Flute Sonata in B-flat major (attributed to Beethoven)

Last updated

The Flute Sonata in B-flat major, Anh. 4 [lower-alpha 1] is a composition for flute and keyboard attributed to Ludwig van Beethoven found amongst his papers after his death. It remained unpublished until 1906.

Contents

Background

Following Beethoven's death, a number of unpublished works were discovered amongst his papers including the Piano Trio, WoO. 38, the Piano Sonata, WoO. 51, the Rondino, WoO. 25 and this sonata for flute and keyboard. [1] Alexander Thayer noted that when the sonata was discovered, the manuscript was not in Beethoven's handwriting, making attribution to the composer problematic. [2] Musicologist Willy Hess argued that Beethoven would not have retained the work in his papers unless he had some personal connection with the composition. [3]

The manuscript was initially obtained by Artaria & Co., who elected not to publish the composition. [2] The sonata was finally published in 1906 by Breitkopf & Härtel. The current location of the manuscript is unknown. [4]

Structure

The composition is in four movements.

  1. Allegro
  2. Polacca (polonaise)
  3. Largo
  4. Thema mit variationen: Allegretto

Typical performances last around 22 minutes.

Carla Rees, in a review of a recording of the sonata released by Naïve Records in 2008 noted that the sonata is a true duo with both instruments sharing in the melodic material. She also speculated based on the writing for the flute that the work may have been a transcription of a violin sonata. [4]

Related Research Articles

<span class="mw-page-title-main">Piano Trios, Op. 1 (Beethoven)</span> Three piano trios published in 1795

Ludwig van Beethoven's Opus 1 is a set of three piano trios, first performed in 1795 in the house of Prince Lichnowsky, to whom they are dedicated. The trios were published in 1795.

<span class="mw-page-title-main">Ludwig van Beethoven</span> German composer (1770–1827)

Ludwig van Beethoven was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, Beethoven began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.

<span class="mw-page-title-main">Muzio Clementi</span> Italian-English composer and pianist (1752–1832)

Muzio Filippo Vincenzo Francesco Saverio Clementi was an Italian-British composer, virtuoso pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer, who was mostly active in England.

<span class="mw-page-title-main">Carl Philipp Emanuel Bach</span> German composer (1714–1788)

Carl Philipp Emanuel Bach, also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period composer and musician, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach.

<span class="mw-page-title-main">Ferdinand Ries</span> German composer (1784–1838)

Ferdinand Ries was a German composer. Ries was a friend, pupil and secretary of Ludwig van Beethoven. He composed eight symphonies, a violin concerto, nine piano concertos, three operas, and numerous other works, including 26 string quartets. In 1838 he published a collection of reminiscences of his teacher Beethoven, co-written with Beethoven's friend, Franz Wegeler. Ries' symphonies, some chamber works—most of them with piano—his violin concerto and his piano concertos have been recorded, exhibiting a style which, given his connection to Beethoven, lies between the Classical and early Romantic styles.

<span class="mw-page-title-main">Robert Levin (musicologist)</span>

Robert David Levin is an American classical pianist, musicologist, and composer. He was a professor of music at Harvard University from 1994 to 2014 and the artistic director of the Sarasota Music Festival from 2007 to 2017.

D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major.

Ludwig van Beethoven's Rondo for Piano and Orchestra in B-flat major, WoO 6 was composed in 1793 and originally intended as the final movement for his second piano concerto. Hans-Werner Küthen states this was probably the finale for the first and second versions of the second piano concerto, being replaced by the final version of the rondo in 1795. He also notes that the most likely inspiration for the insertion of an andante section into the rondo is the concluding rondo of Mozart's Piano Concerto No. 22.

Kaspar Anton Karl van Beethoven was a brother of the composer Ludwig van Beethoven.

The Three Piano Sonatas, WoO 47, were composed by Ludwig van Beethoven probably in 1783, when he was twelve years old. The sonatas show a certain level of precocity and serve as a precursor to the masterworks he later produced. They are dedicated to the Prince-elector Maximilian Friedrich and therefore also known as the Kurfürstensonaten.

The Trio for piano, flute and bassoon in G major, WoO. 37 is a composition for piano trio by Ludwig van Beethoven that was discovered amongst Beethoven's papers following his death. Believed to have been composed in his teens and demonstrating the influence of Mozart, the composition remained unpublished until 1888, when it was published in the supplement to the complete set of the composers works by Breitkopf & Härtel.

The Piano Trio, WoO 38, in E-flat major is a composition for piano trio by Ludwig van Beethoven, that was discovered amongst Beethoven's papers following his death. It is believed to have been composed in either 1790 or 1791. More conventional in nature than the Piano Trios Op.1, the composition was not published until 1830 by F. P. Dunst in Frankfurt, along with the Allegretto for Piano Trio in B-flat major, WoO 39, and Piano Sonata in C major, WoO 51.

The Piano Sonata, WoO 51, in C major, is an incomplete composition for piano by Ludwig van Beethoven, believed to have been composed before he left Bonn, that was discovered amongst Beethoven's papers following his death. The composition was not published until 1830 by F. P. Dunst in Frankfurt, with a dedication to Eleonore von Breuning, along with the piano trios WoO 38 and WoO 39.

The Allegretto for Piano Trio, WoO 39, in B-flat major is a composition for piano trio by Ludwig van Beethoven that was composed in 1812 as a gift for Maximiliane Brentano, the then ten-year-old daughter of his friend Antonie Brentano. Eight years later he also dedicated the Piano Sonata Op. 109 to Maximiliane. The composition was first published in 1830 by F. P. Dunst in Frankfurt, along with the Piano Trio in E-flat major, WoO 38, and the Piano Sonata in C major, WoO 51.

<span class="mw-page-title-main">Piano Quartets (Beethoven)</span>

The Piano Quartets, WoO 36, by Ludwig van Beethoven are a set of three piano quartets, completed in 1785 when the composer was aged 14. They are scored for piano, violin, viola and cello. He composed a quartet in C major, another in E-flat major, and a third in D major. They were first published posthumously in 1828, however numbered in a different order: Piano Quartet No. 1 in E-flat major, Piano Quartet No. 2 in D major, and Piano Quartet No. 3 in C major.

References

Notes
  1. "Anh." denotes "Anhang" or "appendix" to the catalogue.
Sources