The four greats of Chilean poetry [1] is the name given to the group of most important poets of Chilean literature: Gabriela Mistral, Vicente Huidobro, Pablo de Rokha and Pablo Neruda.
All four poets were actually linked to each other or met each other at some point in their lives. For example, while Gabriela Mistral was head teacher at the Girls’ High School in Temuco, Chile, and already recognized as an outstanding poet, a teenage boy came to her with his own poems, asking for her opinion. This teenager was Neftalí Reyes, who would later take the pseudonym of Pablo Neruda and become another great Chilean poet. He would also follow in Mistral’s footsteps when he won the Nobel Prize in Literature in 1971, [2] 26 years after Mistral herself had won the highest honor in literature in 1945. [3]
In contrast to this tenuous link, the relationship between Huidobro, De Rokha and Neruda was one of the most persistent rivalries in Chilean cultural history. They were peers, part of the same generation, and were all at some point in their lives members of the Chilean Communist Party. De Rokha would later be expelled from the party for some disagreement with the leaders, as they claim today.
Mistral expressed no political affiliation in Chile, although according to the Chilean writer Jaime Quezada, [4] an expert on the work of Mistral, she expressed her Pan-Americanist will in her work "Tala", and expressed solidarity with the Nicaraguan revolutionary Augusto Sandino in two texts published in 1928.
The other three poets’ links with the Communist party was a reflection of the political climate at the time and their desire to fight for the social change in Chile. However, personal disputes played a more important role than politics in their relationship. Pablo de Rokha became one of Neruda’s bitterest enemies, considering him bourgeois and a hypocritical opportunist in political and social life. De Rokha wrote several essays and pamphlets in which he railed against Neruda, for example the poem “Tercetos Dantescos”:
Gallipavo senil y cogotero | Senile hypocrite and robber |
Huidobro joined the communist party earlier than Neruda, and was extremely politically active for much of his life. Towards the end of his life, however, he left the political sphere and retired to his house in Cartagena on the coast of Chile. Huidobro also accused Neruda of plagiarising Rabindranath Tagore and in November 1934, the second edition of "PRO" magazine published without comment two poems discovered by Huidobro’s friend Volodia Teitelboim: Tagore’s "Poem 30" from "The Gardener" and Neruda’s very similar "Poem 16" from "20 Poems of Love". [6] Huidobro is also known to have referred to Neruda as a "Romantic Poet" who wrote poems for 15-year-old girls.
Neruda reacted to his peers’ criticism by writing a text called "Aquí estoy" (Here I am), published in Paris in 1938, where he denounced their animosity and vilification. Despite this criticism, Neruda is recognized as one of the twenty six authors that make up the Western canon of literature, along with Shakespeare, Dante, Chaucer, Cervantes, Michel de Montaigne, Molière, Milton, Samuel Johnson, Goethe, Wordsworth, Jane Austen, Walt Whitman, Emily Dickinson, Charles Dickens, George Eliot, Tolstoy, Ibsen, Freud, Proust, James Joyce, Virginia Woolf, Franz Kafka, Borges, Neruda, Fernando Pessoa, Samuel Beckett.
Neruda could put an end to the conflict once de Rokha and Huidobro were dead, instead in his speech at the Nobel Prize ceremony he says referring to Huidobro: "El poeta no es un pequeño Dios" (The poet is not a little god).
Lucila Godoy Alcayaga, known by her pseudonym Gabriela Mistral, was a Chilean poet-diplomat, educator and humanist. In 1945 she became the first Latin American author to receive a Nobel Prize in Literature, "for her lyric poetry which, inspired by powerful emotions, has made her name a symbol of the idealistic aspirations of the entire Latin American world". Some central themes in her poems are nature, betrayal, love, a mother's love, sorrow and recovery, travel, and Latin American identity as formed from a mixture of Native American and European influences. Her portrait also appears on the 5,000 Chilean peso bank note.
Vicente García-Huidobro Fernández was a Chilean poet born to an aristocratic family. He promoted the avant-garde literary movement in Chile and was the creator and greatest exponent of the literary movement called Creacionismo ("Creationism").
Spanish-language literature or Hispanic literature is the sum of the literary works written in the Spanish language across the Hispanic world. The principal elements are the Spanish literature of Spain, and Latin American literature. There is also American literature in Spanish and Philippine literature in Spanish, as well as literature from some other parts of the world.
