Frances Eldridge

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Frances Eldridge Frances Eldridge.jpg
Frances Eldridge

Frances Eldridge was a stage and screen actor in the silent era of cinema. She appeared in short films made on the East Coast before Hollywood rose to dominance.

Contents

Frances Eldridge was born in Staten Island, New York City, to parents who were both stage actors. [1]

Eldridge began in stage acting, with an appearance in The Bashful Hero with Ernest Truex, before moving into motion pictures in 1920. [2] She later claimed to have won a newspaper competition that led to a role in The Half-Way Girl with Doris Kenyon but this film was released in 1925 so it is likely she was citing a more recent role for publicity purposes.

Her first appearance was probably in Madonnas and Men by B. A. Rolfe, produced by the Peerless Pictures Studios at Fort Lee, New Jersey. [3] She appeared in two further Rolfe films: Wings of Pride and A Good Woman. From this, she was cast by Henry MacRae in God's Crucible (also known as The Foreigner). [4] [5]

By late October 1920, Eldridge had signed to Superior Pictures Corporation to appear in two two-reel comedies a month. The first of these was The Little Liar. [6] In November she was sent to the motion picture exhibition in Atlanta, Georgia, along with other stars such as Lillian Gish. One day of the exhibition was declared Frances Eldridge Day and culminated in a ball. [7] [8]

However, by March 1921, Eldridge brought a lawsuit against World Motion Pictures for failure to pay for her time or costumes in The Little Liar. [9] [10] [11]

In July 1921 she is reported to be considering an offer to enter vaudeville. [12] Her last appearance on stage is as 'Friquette' in The Red Poppy, alongside Bela Lugosi in his first US stage appearance, in December 1922. [13]

She then left acting to tour Europe, returning to America and the stage in 1925, where she appeared with Ernest Truex again in Six Cylinder Love. [1]

Stage roles

Filmography

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References

  1. 1 2 "Miss Eldridge's Career Varied". Watertown NY Daily Standard. 15 October 1927. Retrieved 23 November 2021.
  2. "News of the West Coast". The Moving Picture World. 5 February 1921. Retrieved 23 November 2021.
  3. Koszarski, Richard (2008). Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff. Rutgers University Press. p. 93. ISBN   978-0-8135-4293-5.
  4. 1 2 "Francis Eldridge in the Foreigner". The Moving Picture World. New York : The World Photographic Publishing Company. 9 October 1920. Retrieved 22 November 2021.
  5. Morris, Oeter (6 August 1992). Embattled Shadows: A History of Canadian Cinema, 1895-1939. McGill-Queen's Press - MQUP. p. 113. ISBN   978-0-7735-6072-7 . Retrieved 22 November 2021.
  6. "Frances Eldridge Featured". The Moving Picture World. 30 October 1920. Retrieved 22 November 2021.
  7. "Miss Eldridge to Attend Exhibition". Motion Picture News (Nov-Dec 1920). New York, Motion Picture News, Inc. 27 November 1920. Retrieved 22 November 2021.
  8. "Contracts closing rapidly for southern fete". Exhibitors Herald: 68. 20 November 1920. Retrieved 23 November 2021.
  9. "Frances Eldridge brings suit against company". Motion Picture News (Feb-Apr 1921). New York, Motion Picture News, Inc. 12 March 1921. Retrieved 22 November 2021.
  10. "In the Courts". The Film Daily. 26 March 1921. Retrieved 23 November 2021.
  11. "Frances Eldridge suit". Variety. 11 March 1921. Retrieved 23 November 2021.
  12. "Forsakes Silent Art". Camera. 4 (16): 18. 30 July 1921. Retrieved 23 November 2021.
  13. "The Red Poppy". The Billboard. 35 (1). 9 January 1923. Retrieved 23 November 2021.
  14. "Still Chance to Get in Film". Watertown NY Daily Standard. 11 October 1927. Retrieved 23 November 2021.
  15. "Frances Eldridge". AFI catalog. Retrieved 15 November 2021.
  16. "Are Children To Blame? review". Screen Opinions (1923-1924). 11 (11). Chicago: James T. Igoe Company. 1 January 1923.
  17. "Essay Contest For New Film". Watertown NY Daily Standard. Retrieved 23 November 2021.