Frances Eldridge was a stage and screen actor in the silent era of cinema. She appeared in short films made on the East Coast before Hollywood rose to dominance.
Frances Eldridge was born in Staten Island, New York City, to parents who were both stage actors. [1]
Eldridge began in stage acting, with an appearance in The Bashful Hero with Ernest Truex, before moving into motion pictures in 1920. [2] She later claimed to have won a newspaper competition that led to a role in The Half-Way Girl with Doris Kenyon but this film was released in 1925 so it is likely she was citing a more recent role for publicity purposes.
Her first appearance was probably in Madonnas and Men by B. A. Rolfe, produced by the Peerless Pictures Studios at Fort Lee, New Jersey. [3] She appeared in two further Rolfe films: Wings of Pride and A Good Woman. From this, she was cast by Henry MacRae in God's Crucible (also known as The Foreigner). [4] [5]
By late October 1920, Eldridge had signed to Superior Pictures Corporation to appear in two two-reel comedies a month. The first of these was The Little Liar. [6] In November she was sent to the motion picture exhibition in Atlanta, Georgia, along with other stars such as Lillian Gish. One day of the exhibition was declared Frances Eldridge Day and culminated in a ball. [7] [8]
However, by March 1921, Eldridge brought a lawsuit against World Motion Pictures for failure to pay for her time or costumes in The Little Liar. [9] [10] [11]
In July 1921 she is reported to be considering an offer to enter vaudeville. [12] Her last appearance on stage is as 'Friquette' in The Red Poppy, alongside Bela Lugosi in his first US stage appearance, in December 1922. [13]
She then left acting to tour Europe, returning to America and the stage in 1925, where she appeared with Ernest Truex again in Six Cylinder Love. [1]
Viola Dana was an American film actress who was successful during the era of silent films. She appeared in over 100 films, but was unable to make the transition to sound films.
George H. Melford was an American stage and film actor and director. Often taken for granted as a director today, the stalwart Melford's name by the 1920s was, like Cecil B. DeMille's, appearing in big bold letters above the title of his films.
Grace Cunard was an American actress, screenwriter and film director. During the silent era, she starred in over 100 films, wrote or co-wrote at least 44 of those productions, and directed no fewer than eight of them. In addition, she edited many of her films, including some of the shorts, serials, and features she developed in collaboration with Francis Ford. Her younger sister, Mina Cunard, was also a film actress.
Benjamin Albert Rolfe was an American musician known as "The Boy Trumpet Wonder" who went on to be a bandleader, recording artist, radio personality, and film producer.
Katherine Agnew MacDonald was an American stage and film actress, film producer, and model. She was born in Pittsburgh, Pennsylvania and was the older sister of actresses Miriam MacDonald and Mary MacLaren.
Madge Kennedy was a stage, film and television actress whose career began as a stage actress in 1912 and flourished in motion pictures during the silent film era. In 1921, journalist Heywood Broun described her as "the best farce actress in New York".
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
Mary Nash was an American actress.
Helen Gilmore was an American actress of the stage and silent motion pictures from Louisville, Kentucky. She appeared in over 140 films between 1913 and 1932.
Clara Whipple(néeClara or Clarissa or Clarise Brimmer Whipple; November 7, 1887 – November 6, 1932) was an American actress who flourished in theatre from 1913 to 1915 and in silent film from 1915 to 1919. She was also a silent film scenario writer.
Mary MacLaren was an American film actress in both the silent and sound eras. She was the younger sister of actresses Miriam and Katherine MacDonald and appeared in more than 170 films between 1916 and 1949.
Agnes Vernon was an American film actress of the silent era. While still in her teens, she experienced a meteoric ascent from obscurity to box-office sensation. After turning twenty-three and a movie career fading away, she abandoned the silver screen forever. Vernon performed in over 90 films between 1913 and 1922. She completed most of her roles under contract with Universal Pictures.
Charles Giblyn was an American film director and actor of the silent era. He directed nearly 100 films between 1912 and 1927. He also appeared in 23 films between 1914 and 1934. He was one of the founders of the Motion Picture Directors Association.
Harold Marvin Shaw was an American stage performer, film actor, screenwriter, and director during the silent era. A native of Tennessee, he worked in theatrical plays and vaudeville for 16 years before he began acting in motion pictures for Edison Studios in New York City in 1910 and then started regularly directing shorts there two years later. Shaw next served briefly as a director for Independent Moving Pictures (IMP) in New York before moving to England in May 1913 to be "chief producer" for the newly established London Film Company. During World War I, he relocated to South Africa, where in 1916 he directed the film De Voortrekkers in cooperation with African Film Productions, Limited. Shaw also established his own production company while in South Africa, completing there two more releases, The Rose of Rhodesia in 1918 and the comedy Thoroughbreds All in 1919. After directing films once again in England under contract with Stoll Pictures, he finally returned to the United States in 1922 and later directed several screen projects for Metro Pictures in California before his death in Los Angeles in 1926. During his 15-year film career, Shaw worked on more than 125 films either as a director, actor, or screenwriter.
Polly with a Past is a 1920 American silent drama film produced and distributed by Metro Pictures and directed by Leander de Cordova. Based on a 1917 Broadway stage play of the same name, the film starred Ina Claire, reprising her stage role in the title role of Polly. Clifton Webb had an early unbilled screen appearance in this film.
The World Film Company or World Film Corporation was an American film production and distribution company, organized in 1914 in Fort Lee, New Jersey.
William J. Bowman was an American stage and film actor, writer, and director noted for his work in the early 1900s on silent productions for studios in New York, New Jersey, Chicago, and in Los Angeles during the first decade of filmmaking in and around Hollywood. His direction of a series of films with matinee idol Francis X. Bushman in 1915 and his direction of the serials The Invisible Hand in 1920 and The Avenging Arrow in 1921 form only a small part of Bowman's extensive filmography.
At the Stage Door, also known by its working title Women of Conquest, is a 1921 silent American romantic drama film directed by Christy Cabanne. It stars Billie Dove, Huntley Gordon, and Miriam Battista, and was released on December 11, 1921. The film gives a glimpse into the behind-the-scenes reality of life in the New York theater, as seen by a small town girl trying to make it in the big city. The picture received mixed reviews. This was Dove's first time on film, having moved over from the Ziegfeld Follies.
God's Crucible is a lost 1921 Canadian silent religious melodrama directed by Henry MacRae and written by Faith Green, based on a Ralph Connor novel called The Foreigner. The film was narrated by Ernest Shipman.
Pearl Doles Bell was an American novelist, film scenarist, radio script writer, and editor. During her career, she published eight novels and had numerous stories adapted into silent films. She was especially known for writing film stories for silent film star Shirley Mason.