Latin American poetry is the poetry written by Latin America authors. Latin American poetry is often written in Spanish, but is also composed in Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, English, and Spanglish. The unification of Indigenous and imperial cultures produced a unique and extraordinary body of literature in this region. Later with the introduction of African slaves to the new world, African traditions greatly influenced Latin American poetry. Many great works of poetry were written in the colonial and pre-colonial time periods, but it was in the 1960s that the world began to notice the poetry of Latin America. Through the modernismo movement, and the international success of Latin American authors, poetry from this region became increasingly influential.
Latin American literature consists of the oral and written literature of Latin America in several languages, particularly in Spanish, Portuguese, and the indigenous languages of the Americas. It rose to particular prominence globally during the second half of the 20th century, largely due to the international success of the style known as magical realism. As such, the region's literature is often associated solely with this style, with the 20th century literary movement known as Latin American Boom, and with its most famous exponent, Gabriel García Márquez. Latin American literature has a rich and complex tradition of literary production that dates back many centuries.
Volodia Teitelboim Volosky was a Chilean communist politician, lawyer, and author.
Ricardo Eliécer Neftalí Reyes Basoalto, better known by his pen name and, later, legal name Pablo Neruda, was a Chilean poet-diplomat and politician who won the Nobel Prize for Literature in 1971. Neruda became known as a poet when he was 13 years old, and wrote in a variety of styles, including surrealist poems, historical epics, overtly political manifestos, a prose autobiography, and passionate love poems such as the ones in his collection Twenty Love Poems and a Song of Despair (1924).
Antonio Alfonso Cisneros Campoy was a Peruvian poet, journalist and academic. He was born in Lima on 27 December 1942 and died there of lung cancer on 6 October 2012, aged 69.
Copper Canyon Press is an independent, non-profit small press, specializing in the publication of poetry and located in Port Townsend, Washington. Since 1972, the Press has published poetry exclusively.
Eduardo Anguita Cuéllar was a Chilean poet, who was awarded the Chilean National Prize for Literature in 1988.
Chilean literature refers to all written or literary work produced in Chile or by Chilean writers. The literature of Chile is usually written in Spanish. Chile has a rich literary tradition and has been home to two Nobel prize winners, the poets Gabriela Mistral and Pablo Neruda. It has also seen three winners of the Miguel de Cervantes Prize, considered one of the most important Spanish language literature prizes: the novelist, journalist and diplomat Jorge Edwards (1998), and the poets Gonzalo Rojas (2003) and Nicanor Parra (2011).
Gregory Dawes is a distinguished professor of Latin American Studies at North Carolina State University. He has written on Latin American studies and literary theory and is the editor of A Contracorriente, an online academic journal dedicated to approaching social history and Latin American literature from a left-wing perspective, and managing editor of Editorial A Contracorriente, the Journal's publishing spin-off.
Pablo de Rokha was a Chilean poet. He won the Chilean Premio Nacional de Literatura in 1965 and is counted among the four greats of Chilean poetry, along with Pablo Neruda, Vicente Huidobro and Gabriela Mistral. De Rokha is considered an avant-garde poet and an influential figure in the poetry scene of his country.
Raúl Zurita Canessa is a Chilean poet. He won the Chilean National Prize for Literature in 2000.
Selva lirica is an anthology published in 1917 by the Chilean Julio Molina Nuñez.
Juan Andrés Morales Milohnic is a Chilean poet and writer. He has a PhD in literature and is a full professor of the University of Chile, and a member of Academia Chilena de la Lengua. He won the Pablo Neruda National Prize in 2001.
The Coast of Poets is a cultural space in the Valparaíso Region of Chile, named for four world-renowned Chilean poets.
The phrase land of poets is commonly used to describe Chile because of its highly-valued poetry tradition. The phrase is most often associated with the fact that Chilean poets have twice obtained Nobel Prize in Literature for their works: Gabriela Mistral in 1945 and Pablo Neruda in 1971. According to the Austral University of Chile academician Oscar Galindo, the concept of Chile as the "land of poets" is mostly foreign.
Altazor o el viaje en paracaídas, or simply Altazor, is the magnum opus of Chilean poet Vicente Huidobro, published in Madrid in 1931.
Marina Latorre Uribe is a Chilean writer, journalist and gallerist.