Forever Female | |
---|---|
Directed by | Irving Rapper |
Written by | Julius J. Epstein Philip Epstein |
Based on | Rosalind by J. M. Barrie |
Produced by | Pat Duggan |
Starring | Ginger Rogers William Holden Paul Douglas |
Cinematography | Harry Stradling |
Edited by | Archie Marshek |
Music by | Victor Young |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 93 minutes |
Country | United States |
Language | English |
Box office | $1.1 million [1] |
Forever Female is a 1953 black and white film directed by Irving Rapper. It stars Ginger Rogers and William Holden. It won a Golden Globe in 1954. [2] [3]
The reviews are in and a new play starring Beatrice Page and produced by Harry Phillips is a flop. Long divorced but still a team, they need a new project and meet playwright Stanley Krown, who has written one in which the lead roles are a mother and a 19-year-old daughter.
Beatrice wants to play the daughter. She can't pass for 19 but believes she can for 29, so wants the play rewritten. She also displays a romantic interest in Stanley.
A young actress first calling herself Sally Carver and then Peggy Pruitt wants an audition. Stanley has her do some typing on his rewrite, and a jealous Beatrice finds her an acting job out of town. Stanley's play previews in Washington, D.C., and flops. Sally, now calling herself Claudia Souvain, tries to persuade Stanley that the actress is too old for the role.
Seeing the play in a small town with Sally in the lead, now under her real name of Clara Mootz, convinces Stanley that she is right. Beatrice finally concedes that it's time for her to act her age. She agrees to take the mother's part, and on Broadway the play is a huge success.
The film was originally called Rosalind then Reaching for the Stars. [4]
The role of Clara was meant for Audrey Hepburn. However, she was unavailable and the producer and director were not happy with other girls under contract to Paramount. They saw over 500 actors in New York before settling on Pat Crowley, who made her film debut. [5] [6] At the very end of the film, a clip featuring Pat Crowley is shown with the caption "A future Paramount star".
Rogers later wrote in her memoirs that although she liked the script she felt the studio "spent more money publicizing" Crowley "than they did on the entire production." [7] She respected her co stars William Holden and Paul Douglas as actors but said they would go drinking at lunch and form a tight group that excluded her; "they never spoke to me unless I spoke to them." [8] She added that Rapper "was not my type of director. His behaviour was cold and unfeeling. Because of the attitudes on set, I was unhappy I ever became involved with this film." [9]
Julius Epstein was going to direct the film but tried directing some tests with actors and did not like it. [10]
Vina Fay Wray was a Canadian-American actress best known for starring as Ann Darrow in the 1933 film King Kong. Through an acting career that spanned nearly six decades, Wray attained international recognition as an actress in horror films. She has been dubbed one of the early "scream queens".
Ginger Rogers was an American actress, dancer and singer during the Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (1940), and performed during the 1930s in RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century.
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Beatrice Joan Caulfield was an American actress and model. After being discovered by Broadway producers, she began a stage career in 1943 that eventually led to signing as an actress with Paramount Pictures. In the opinion of Ephraim Katz in The Film Encyclopedia, published in 1979, "For several years she was among Paramount's top stars, radiating delicate femininity and demure beauty."
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Love, Honor and Goodbye is a 1945 American comedy film directed by Albert S. Rogell and written by Arthur Phillips, Lee Loeb and Dick Irving Hyland. The film stars Virginia Bruce, Edward Ashley, Victor McLaglen, Nils Asther, Helen Broderick and Veda Ann Borg. The film was released on September 15, 1945, by Republic Pictures.
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