| "Follow the Crowd" | |
|---|---|
| Song | |
| from the album The Queen of the Movies | |
| Released | 1914 |
| Songwriter(s) | Irving Berlin |
"Follow the Crowd" is a song composed by Irving Berlin for the 1914 musical The Queen of the Movies [1] when it was introduced by Frank Moulan. [2]
Irving Berlin was an American composer and lyricist, widely considered one of the greatest songwriters in American history. His music forms a great part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights, and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. It is commonly believed that Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp using his custom piano equipped with a transposing lever.
"Alexander's Ragtime Band" is a Tin Pan Alley song by American composer Irving Berlin released in 1911 and is often inaccurately cited as his first global hit. Although not a traditional ragtime song, Berlin's jaunty melody nonetheless "sold a million copies of sheet music in 1911, then another million in 1912, and continued to sell for years afterward. It was the number one song from October 1911 through January 1912." The song might be regarded as a narrative sequel to "Alexander and His Clarinet," which Berlin wrote with Ted Snyder in 1910. The earlier song is mostly concerned with a reconciliation between an African-American musician named Alexander Adams and his flame Eliza Johnson, but also highlights Alexander's innovative musical style.
This is a list of notable events in music that took place in the year 1914.
"Puttin' On the Ritz" is a song written by Irving Berlin. He wrote it in May 1927 and first published it on December 2, 1929. It was registered as an unpublished song August 24, 1927 and again on July 27, 1928. It was introduced by Harry Richman and chorus in the musical film Puttin' On the Ritz (1930). According to The Complete Lyrics of Irving Berlin, this was the first song in film to be sung by an interracial ensemble. The title derives from the slang expression "to put on the Ritz", meaning to dress very fashionably. This expression was itself inspired by the opulent Ritz Hotel in London.
"Blue Skies" is a popular song, written by Irving Berlin in 1926.
"Play a Simple Melody" is a song from the 1914 musical, Watch Your Step, words and music by Irving Berlin. The show was the first stage musical that Berlin wrote. It ran for 175 performances at the New Amsterdam Theater in New York City. The one song from it that is well-remembered today is "Play a Simple Melody," one of the few true examples of counterpoint in American popular music — a melody running against a second melody, each with independent lyrics. Two other of Berlin's so-called "double" songs are "You're Just in Love," and "An Old-Fashioned Wedding".
"Heat Wave" is a popular song written by Irving Berlin for the 1933 musical As Thousands Cheer, and introduced in the show by Ethel Waters.
The Best of Irving Berlin's Songs from Mr. President is a 1962 album by Perry Como, his tenth RCA Victor 12" long-play album.
"Stay Down Here Where You Belong" was a pacifist song written by Irving Berlin in 1914. The lyrics depict a conversation between the devil and his son, the devil exhorting him to "stay down here where you belong" because people on Earth do not know right from wrong.
"I've Got My Love to Keep Me Warm" is a popular song written in 1937 by Irving Berlin and introduced in the film On the Avenue when it was sung by Dick Powell and Alice Faye.
"Easter Parade" is a popular song, written by Irving Berlin and published in 1933. Berlin originally wrote the melody in 1917, under the title "Smile and Show Your Dimple", as a "cheer up" song for a girl whose man has gone off to fight in World War I. A recording of "Smile and Show Your Dimple" by Sam Ash enjoyed modest success in 1918.
"How About Me?" is a popular song written by Irving Berlin in 1928. The song is an expression of sorrow over a love affair that is over. The first recording by Fred Waring's Pennsylvanians was popular in 1928 and the song has subsequently been recorded by many artists.
"Reaching for the Moon" is a popular song written by Irving Berlin for the 1930 musical film of the same name.
Selections from Irving Berlin's White Christmas is an album with songs from the 1954 movie, White Christmas. Among the featured artists are Bing Crosby, Rosemary Clooney, Danny Kaye, and Trudy Stevens, with Peggy Lee, who was not in the movie, singing some parts. It is one of the last 78 rpm albums Decca produced.
I Want to Go Back to Michigan is a song by Irving Berlin composed in 1914. It was a moderate commercial success when it was first released with popular versions by Elida Morris and by Morton Harvey. Afterwards it became a staple on vaudeville. Its most famous performance was by Judy Garland in the film Easter Parade.
"Oh! How I Hate to Get Up in the Morning" is a song written by Irving Berlin in 1918 that gives a comic perspective on military life. Berlin composed the song as an expression of protest against the indignities of Army routine shortly after being drafted into the United States Army in 1918. The song soon made the rounds of camp and became popular with other soldiers, partly because hatred of reveille was universal.
"A Pretty Girl Is Like A Melody" is a popular song written by Irving Berlin in 1919 which became the theme song of the Ziegfeld Follies. The first verse and refrain are considered part of the Great American Songbook and are often covered as a jazz standard.
Wise Guy, which had at different points the working titles The Last Resorts, Palm Beach, The Mizner Story, and Sentimental Guy, is a musical whose music and lyrics were written by Irving Berlin between 1952 and 1956. It has never been produced.
"I Never Had A Chance" is a popular song written by Irving Berlin, published in 1934. Popular versions that year were by Eddy Duchin and by Glen Gray & The Casa Loma Orchestra.
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