes, fruit still lifes, fish still lifes, pronkstillevens, vanitas still lifes, hunting pieces and garland paintings. He also painted animals and a few genre scenes. After starting his career in Antwerp he is believed to have worked later in France.
Jacob van Hulsdonck or Jan van Hulsdonck, was a Flemish painter who played a role in the early development of the genre of still lifes of fruit, banquets and flowers.
Pronkstilleven is a style of ornate still life painting, which was developed in the 1640s in Antwerp from where it spread quickly to the Dutch Republic.
Jan Baptist Bosschaert or Jan Baptist Bosschaert the Younger was a Flemish still life painter who is principally known for his decorative still lifes with flowers. He collaborated with figure artists on compositions which combined allegorical or mythological scenes with a still life element. He was active in Antwerp.
Andries Daniels was a Flemish painter who was active in Antwerp during the first half of the 17th century. He is known for his flower still lifes and garland paintings, a genre of still life paintings that he helped develop in Antwerp.
The Suermondt-Ludwig-Museum is an art museum in Aachen, Germany. Founded in 1877, its collection includes works by Aelbrecht Bouts, Joos van Cleve, Anthony van Dyck, Otto Dix and Max Beckmann.
A Vase of Flowers is a 1716 floral painting by the Dutch painter Margaretha Haverman. It is in the collection of the Metropolitan Museum of Art.
Flowers in a Wan-Li Vase is a circa 1620s floral painting by Balthasar van der Ast in the collection of the Suermondt-Ludwig-Museum.
Jean-Michel Picart or Jean-Michel Picard was a Flemish still life painter and art dealer active in France. After training in Antwerp, he moved to Paris where he had a brilliant career and became court painter to king Louis XIV. He is known for his flower and fruit still lifes. He was together with Jean-Baptiste Monnoyer one of the most successful still life painters in France in his time. As an art dealer he was a link between Antwerp dealers and the Paris market.
Peter van Kessel or Peeter van Kessel was a Flemish still life painter who worked in a number of sub-genres but is principally known for his flower pieces, game pieces, garland paintings and vanitas paintings. He trained in Antwerp but mainly worked abroad, and in particular in Northern Europe.
Jan Baptist de Crépu or Jean Baptiste de Crépu was a Walloon officer in the Spanish service and a flower painter who after retiring from military service operated a workshop in Antwerp. He trained the flower painters Simon Hardimé and Jan Baptist Bosschaert.